D. H. Lawrence

The Brangwen Family Saga: The Rainbow & Women in Love


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petty ties, existing beyond petty considerations. She would see such ladies in pictures: Alexandra, Princess of Wales, was one of her models. This lady was proud and royal, and stepped indifferently over all small, mean desires: so thought Anna, in her heart. And the girl did up her hair high under a little slanting hat, her skirts were fashionably bunched up, she wore an elegant, skin-fitting coat.

      Her father was delighted. Anna was very proud in her bearing, too naturally indifferent to smaller bonds to satisfy Ilkeston, which would have liked to put her down. But Brangwen was having no such thing. If she chose to be royal, royal she should be. He stood like a rock between her and the world.

      After the fashion of his family, he grew stout and handsome. His blue eyes were full of light, twinkling and sensitive, his manner was deliberate, but hearty, warm. His capacity for living his own life without attention from his neighbours made them respect him. They would run to do anything for him. He did not consider them, but was open-handed towards them, so they made profit of their willingness. He liked people, so long as they remained in the background.

      Mrs. Brangwen went on in her own way, following her own devices. She had her husband, her two sons and Anna. These staked out and marked her horizon. The other people were outsiders. Inside her own world, her life passed along like a dream for her, it lapsed, and she lived within its lapse, active and always pleased, intent. She scarcely noticed the outer things at all. What was outside was outside, non-existent. She did not mind if the boys fought, so long as it was out of her presence. But if they fought when she was by, she was angry, and they were afraid of her. She did not care if they broke a window of a railway carriage or sold their watches to have a revel at the Goose Fair. Brangwen was perhaps angry over these things. To the mother they were insignificant. It was odd little things that offended her. She was furious if the boys hung around the slaughter-house, she was displeased when the school reports were bad. It did not matter how many sins her boys were accused of, so long as they were not stupid, or inferior. If they seemed to brook insult, she hated them. And it was only a certain gaucherie, a gawkiness on Anna’s part that irritated her against the girl. Certain forms of clumsiness, grossness, made the mother’s eyes glow with curious rage. Otherwise she was pleased, indifferent.

      Pursuing her splendid-lady ideal, Anna became a lofty demoiselle of sixteen, plagued by family shortcomings. She was very sensitive to her father. She knew if he had been drinking, were he ever so little affected, and she could not bear it. He flushed when he drank, the veins stood out on his temples, there was a twinkling, cavalier boisterousness in his eye, his manner was jovially overbearing and mocking. And it angered her. When she heard his loud, roaring, boisterous mockery, an anger of resentment filled her. She was quick to forestall him, the moment he came in.

      “You look a sight, you do, red in the face,” she cried.

      “I might look worse if I was green,” he answered.

      “Boozing in Ilkeston.”

      “And what’s wrong wi’ Il’son?”

      She flounced away. He watched her with amused, twinkling eyes, yet in spite of himself said that she flouted him.

      They were a curious family, a law to themselves, separate from the world, isolated, a small republic set in invisible bounds. The mother was quite indifferent to Ilkeston and Cossethay, to any claims made on her from outside, she was very shy of any outsider, exceedingly courteous, winning even. But the moment the visitor had gone, she laughed and dismissed him, he did not exist. It had been all a game to her. She was still a foreigner, unsure of her ground. But alone with her own children and husband at the Marsh, she was mistress of a little native land that lacked nothing.

      She had some beliefs somewhere, never defined. She had been brought up a Roman Catholic. She had gone to the Church of England for protection. The outward form was a matter of indifference to her. Yet she had some fundamental religion. It was as if she worshipped God as a mystery, never seeking in the least to define what He was.

      And inside her, the subtle sense of the Great Absolute wherein she had her being was very strong. The English dogma never reached her: the language was too foreign. Through it all she felt the great Separator who held life in His hands, gleaming, imminent, terrible, the Great Mystery, immediate beyond all telling.

      She shone and gleamed to the Mystery, Whom she knew through all her senses, she glanced with strange, mystic superstitions that never found expression in the English language, never mounted to thought in English. But so she lived, within a potent, sensuous belief that included her family and contained her destiny.

      To this she had reduced her husband. He existed with her entirely indifferent to the general values of the world. Her very ways, the very mark of her eyebrows were symbols and indication to him. There, on the farm with her, he lived through a mystery of life and death and creation, strange, profound ecstasies and incommunicable satisfactions, of which the rest of the world knew nothing; which made the pair of them apart and respected in the English village, for they were also well-to-do.

      But Anna was only half safe within her mother’s unthinking knowledge. She had a mother-of-pearl rosary that had been her own father’s. What it meant to her she could never say. But the string of moonlight and silver, when she had it between her fingers, filled her with strange passion. She learned at school a little Latin, she learned an Ave Maria and a Pater Noster, she learned how to say her rosary. But that was no good. “Ave Maria, gratia plena, Dominus tecum, Benedicta tu in mulieribus et benedictus fructus ventris tui Jesus. Ave Maria, Sancta Maria, ora pro nobis peccatoribus, nunc et in hora mortis nostrae, Amen.”

      It was not right, somehow. What these words meant when translated was not the same as the pale rosary meant. There was a discrepancy, a falsehood. It irritated her to say, “Dominus tecum,” or, “benedicta tu in mulieribus.” She loved the mystic words, “Ave Maria, Sancta Maria;” she was moved by “benedictus fructus ventris tui Jesus,” and by “nunc et in hora mortis nostrae.” But none of it was quite real. It was not satisfactory, somehow.

      She avoided her rosary, because, moving her with curious passion as it did, it meant only these not very significant things. She put it away. It was her instinct to put all these things away. It was her instinct to avoid thinking, to avoid it, to save herself.

      She was seventeen, touchy, full of spirits, and very moody: quick to flush, and always uneasy, uncertain. For some reason or other, she turned more to her father, she felt almost flashes of hatred for her mother. Her mother’s dark muzzle and curiously insidious ways, her mother’s utter surety and confidence, her strange satisfaction, even triumph, her mother’s way of laughing at things and her mother’s silent overriding of vexatious propositions, most of all her mother’s triumphant power maddened the girl.

      She became sudden and incalculable. Often she stood at the window, looking out, as if she wanted to go. Sometimes she went, she mixed with people. But always she came home in anger, as if she were diminished, belittled, almost degraded.

      There was over the house a kind of dark silence and intensity, in which passion worked its inevitable conclusions. There was in the house a sort of richness, a deep, inarticulate interchange which made other places seem thin and unsatisfying. Brangwen could sit silent, smoking in his chair, the mother could move about in her quiet, insidious way, and the sense of the two presences was powerful, sustaining. The whole intercourse was wordless, intense and close.

      But Anna was uneasy. She wanted to get away. Yet wherever she went, there came upon her that feeling of thinness, as if she were made smaller, belittled. She hastened home.

      There she raged and interrupted the strong, settled interchange. Sometimes her mother turned on her with a fierce, destructive anger, in which was no pity or consideration. And Anna shrank, afraid. She went to her father.

      He would still listen to the spoken word, which fell sterile on the unheeding mother. Sometimes Anna talked to her father. She tried to discuss people, she wanted to know what was meant. But her father became uneasy. He did not want to have things dragged into consciousness. Only out of consideration for her he listened. And there was a kind of bristling rousedness in the room. The cat got up and stretching itself, went uneasily to the door. Mrs. Brangwen was silent, she