a small black lacquer box at the back of her wardrobe and knew what she would find inside. She had had a six-month spell of collecting buttons in primary school, and she smiled at how tacky they looked compared to how magical she had thought them four years earlier.
If only the same were true of the garage, which was lined with long splinter-free wooden shelves, upon which were stacked neat wooden boxes bearing brightly coloured labels indicating items such as ‘torches and matches’ or ‘anti-freeze’. She stood, watching Bob proudly fishing out a nail from a box of nails that were all the same size, and wondered why she pitied him. She brought him a mug of tea one cold Saturday morning and he was grateful and he smiled and told her how lucky he was not to have a stroppy and thoughtless daughter, but then there was a silence and she walked away feeling less warm inside than she had expected to.
Debbie’s mother Karen was changed in other ways – ways that everyone, not just Lauren, could see. It was the guilt she felt over the accident in the Jeep. For weeks she was unable to be in the same room as Lauren without bursting into tears, and Vera, who had originally been tempted to freeze her out of their lives, was melted by her neighbour’s remorse and they became closer friends than they had been before.
The next summer, the curtains were tightly drawn against the sun so that Bob and Vera and Lauren could watch the tennis from Wimbledon, cheering on John McEnroe and rooting for the bespectacled but pretty Jocelyn Evert, and through a tiny gap popped a concentrated shaft of sunlight fizzing with dust. Lauren felt a bolt of indigestion. It was like the unannounced visit of a long-forgotten friend.
It took the crack in the curtain to make Lauren remember that she used to see a different sort of sunbeam, magical thick ropes of metal that were both fascinating and cruel. She sighed at the shock of the sunbeam and let it go. She could not even remember if the beams had exhausted her, entranced her or worried her. In the weeks that followed, she had dreams about the few occasions on which multiple beams had appeared, blocking her path as if angry with her, but the dreams ebbed into different dreams about vapour trails and knitting and a sports day tug-of-war. She stopped noticing the mole on her mother’s forehead and started noticing the boy playing the lead in the sixth-form production of West Side Story.
Before long, Lauren was able to walk, limping still, past No. 2 without giving any thought to who lived there. The fact that it was a house bereft of any twin boys stopped registering with her. She had accepted, and then forgotten, that the twins had not moved away. They had never lived there. The twins, in this world, had not been born and, perhaps because they had never existed, Lauren was able to absorb their absence as easily as anyone can accept that they left their keys to the left or the right of the table lamp. There was no significance. They were not even a memory, they were the wisp of smoke from the corner of a distant dream.
Mr and Mrs Cork, who did live at No. 2, were on the quiet side, but after an initial moment of uncertainty Lauren accepted that she had known them all her life. They smiled at their neighbours and wrote thank-you notelets to everyone who gave them a gift to mark the arrival of Jonathan, their first child, whose birth had been either ‘difficult’ or ‘botched’ depending on who you spoke to. Jonny would grow to become the mascot of The Willows, the child welcomed into every home because everyone felt a little bit sorry for him but also a little bit amused by his sunny stupidity. And not a day passed that Mr Cork did not wonder what sort of son would have been his first-born child had a different midwife been on duty that night.
Lauren liked to listen to her parents chatting to each other. She yearned to be older, to be free to do anything at any time of her choosing, to be able to talk about politics and money and know what it meant. She noticed that although her father left the house at twenty-past eight every day and arrived back home just after six thirty in the evening, it was the details of her mother’s day which filled the conversations. She wondered if her father was involved in very secretive work or perhaps had a role that was too complicated for casual conversation. Or perhaps his work was so very dull that Vera’s trip to the hairdresser’s was a more enriching topic of conversation.
Lauren watched him closely. Was he bored? Vera always asked him how he was when he returned home and he would give an economical reply, exhale and then, brightly, ask what had been happening at home. It was one of the puzzles of adult interaction but just as Lauren thought she was close to solving it, everything changed.
Bob arrived home later than normal one December evening, his shirt rumpled, his hair ruffled. Peter Stanning, his boss, had gone missing. Lauren had, for no reason she could fathom, looked at her advent calendar while she digested this exciting but troubling news. Just two windows were open. She felt she had, right there and then, started a countdown; that Peter Stanning had to be found by Christmas Day.
The police had interviewed all the staff at Bob’s office, the rumours had grown more intense and more upsetting by the hour, and suddenly all they spoke about at home was Bob’s work, Bob’s day, Bob’s world. As they decorated the Christmas tree, her mother winding cheap tinsel around the branches in what was, to Lauren’s mind, an annoyingly gaudy manner, she thought about the tree in the Stannings’ house. If your father was missing did you even want a Christmas tree?
Bob became the celebrity of The Willows simply because he was the only person in the cul-de-sac who knew Peter Stanning. Bob was an accountant. Peter was an accountant. Such dramas did not usually unfold in the world of spreadsheets and tax breaks but there was no disputing the fact. Peter had gone missing. Peter had two sons, Peter had a wife who liked horses and growing strawberries, Peter had a sharp brain and a weakness for slapstick comedy. Bob was slightly worried that he could not be sure if he liked Peter all that much or even knew him properly but it felt right to speak of what a great boss he was. Great chap, very smart, very reliable.
There was so much chit-chat about the missing Peter Stanning that Bob felt reality begin to slip. Christmas Day came and went and still he was not found. The anecdote about the sandwiches Peter forgot and left in a drawer to rot and to stink; was that his story or one he was regurgitating? Bob thought he could smell the rotting chicken as he related the tale but this was Miranda the receptionist’s reminiscence, not his, wasn’t it?
Lauren turned it all into her school project. She produced a cartoon strip that began with Bob and Peter staring at a large graph on a wall, then incorporated the first visit of the police and then the imagined home life of the distraught Stannings. She painted a parcel wrapped in gold-and-red Christmas paper with a gift tag that read, ‘for Dad, Merry Christmas.’ She had to blink away tears as she wrote the message in a delicate but not trembling hand. She hoped he would be found in time for the start of the new school year so that her storyboard could be completed with a happy ending but Peter Stanning remained missing.
For her fifteenth birthday Debbie took Lauren and her other, less important friends to the cinema to see Merry Christmas, Mr Lawrence because they thought it sounded mature. Lauren had bought Debbie a pair of cream leg warmers which the others fawned over as if they were all suddenly living in 1944 and Debbie had been given silk stockings. Julian paid for them all to have a Chinese banquet at the upmarket Mr Yee where Debbie declared her love for David Bowie complete. In the window of Mr Yee’s there was a poster asking for information about Bob’s boss.
The New Year’s Eve of 1983 was a quiet affair. Peter Stanning was still missing in the spring of 1984. Debbie was still Lauren’s closest friend and Lauren was impatient to be grown up, to be in love, to be free of the pain in her knee. Since the incident in Cornwall she had been keen to turn the pages on her life rather than dwell in the moment. Only when drawing or sketching or painting did she slow down, enjoy the task at hand, concentrate on the present.
Sixth Form was, really, Dance Form. Led by Debbie, the girls would attend any disco going to be Madonna or Chaka Khan. Lauren, longing to feel love or be loved, wondered if, had she been able to wear heels after her accident, she would have had better luck with boys. She was buoyed enormously to discover that the female students at the art schools she visited all wore pumps or flat boots or trainers and that they looked sexy and cool and desirable. She wondered if her art project, Peter Stanning is Missing, was cool too, or a sixth-form assignment to be binned.
Lauren leaving home was hard for Vera when it came. Bob, too, was