brought over meals; there were group attempts to get him out of his house, involving me and Anna and Jack and a water gun aimed at his living room window. The long, slow process of sorting through his father’s possessions and deciding which ones to keep and which ones to give away—I had been at his house for that, as his mother wept into the piles of clothing and Matt and I pretended not to notice. Over time, the pain seemed to dull, and his mother smiled more, and Matt returned to the world, not quite the same as he had been before but steady nonetheless.
And then my mother came back.
I had two mothers: the one who had raised me from childhood, and the one who had left my father without warning when I was five, packing a bag of her things and disappearing with the old Toyota. She had returned when I was fourteen, pudgier and older than she had been when my father last saw her, but otherwise the same.
Dad had insisted that I spend time with her, and she had brought me to her darkroom, an hour from where we lived, to show me photographs she had taken. Mostly they had been of people caught in the middle of expressions or in moments when they didn’t think anyone was watching. Sometimes out of focus, but always interesting. She touched their corners in the red-lit room as she told me about each one, her favorites and her least favorites.
I hated myself for liking those photographs. I hated seeing myself in that darkroom, picking the same favorites as her, speaking to her in that secret language of art. But I could not help but love her, like shared genes also meant shared hearts, no point in fighting it.
I saw her a few times, and then one day she was gone again. Again with no warning, again with no good-byes, no forwarding address, no explanations. The darkroom empty, the house rented out to new people. No proof she had ever been there at all.
I had never really had her, so it wasn’t fair to think that I had lost her. And my stepmother, who was my real mother in all the ways that mattered, was still there, a little aloof, but she loved me. I had no right to feel anything, I told myself, and moreover, I didn’t want to.
But still, I retreated deep inside myself, like an animal burrowing underground and curling up for warmth. I started falling asleep in class, falling asleep on top of my homework. Waking in the middle of the night to a gnawing stomach and an irrepressible sob. I stopped going out on Friday nights, and then Saturdays, and then weekdays. The desk I kept reserved strictly for art projects went unused. My mother—stepmother, whatever she was—took me to specialists in chronic fatigue; she had me tested for anemia; she spent hours researching conditions on the internet, until one doctor finally suggested depression. I left the office with a prescription that was supposed to fix everything. But I never filled it.
It was at school, of all places, that Matt and I found our ending. Three months ago. It was only him and me in fifth period lunch, in April, when the air-conditioning was on full blast inside so we sat under an apple tree on the front lawn. I had been going to the library to sleep during our lunch hour for the past few weeks, claiming that I had homework to do, but that day he had insisted that I eat with him.
He tried to speak to me, but I had trouble focusing on what he was saying, so mostly I just chewed. At one point I dropped my orange and it tumbled away from me, settling in the tree roots a few feet away. I reached for it and my sleeve pulled back, revealing a healing wound, sealed but unmistakable. I had dug into myself with a blade to make myself feel full of something instead of empty—the rush of adrenaline, of pain, was better than the hollowness. I had looked it up beforehand to figure out how to sterilize the edge, how to know how far to go so I wouldn’t puncture something essential. I wanted to know, to have my body tell me, that I was still alive.
I didn’t bother to explain it away. Matt wasn’t an idiot. He wouldn’t buy that I had slipped while shaving or something. As if I shaved my arm hair.
“Did you go off the meds?” he said, his tone grave.
“What are you, my dad?” I pulled my sleeve down and cradled the orange in my lap. “Lay off, Matt.”
“Well, did you?”
“No. I didn’t go off them. Because I never started taking them.”
“What?” He scowled at me. “You have a doctor who tells you that you have a problem, and you don’t even try the solution?”
“The doctor wants me to be like everybody else. I am not a problem.”
“No, you’re a kid refusing to take her vitamins,” he said, incredulous.
“I don’t need to be drugged because I don’t act the way other people want me to!”
“People like me?”
I shrugged.
“Oh, so you’re saying you feeling like shit all the time is a choice.” His face was red. “Forgive me, I didn’t realize.”
“You think I want to pump my body full of chemicals so I can feel flat all the time?” I snapped. “How am I supposed to be myself when something is altering the chemistry of my brain? How can I make anything, say anything, do anything worthwhile when I’m practically lobotomized?”
“That isn’t what—”
“Stop arguing with me like you know something about this. Just because you have this emotional trump card in your back pocket doesn’t mean you get to decide everyone else’s mental state.”
“Emotional trump card?” he repeated, eyebrows raised.
“Yeah!” I exclaimed. “How can I possibly have a legitimate problem when I’m talking to Matt ‘My Dad Died’ Hernandez?”
It had just … come out. I hadn’t thought about it.
I knew that Matt’s father’s death wasn’t a tool he used to control other people. I had just wanted to hurt him. It had been a year, but he was still raw with grief, right under the surface, and embarrassed by it. I knew that, too. Between us was the memory of him sobbing in the car while he held tight to my hand.
After weeks of ignoring his texts, and lying to him about why I couldn’t come hang out, and snapping at every little thing, I guess me using his dad’s death against him was the last straw. Even then, I hadn’t blamed him. It was practically a reflex to blame myself anyway.
“Matt,” I started to say.
“You know what?” he said, coming to his feet. “Do whatever you want. I’m done here.”
“I made a mistake,” Matt said, and his mouth was the first thing to materialize in the new memory—the lower lip bigger than the top one, even his speech a little lopsided, favoring the dimpled side. “I should have started the story here.”
We were in the art room. It was bright white and always smelled like paint and crayons. There were racks along the back wall, where people put their projects to dry at the end of each class period. Before I had started failing art because I didn’t turn in two of my projects, I had come here after school every other day to work. I liked the hum of the lights, the peace of the place. Peace wasn’t something that came easily to me.
My classmates were in a half circle in front of me. I was sitting in a chair, a desk to my right, and there were wires stretching from electrodes on my head to a machine beside me. The screen faced my classmates. Even without the electrodes, I knew how old I was by the color of my fingernails—my freshman year of high school, I had been obsessed with painting my nails in increasingly garish and ugly colors, lime green and sparkly purple, glow-in-the-dark blue and burnt orange. I liked to take something that was supposed to be pretty and make it ugly instead. Or interesting. Sometimes I couldn’t tell the difference between the two.
This was the second major art project of my freshman year, after the photographs of the love rocks. I had become fascinated by the inside of the brain, like it would give me explanations for everything that had happened to me and everything happening inside me. A strange stroke of inspiration, and I had applied for a young artists’ grant to purchase this portable equipment, at the forefront