‘We didn’t know the old Duke. He and Mama and Papa did not get on,’ Basil confided. ‘We live with William now and Mama lives in the Dower House because William is our guardian and he says we are little savages and need civilising and Mama considers civilisation stunts natural creativity. We miss Papa and Mama is sad. But Will doesn’t care, he just makes us learn the stupidest things, like arithmetic and Latin. And we have to behave. All the time,’ he added darkly.
‘We have to learn deportment and sewing and the use of the globes,’ Araminta added. ‘The girls, that is. The boys don’t have to sew or balance books on their heads.’
That did not sound too tyrannical—a typical aristocratic education, in fact. ‘Arithmetic is very useful,’ Verity offered. ‘It will help you manage your allowances, for example, and make sure you are not cheated in shops.’
That appeared to strike home with the girls, but Basil seemed unconvinced. ‘There is lots of money. Too much to worry about. And Mama and Papa never made us do anything we didn’t want to. Mama says mourning is an outdated convention intended to oppress women and that we should be sad about Papa just how we want and not go about draped in black. She would like you to visit, I’m sure.’ He grimaced. ‘I think mourning is meant to oppress boys as well. Papa wouldn’t want us not to enjoy ourselves. It doesn’t mean we don’t miss him, because we do.’
‘It is only right and natural that you miss our father.’ The deep voice behind her made Verity jump. ‘But society has its conventions which are part of what makes us civilised. And you want to be civilised, do you not?’
‘Yes, William,’ three voices chorused. The three faces looked unconvinced.
He is turning them into little puppets, Verity thought, studying the young people’s expressions. ‘Would you like to go out into the gardens?’
They jumped to their feet, earning a hiss of displeasure from behind her. Verity stood, too, and turned to face the Duke. He towered over her. Too close, too large and too sure of himself.
‘Such a lovely afternoon, don’t you think, Your Grace?’
‘Delightful,’ he agreed smoothly. ‘And I would very much enjoy seeing the gardens.’
I did not mean you, too. Stay in here and be pompous. But she could hardly say that.
‘This way.’ She led them to the glazed doors opening on to the terrace and, of course, he got there first to open them for her. His cologne was a subdued hint of Spanish leather. Very masculine and restrained. How appropriate.
‘Thank you so much.’
The Old Palace had once been a fifteenth-century fortified house with four wings which made a square around a large inner courtyard. As the country became less unsettled under Henry VII, the Bishop at the time had demolished one wing, opening the courtyard out to the south and leaving a U-shaped building. Under Henry VIII, the scars of the demolition were disguised by two fanciful towers at each end of the U and finally, under James I, a garden was created where the courtyard had been.
Now, in the sunny May weather, the early roses were coming into flower, bees buzzed in what would soon be billows of lavender and rosemary and water trickled from the central fountain.
‘This is delightful. The colours are most harmonious.’
Finally, she thought. Something you approve of.
‘Yes, is it not charming? It is generally regarded as a most romantic garden.’
‘Romantic.’ He sounded as though he had never heard the word before. ‘I was thinking that it was well planned.’
Verity shot him an exasperated look, stumbled on the top step and was caught around the waist and set firmly on her feet again before she could blink. The Duke removed his hands, leaving the impression of size, warmth and strength.
‘Thank you.’ It was most disconcerting, that easy physicality with that very restrained behaviour. Disturbing, somehow...
The youngsters had vanished down one of the pathways. The Duke turned from frowning over that as Mr Hoskins helped her father to his seat just outside the doors.
‘My lord would be delighted if you would care to explore the garden, Your Grace,’ Mr Hoskins said.
Her father was regarding her with a particularly bland expression that aroused Verity’s suspicions. What are you up to, Papa?
Then she saw his gaze was flickering from her to the Duke and back and understood.
Oh, no, Papa. We have had the conversation about matchmaking before—and the fact that this one is a duke makes absolutely no difference whatsoever.
But he was a guest and common courtesy must be observed at all costs. ‘Do allow me to show you the fountain, Your Grace. It was created to a design of my late mother’s, although she never saw it completed.’
He offered his arm as was proper and she placed her fingertips on it as they began to stroll along the central path. Was it simply the fact that he was a duke that created this strange aura of power that he carried with him? Or was it just that he was a tall, broad-shouldered man approaching his prime? Or perhaps it was simply this ridiculous awareness she had of him, a potent combination of physical attraction and dislike.
Her friend Melissa Taverner would doubtless say it was because Verity was suppressing her natural animal instincts and she should indulge in some flirtation, or even kissing, in order to give them free rein. But then Melissa would probably find the Duke’s stepmother a sister spirit, with equally advanced notions about ‘natural’ behaviour. Verity did not want to revert to nature. She had given in to those instincts once before—and discovered them seriously flawed—and now she simply wanted to have control over every aspect of her own life.
As they approached the central pool she chatted brightly about plants and garden design without receiving any response beyond polite murmurs. Then the Duke said, abruptly, ‘Did you lose your mother recently, Miss Wingate?’
‘When I was ten. It was a short illness of a few months. She was gone almost before anyone realised how serious it was.’ There was something about the quality of his silence that prompted her to add, ‘You were young when you lost your own mother, I believe?’
‘I was nine. Eighteen years ago. I hardly knew her.’ Perhaps he thought that sounded harsh because he added, ‘Do you recall your mother clearly?’
‘I remember her face—but that is easy, her portrait hangs in the dining room. I can recall her voice—it was gentle and sweet. I do not think I ever heard her raise it. Her hands were soft.’ Verity caught herself before her voice wobbled. ‘She was very pious and a very...traditional wife, I think.’
Not very intelligent, I suspect. No intellectual to match Papa. But a good woman. One who was loved. One who created a happy home.
‘Are you pious and traditional, Miss Wingate?’
Startled, she glanced up, and caught a flicker of something unexpected in the heavy blue gaze. Amusement? Warmth? Sarcasm, probably. ‘Pious? I hope I am a faithful churchwoman, but I lay no claim to piety. You know already that I am not traditional, Your Grace. But as I am not married, who knows whether I would be such a wife as my mother was.’
They had reached the fountain and she moved away from him to sit on the stone rim of the pool. She trailed her hand in the cool water and waited until the fish rose, as they always did, to nibble hopefully at her fingers. In the distance the laughter and calls from the young people told her that they had found the maze and over that happy sound drifted the first rippling bars of a piano sonata.
‘Who is the pianist? They are very skilled.’ The Duke propped his cane against the stone and stood beside her, too much on his dignity, she supposed, to perch on the fountain rim and risk the spray. He looked up and his gaze sharpened on the eastern tower.