exposition fails mystic and theologian alike. A tangle of metaphors takes its place. We are face to face with the “wonder of wonders” — that most real, yet most mysterious, of all the experiences of religion, the union of human and divine, in a nameless something which is “great enough to be God, small enough to be me.” In the struggle to describe this experience, the “spark of the soul,” the point of juncture, is at one moment presented to us as the divine to which the self attains: at another, as that transcendental aspect of the self which is in contact with God. On either hypothesis, it is here that the mystic encounters Absolute Being. Here is his guarantee of God’s immediate presence in the human heart; and, if in the human heart, then in that universe of which man’s soul resumes in miniature the essential characteristics.
According to the doctrine of Immanence, creation, the universe, could we see it as it is, would be perceived as the self-development, the self-revelation of this indwelling Deity. The world is not projected from the Absolute, but immersed in God. “I understood,” says St. Teresa, “how our Lord was in all things, and how He was in the soul: and the illustration of a sponge filled with water was suggested to me.”193 The world-process, then, is the slow coming to fruition of that Divine Spark which is latent alike in the Cosmos and in man. “If,” says Boehme, “thou conceivest a small minute circle, as small as a grain of mustard seed, yet the Heart of God is wholly and perfectly therein: and if thou art born in God, then there is in thyself (in the circle of thy life) the whole Heart of God undivided.”194 The idea of Immanence has seldom been more beautifully expressed.
It is worth noticing that both the theological doctrines of reality which have been acceptable to the mystics implicitly declare, as science does, that the universe is not static but dynamic; a World of Becoming. According to the doctrine of Immanence this universe is free, self-creative. The divine action floods it: no part is more removed from the Godhead than any other part. “God,” says Eckhart, “is nearer to me than I am to myself; He is just as near to wood and stone, but they do not know it.”195
These two apparently contradictory explanations of the Invisible have both been held, and that in their extreme form, by the mystics: who have found in both adequate, and indeed necessary, diagrams by which to suggest something of their rich experience of Reality.196 Some of the least lettered and most inspired amongst them — for instance, St. Catherine of Siena, Julian of Norwich — and some of the most learned, as Dionysius the Areopagite and Meister Eckhart, have actually used in their rhapsodies language appropriate to both the theories of Emanation and of Immanence. It would seem, then, that both these theories convey a certain truth; and that it is the business of a sound mystical philosophy to reconcile them. It is too often forgotten by quarrelsome partisans of a concrete turn of mind that at best all these transcendental theories are only symbols, methods, diagrams; feebly attempting the representation of an experience which in its fullness is always the same, and of which the dominant characteristic is ineffability. Hence they insist with tiresome monotony that Dionysius must be wrong if Tauler be right: that it is absurd to call yourself the Friend of God if unknowableness be that God’s first attribute: that Plato’s Perfect Beauty and St. Catherine of Siena’s Accepter of Sacrifices cannot be the same: that the “courteous and dear-worthy Lord” who said to Lady Julian, “My darling, I am glad that thou art come to Me, in all thy woe I have ever been with thee,”197 rules out the formless and impersonal One of Plotinus, the “triple circle” of Suso and Dante. Finally, that if God be truly immanent in the material world it is either sin or folly to refuse that world in order that we may find Him; and if introversion be right, a plan of the universe which postulates intervening planes between Absolute Being and the phenomenal world must be wrong.
Now as regards the mystics, of whom we hold both these doctrines, these ways of seeing truth — for what else is a doctrine but that? — it is well to remind ourselves that their teaching about the relation of the Absolute to the finite, of God to the phenomenal world, must be founded in the first instance on what they know by experience of the relation between that Absolute and the individual self. This experience is the valid part of mysticism, the thing which gives to it its unique importance amongst systems of thought, the only source of its knowledge. Everything else is really guessing aided by analogy. When therefore the mystic, applying to the universe what he knows to be true in respect of his own soul, describes Divine Perfection as very far removed from the material world, yet linked with it by a graduated series of “emanations” — states or qualities which have each of them something of the godlike, though they be not God — he is trying to describe the necessary life-process which he has himself passed through in the course of his purgation and spiritual ascent from the state of the “natural man” to that other state of harmony with the spiritual universe, sometimes called “deification,” in which he is able to contemplate, and unite with, the divine. We have in the “Divina Commedia” a classic example of such a twofold vision of the inner and the outer worlds: for Dante’s journey up and out to the Empyrean Heaven is really an inward alchemy, an ordering and transmuting of his nature, a purging of his spiritual sight till — transcending all derived beatitude — it can look for an instant on the Being of God.
The mystic assumes — because he tends to assume an orderly basis for things — that there is a relation, an analogy, between this microcosm of man’s self and the macrocosm of the world-self. Hence his experience, the geography of the individual quest, appears to him good evidence of the geography of the Invisible. Since he must transcend his natural life in order to attain consciousness of God, he conceives of God as essentially transcendent to the natural world. His description of that geography, however — of his path in a land where there is no time and space, no inner and no outer, up or down — will be conditioned by his temperament, by his powers of observation, by the metaphor which comes most readily to his hand, above all by his theological education. The so-called journey itself is a psychological and spiritual experience: the purging and preparation of the self, its movement to higher levels of consciousness, its unification with that more spiritual but normally unconscious self which is in touch with the transcendental order, and its gradual or abrupt entrance into union with the Real. Sometimes it seems to the self that this performance is a retreat inwards to that “ground of the soul” where, as St. Teresa says, “His Majesty awaits us”: sometimes a going forth from the Conditioned to the Unconditioned, the “supernatural flight” of Plotinus and Dionysius the Areopagite. Both are but images under which the self conceives the process of attaining conscious union with that God who is “at once immanent and transcendent in relation to the Soul which shares His life.”198
He has got to find God. Sometimes his temperament causes him to lay most stress on the length of the search; sometimes the abrupt rapture which brings it to a close makes him forget that preliminary pilgrimage in which the soul is “not outward bound but rather on a journey to its centre.” The habitations of the Interior Castle through which St. Teresa leads us to that hidden chamber which is the sanctuary of the indwelling God: the hierarchies of Dionysius, ascending from the selfless service of the angels, past the seraphs’ burning love, to the God enthroned above time and space: the mystical paths of the Kabalistic Tree of Life which lead from the material world of Malkuth through the universes of action and thought, by Mercy, Justice and Beauty, to the Supernal Crown;199 all these are different ways of describing this same pilgrimage.
As every one is born a disciple of either Plato or Aristotle, so every human soul leans to one of these two ways of apprehending reality. The artist, the poet, every one who looks with awe and rapture on created things, acknowledges in this act the Immanent God. The ascetic, and that intellectual ascetic the metaphysician, turning from the created, denying the senses in order to find afar off the uncreated, unconditioned Source, is really — though often he knows it not — obeying that psychological law which produced the doctrine of Emanations.
A good map then, a good mystical philosophy, will leave room for both these ways of interpreting our experience. It will mark the routes by which many different temperaments claim to have found their way to the same end. It will acknowledge both the aspects under which the patria splendida Truth has appeared to its lovers: the aspects which have called forth the theories of emanation and immanence and are enshrined in the Greek and Latin names of God. Deus, whose root means day, shining, the Transcendent Light; and Theos, whose true meaning is supreme desire or prayer — the