was now rent. I looked for a moment: the priest was standing by the altar, offering up the expiatory sacrifice. The fire, which was to kindle the mangled limbs of the victim, gleamed for a moment, on the distant walls, and then ‘twas lost in utter darkness. He turned around, to rekindle it from the living fire of the candlestick; but that, too, was gone. — ‘Twas still as the sepulchre.
I turned, and rushed into the street. The street was vacant. No sound broke the stillness, except the yell of the wild dog, who revelled on the half-burnt corpse in the Valley of Hinnom. I saw a light stream from a distant window, and made my way towards it. I looked in at the open door. A widow was preparing the last morsel she could glean, for her dying babe. She had kindled a little fire; and I saw with what utter hopelessness of heart she beheld the flame sink away, like her own dying hopes.
Darkness covered the universe. Nature mourned, for its parent had died. The earth had enrobed herself in the habiliments of sorrow, and the heavens were clothed in the sables of mourning. I now roamed in restlessness, and heeded not whither I went. At once there appeared a light in the east. A column of light shot athwart the gloom, like the light-shot gleams on the darkness of the midnight of the pit, and illumined the sober murkiness that surrounded me. There was an opening in the vast arch of heaven’s broad expanse. With wondering eyes, I turned towards it.
Far into the wilderness of space, and at a distance that can only be meted by a “line running parallel with eternity,” but still awfully plain and distinct, appeared the same person whom I had clothed with the mock purple of royalty. He was now garmented in the robe of the King of kings. He sat on his throne; but ‘twas not one of whiteness. There was mourning in heaven; for, as each angel knelt before him, I saw that the wreath of immortal amaranth which was wont to circle his brow, was changed for one of cypress.
I turned to see whither I had wandered. I had come to the burial ground of the monarch of Israel. I gazed with trembling, as I saw the clods which covered the mouldering bones of some tyrant begin to move. I looked at where the last monarch had been laid, in all the splendour and pageantry of death, and the sculptured monument began to tremble. Soon it was overturned, and from it issued the tenant of the grave. ‘Twas a hideous, unearthly form, such as Dante, in his wildest flights of terrified fancy, ne’er conjured up. I could not move, for terror had tied up volition. It approached me. I saw the grave-worm twining itself amongst the matted locks which in part covered the rotten scull. The bones creaked on each other as they moved on the hinges, for its flesh was gone. I listened to their horrid music, as this parody on poor mortality stalked along. He came up to me; and, as he passed, he breathed the cold damps of the lonely, narrow house directly in my face. The chasm in the heavens closed; and, with a convulsive shudder, I awoke.
The End
The Duc de L’Omelette (1831)
And stepped at once into a cooler clime. — Cowper.
KEATS fell by a criticism. Who was it died of “The Andromache?”[1] Ignoble souls! — De L’Omelette perished of an ortolan. L’histoire en est brève. Assist me, Spirit of Apicius!
A golden cage bore the little winged wanderer, enamored, melting, indolent, to the Chaussée D’Antin, from its home in far Peru. From its queenly possessor La Bellissima, to the Duc De L’Omelette, six peers of the empire conveyed the happy bird.
That night the Duc was to sup alone. In the privacy of his bureau he reclined languidly on that ottoman for which he sacrificed his loyalty in outbidding his king, — the notorious ottoman of Cadet.
He buries his face in the pillow. The clock strikes! Unable to restrain his feelings, his Grace swallows an olive. At this moment the door gently opens to the sound of soft music, and lo! the most delicate of birds is before the most enamored of men! But what inexpressible dismay now overshadows the countenance of the Duc? — “Horreur! — chien! — Baptiste! — l’oiseau! ah, bon Dieu! cet oiseau modeste que tu as deshabillé de ses plumes, et que tu as servi sans papier!” It is superfluous to say more: — the Duc expired in a paroxysm of disgust.
“Ha! ha! ha!” said his Grace on the third day after his decease.
“He! he! he!” replied the Devil faintly, drawing himself up with an air of hauteur.
“Why, surely you are not serious,” retorted De L’Omelette. “I have sinned — c’est vrai — but, my good sir, consider! — you have no actual intention of putting such — such — barbarous threats into execution.”
“No what?” said his majesty — “come, sir, strip!”
“Strip, indeed! very pretty i’ faith! no, sir, I shall not strip. Who are you, pray, that I, Duc De L’Omelette, Prince de Foie-Gras, just come of age, author of the ‘Mazurkiad,’ and Member of the Academy, should divest myself at your bidding of the sweetest pantaloons ever made by Bourdon, the daintiest robe-de-chambre ever put together by Rombert — to say nothing of the taking my hair out of paper — not to mention the trouble I should have in drawing off my gloves?”
“Who am I? — ah, true! I am Baal-Zebub, Prince of the Fly. I took thee, just now, from a rose-wood coffin inlaid with ivory. Thou wast curiously scented, and labelled as per invoice. Belial sent thee, — my Inspector of Cemeteries. The pantaloons, which thou sayest were made by Bourdon, are an excellent pair of linen drawers, and thy robe-de-chambre is a shroud of no scanty dimensions.”
“Sir!” replied the Duc, “I am not to be insulted with impunity! — Sir! I shall take the earliest opportunity of avenging this insult! — Sir! you shall hear from me! in the meantime au revoir!” — and the Duc was bowing himself out of the Satanic presence, when he was interrupted and brought back by a gentleman in waiting. Hereupon his Grace rubbed his eyes, yawned, shrugged his shoulders, reflected. Having become satisfied of his identity, he took a bird’s eye view of his whereabouts.
The apartment was superb. Even De L’Omelette pronounced it bien comme il faut. It was not its length nor its breadth, — but its height — ah, that was appalling! — There was no ceiling — certainly none — but a dense whirling mass of fiery-colored clouds. His Grace’s brain reeled as he glanced upwards. From above, hung a chain of an unknown blood-red metal — its upper end lost, like the city of Boston, parmi les nues. From its nether extremity swung a large cresset. The Duc knew it to be a ruby; but from it there poured a light so intense, so still, so terrible, Persia never worshipped such — Gheber never imagined such — Mussulman never dreamed of such when, drugged with opium, he has tottered to a bed of poppies, his back to the flowers, and his face to the God Apollo. The Duc muttered a slight oath, decidedly approbatory.
The corners of the room were rounded into niches. — Three of these were filled with statues of gigantic proportions. Their beauty was Grecian, their deformity Egyptian, their tout ensemble French. In the fourth niche the statue was veiled; it was not colossal. But then there was a taper ankle, a sandalled foot. De L’Omelette pressed his hand upon his heart, closed his eyes, raised them, and caught his Satanic Majesty — in a blush.
But the paintings! — Kupris! Astarte! Astoreth! — a thousand and the same! And Rafaelle has beheld them! Yes, Rafaelle has been here; for did he not paint the ——? and was he not consequently damned? The paintings! — the paintings! O luxury! O love! — who, gazing on those forbidden beauties, shall have eyes for the dainty devices of the golden frames that besprinkled, like stars, the hyacinth and the porphyry walls?
But the Duc’s heart is fainting within him. He is not, however, as you suppose, dizzy with magnificence, nor drunk with the ecstatic breath of those innumerable censers. C’est vrai que de toutes ces choses il a pensé beaucoup — mais! The Duc De L’Omelette is terror-stricken; for, through the lurid vista which a single uncurtained window is affording, lo! gleams the most ghastly of all fires!
Le pauvre Duc! He could not help imagining that