and was regarded by those who knew about him, but did not know him, as a successful man. He always kept up his spirits, and was able in literary circles to show that he could hold his own. But he was driven by the stress of circumstances to take such good things as came in his way, and could hardly afford to be independent. It must be confessed that literary scruple had long departed from his mind. Letter No. 2 was as follows; —
Welbeck Street, 25th February, 187-.
DEAR MR BOOKER,
I have told Mr Leadham [Mr Leadham was senior partner in the enterprising firm of publishers known as Messrs. Leadham and Loiter] to send you an early copy of my “Criminal Queens.” I have already settled with my friend Mr Broune that I am to do your “New Tale of a Tub” in the “Breakfast Table.” Indeed, I am about it now, and am taking great pains with it. If there is anything you wish to have specially said as to your view of the Protestantism of the time, let me know. I should like you to say a word as to the accuracy of my historical details, which I know you can safely do. Don’t put it off, as the sale does so much depend on early notices. I am only getting a royalty, which does not commence till the first four hundred are sold.
Yours sincerely, MATILDA CARBURY. ALFRED BOOKER, ESQ., “Literary Chronicle” Office, Strand.
There was nothing in this which shocked Mr Booker. He laughed inwardly, with a pleasantly reticent chuckle, as he thought of Lady Carbury dealing with his views of Protestantism, — as he thought also of the numerous historical errors into which that clever lady must inevitably fall in writing about matters of which he believed her to know nothing. But he was quite alive to the fact that a favourable notice in the “Breakfast Table” of his very thoughtful work, called the “New Tale of a Tub,” would serve him, even though written by the hand of a female literary charlatan, and he would have no compunction as to repaying the service by fulsome praise in the “Literary Chronicle.” He would not probably say that the book was accurate, but he would be able to declare that it was delightful reading, that the feminine characteristics of the queens had been touched with a masterly hand, and that the work was one which would certainly make its way into all drawing-rooms. He was an adept at this sort of work, and knew well how to review such a book as Lady Carbury’s “Criminal Queens,” without bestowing much trouble on the reading. He could almost do it without cutting the book, so that its value for purposes of after sale might not be injured. And yet Mr Booker was an honest man, and had set his face persistently against many literary malpractices. Stretched-out type, insufficient lines, and the French habit of meandering with a few words over an entire page, had been rebuked by him with conscientious strength. He was supposed to be rather an Aristides among reviewers. But circumstanced as he was he could not oppose himself altogether to the usages of the time. “Bad; of course it is bad,” he said to a young friend who was working with him on his periodical. “Who doubts that? How many very bad things are there that we do! But if we were to attempt to reform all our bad ways at once, we should never do any good thing. I am not strong enough to put the world straight, and I doubt if you are.” Such was Mr Booker.
Then there was letter No. 3, to Mr Ferdinand Alf. Mr Alf managed, and, as it was supposed, chiefly owned, the “Evening Pulpit,” which during the last two years had become “quite a property,” as men connected with the press were in the habit of saying. The “Evening Pulpit” was supposed to give daily to its readers all that had been said and done up to two o’clock in the day by all the leading people in the metropolis, and to prophesy with wonderful accuracy what would be the sayings and doings of the twelve following hours. This was effected with an air of wonderful omniscience, and not unfrequently with an ignorance hardly surpassed by its arrogance. But the writing was clever. The facts, if not true, were well invented; the arguments, if not logical, were seductive. The presiding spirit of the paper had the gift, at any rate, of knowing what the people for whom he catered would like to read, and how to get his subjects handled so that the reading should be pleasant. Mr Booker’s “Literary Chronicle” did not presume to entertain any special political opinions. The “Breakfast Table” was decidedly Liberal. The “Evening Pulpit” was much given to politics, but held strictly to the motto which it had assumed; —
“Nullius addictus jurare in verba magistri”
and consequently had at all times the invaluable privilege of abusing what was being done, whether by one side or by the other. A newspaper that wishes to make its fortune should never waste its columns and weary its readers by praising anything. Eulogy is invariably dull, — a fact that Mr Alf had discovered and had utilized.
Mr Alf had, moreover, discovered another fact. Abuse from those who occasionally praise is considered to be personally offensive, and they who give personal offence will sometimes make the world too hot to hold them. But censure from those who are always finding fault is regarded so much as a matter of course that it ceases to be objectionable. The caricaturist, who draws only caricatures, is held to be justifiable, let him take what liberties he may with a man’s face and person. It is his trade, and his business calls upon him to vilify all that he touches. But were an artist to publish a series of portraits, in which two out of a dozen were made to be hideous, he would certainly make two enemies, if not more. Mr Alf never made enemies, for he praised no one, and, as far as the expression of his newspaper went, was satisfied with nothing.
Personally, Mr Alf was a remarkable man. No one knew whence he came or what he had been. He was supposed to have been born a German Jew; and certain ladies said that they could distinguish in his tongue the slightest possible foreign accent. Nevertheless it was conceded to him that he knew England as only an Englishman can know it. During the last year or two he had “come up” as the phrase goes, and had come up very thoroughly. He had been blackballed at three or four clubs, but had effected an entrance at two or three others, and had learned a manner of speaking of those which had rejected him calculated to leave on the minds of hearers a conviction that the societies in question were antiquated, imbecile, and moribund. He was never weary of implying that not to know Mr Alf, not to be on good terms with Mr Alf, not to understand that let Mr Alf have been born where he might and how he might he was always to be recognized as a desirable acquaintance, was to be altogether out in the dark. And that which he so constantly asserted, or implied, men and women around him began at last to believe, — and Mr Alf became an acknowledged something in the different worlds of politics, letters, and fashion.
He was a good-looking man, about forty years old, but carrying himself as though he was much younger, spare, below the middle height, with dark brown hair which would have shown a tinge of grey but for the dyer’s art, with well-cut features, with a smile constantly on his mouth the pleasantness of which was always belied by the sharp severity of his eyes. He dressed with the utmost simplicity, but also with the utmost care. He was unmarried, had a small house of his own close to Berkeley Square at which he gave remarkable dinner parties, kept four or five hunters in Northamptonshire, and was reputed to earn £6,000 a year out of the “Evening Pulpit” and to spend about half of that income. He also was intimate after his fashion with Lady Carbury, whose diligence in making and fostering useful friendships had been unwearied. Her letter to Mr Alf was as follows:
DEAR MR ALF,
Do tell me who wrote the review on Fitzgerald Barker’s last poem. Only I know you won’t. I remember nothing done so well. I should think the poor wretch will hardly hold his head up again before the autumn. But it was fully deserved. I have no patience with the pretensions of would-be poets who contrive by toadying and underground influences to get their volumes placed on every drawing-room table. I know no one to whom the world has been so goodnatured in this way as to Fitzgerald Barker, but I have heard of no one who has extended the good nature to the length of reading his poetry.
Is it not singular how some men continue to obtain the reputation of popular authorship without adding a word to the literature of their country worthy of note? It is accomplished by unflagging assiduity in the system of puffing. To puff and to get one’s self puffed have become different branches of a new profession. Alas, me! I wish I might find a class open in which lessons could be taken by such a poor tyro as myself. Much as I hate the thing from my very soul, and much as I admire the consistency with which the “Pulpit” has