The Jasmine Wife: A sweeping epic historical romance novel for women. Jane Coverdale

to discern signs of unease in the faces of the other women. Were they too struggling with the endless rules of behaviour imposed on them? But their faces betrayed only contentment, even pride, as they fanned themselves against the insufferable heat and watched their menfolk at play.

      Many of the women she knew had come from the lower middle classes of England and had once been part of the “fishing fleet” of the past years. They’d found husbands amongst either the minor civil servant community or the military and were now in a society they could never have hoped for in England. Here in Madras, even those from the most humble of backgrounds had at least a dozen servants who enabled them to live with total freedom from domestic servitude.

      They were proud of their new status and couldn’t help but boast of it with, it seemed to Sara, sometimes an almost vulgar display of arrogance against the Indian natives. Her compatriots were more than happy with their position, and it was unlikely they would buck the system they had so recently found themselves a part of.

      At the far end of the room a group of men were standing together, arms around each other’s shoulders and singing a faintly disreputable ditty from one of London’s faraway music halls. She tried to be indulgent as it was harmless enough, but she resented the fact that men could be silly and loud and drink too much and stumble the night away without any recriminations, while she was supposed to be restrained and corseted, as stiff and emotionless as a mummy in a tomb.

      Her face was outwardly serene, but inside her head her thoughts were in turmoil as she ran through the endless list of rules an Englishwoman in India must abide by.

      A lady must never be seen alone in the street without at least one servant. A lady must never appear too forward in the company of a gentleman or discuss politics with an air of knowing something about the subject. A lady must always defer to the opinion of the gentleman, even if she felt he was wrong. A lady must not interrupt a gentleman while he was speaking. And, above all, she must never be seen to be amused or interested in the company of an Indian man if she should ever meet one, no matter how high his status. She must always be aware any relations between the races must be kept strictly at arm’s length.

      So far, she had broken nearly all those rules, and on the first day of her arrival in India, and had been made to pay for her unconventional behaviour with sly looks of censure and haughty glares, especially from Lady Palmer.

      Sara’s head spun with it, and she experienced a familiar tightening in her throat whenever she was in Lady Palmer’s drawing room.

      Card tables, occasional tables, vases of dried flowers and tall brass buckets of peacock feathers, silver picture frames, large bronze statuettes and examples of the local bird life preserved under domed glass, their brilliant plumage ragged and dusty. They jammed up against each other and competed on the walls with damp and dreary landscapes of the Scottish Highlands, and scenes of quaint English villages brought from “home”.

      Sara’s own house had been adorned in much the same way when she first arrived, and Charles had confessed the furnishings were due to Lady Palmer’s influence. Within the first month, though, Sara had removed the dusty trinkets and condemned most of the heavy Victorian furniture to a storeroom. The walls were painted white and she hung curtains of a vivid turquoise blue and decorated the rooms with exquisite antiques and weavings she’d found in the marketplace for a pittance. The finished result was light and elegant and, most of all, unique, despite the objections of Charles, who declared the look a trifle bohemian. He was concerned about how Lady Palmer would react if she ever found out. But, being in the first throes of fascination with his lovely new wife, he soon adjusted to the changes, only keeping the stuffed head of a tiger in his study, and the largest of Lady Palmer’s paintings, a gloomy still life of a collection of dead animals arranged on a tartan rug after a shoot, which took pride of place above his narrow bed in the dressing room, causing Sara to emit a little shudder of horror whenever she walked past.

      A servant bearing a tray of wilting cucumber sandwiches roused her to her present world. She took a bite then put it down at once; it was warm, and tasted vaguely of rancid butter. A sudden roar of coarse laughter from the other side of the room made her flinch.

      She longed to be alone, but she knew Charles would be disappointed if she asked to leave before he was ready. He liked nothing better than to be at the centre of a gathering where he knew he was respected and admired. He was at home with his people and, for a clouded moment, Sara had a fear that she’d never feel the same way. But she told herself it was nonsense to be so uneasy. It had only been a few weeks, and there were bound to be difficulties at first, and with time she’d carve her own niche in this new world.

      Though she was beginning to wonder what she had committed herself to.

      Where was the adventure she’d so longed for? There was none in being transported across the world from one drawing room to another.

      For a wild fleeting moment she wished it wasn’t taboo to be alone with a man before they married, if only for a few hours, just to discover what happened in the bedroom before a bride was bound for life.