as the smoked glasses through which people gaze at an eclipse. With resolute bravado, however, he snatched them from his nose and fixed a bold stare full upon the ruddy blaze of the Great Carbuncle. But scarcely had he encountered it when, with a deep, shuddering groan, he dropped his head and pressed both hands across his miserable eyes. Thenceforth there was in very truth no light of the Great Carbuncle, nor any other light on earth, nor light of heaven itself, for the poor cynic. So long accustomed to view all objects through a medium that deprived them of every glimpse of brightness, a single flash of so glorious a phenomenon, striking upon his naked vision, had blinded him for ever.
“Matthew,” said Hannah, clinging to him, “let us go hence.”
Matthew saw that she was faint, and, kneeling down, supported her in his arms while he threw some of the thrillingly-cold water of the enchanted lake upon her face and bosom. It revived her, but could not renovate her courage.
“Yes, dearest,” cried Matthew, pressing her tremulous form to his breast; “we will go hence and return to our humble cottage. The blessed sunshine and the quiet moonlight shall come through our window. We will kindle the cheerful glow of our hearth at eventide and be happy in its light. But never again will we desire more light than all the world may share with us.”
“No,” said his bride, “for how could we live by day or sleep by night in this awful blaze of the Great Carbuncle?”
Out of the hollow of their hands they drank each a draught from the lake, which presented them its waters uncontaminated by an earthly lip. Then, lending their guidance to the blinded cynic, who uttered not a word, and even stifled his groans in his own most wretched heart, they began to descend the mountain. Yet as they left the shore, till then untrodden, of the spirit’s lake, they threw a farewell glance toward the cliff and beheld the vapors gathering in dense volumes, through which the gem burned duskily.
As touching the other pilgrims of the Great Carbuncle, the legend goes on to tell that the worshipful Master Ichabod Pigsnort soon gave up the quest as a desperate speculation, and wisely resolved to betake himself again to his warehouse, near the town-dock, in Boston. But as he passed through the Notch of the mountains a war-party of Indians captured our unlucky merchant and carried him to Montreal, there holding him in bondage till by the payment of a heavy ransom he had woefully subtracted from his hoard of pine-tree shillings. By his long absence, moreover, his affairs had become so disordered that for the rest of his life, instead of wallowing in silver, he had seldom a sixpence-worth of copper. Doctor Cacaphodel, the alchemist, returned to his laboratory with a prodigious fragment of granite, which he ground to powder, dissolved in acids, melted in the crucible and burnt with the blowpipe, and published the result of his experiments in one of the heaviest folios of the day. And for all these purposes the gem itself could not have answered better than the granite. The poet, by a somewhat similar mistake, made prize of a great piece of ice which he found in a sunless chasm of the mountains, and swore that it corresponded in all points with his idea of the Great Carbuncle. The critics say that, if his poetry lacked the splendor of the gem, it retained all the coldness of the ice. The lord De Vere went back to his ancestral hall, where he contented himself with a waxlighted chandelier, and filled in due course of time another coffin in the ancestral vault. As the funeral torches gleamed within that dark receptacle, there was no need of the Great Carbuncle to show the vanity of earthly pomp.
The cynic, having cast aside his spectacles, wandered about the world a miserable object, and was punished with an agonizing desire of light for the wilful blindness of his former life. The whole night long he would lift his splendor-blasted orbs to the moon and stars; he turned his face eastward at sunrise as duly as a Persian idolater; he made a pilgrimage to Rome to witness the magnificent illumination of Saint Peter’s church, and finally perished in the Great Fire of London, into the midst of which he had thrust himself with the desperate idea of catching one feeble ray from the blaze that was kindling earth and heaven.
Matthew and his bride spent many peaceful years and were fond of telling the legend of the Great Carbuncle. The tale, however, toward the close of their lengthened lives, did not meet with the full credence that had been accorded to it by those who remembered the ancient lustre of the gem. For it is affirmed that from the hour when two mortals had shown themselves so simply wise as to reject a jewel which would have dimmed all earthly things its splendor waned. When our pilgrims reached the cliff, they found only an opaque stone with particles of mica glittering on its surface. There is also a tradition that as the youthful pair departed the gem was loosened from the forehead of the cliff and fell into the enchanted lake, and that at noontide the Seeker’s form may still be seen to bend over its quenchless gleam.
Some few believe that this inestimable stone is blazing as of old, and say that they have caught its radiance, like a flash of summer lightning, far down the valley of the Saco. And be it owned that many a mile from the Crystal Hills I saw a wondrous light around their summits, and was lured by the faith of poesy to be the latest pilgrim of the Great Carbuncle.
THE PROPHETIC PICTURES
“But this painter!” cried Walter Ludlow, with animation. “He not only excels in his peculiar art, but possesses vast acquirements in all other learning and science. He talks Hebrew with Dr. Mather and gives lectures in anatomy to Dr. Boylston. In a word, he will meet the best-instructed man among us on his own ground. Moreover, he is a polished gentleman, a citizen of the world — yes, a true cosmopolite; for he will speak like a native of each clime and country on the globe, except our own forests, whither he is now going. Nor is all this what I most admire in him.”
“Indeed!” said Elinor, who had listened with a women’s interest to the description of such a man. “Yet this is admirable enough.”
“Surely it is,” replied her lover, “but far less so than his natural gift of adapting himself to every variety of character, insomuch that all men — and all women too, Elinor — shall find a mirror of themselves in this wonderful painter. But the greatest wonder is yet to be told.”
“Nay, if he have more wonderful attributes than these,” said Elinor, laughing, “Boston is a perilous abode for the poor gentleman. Are you telling me of a painter, or a wizard?”
“In truth,” answered he, “that question might be asked much more seriously than you suppose. They say that he paints not merely a man’s features, but his mind and heart. He catches the secret sentiments and passions and throws them upon the canvas like sunshine, or perhaps, in the portraits of dark-souled men, like a gleam of infernal fire. It is an awful gift,” added Walter, lowering his voice from its tone of enthusiasm. “I shall be almost afraid to sit to him.”
“Walter, are you in earnest?” exclaimed Elinor.
“For Heaven’s sake, dearest Elinor, do not let him paint the look which you now wear,” said her lover, smiling, though rather perplexed. “There! it is passing away now; but when you spoke, you seemed frightened to death, and very sad besides. What were you thinking of?”
“Nothing, nothing!” answered Elinor, hastily. “You paint my face with your own fantasies. Well, come for me tomorrow, and we will visit this wonderful artist.”
But when the young man had departed, it cannot be denied that a remarkable expression was again visible on the fair and youthful face of his mistress. It was a sad and anxious look, little in accordance with what should have been the feelings of a maiden on the eve of wedlock. Yet Walter Ludlow was the chosen of her heart.
“A look!” said Elinor to herself. “No wonder that it startled him if it expressed what I sometimes feel. I know by my own experience how frightful a look may be. But it was all fancy. I thought nothing of it at the time; I have seen nothing of it since; I did but dream it;” and she busied herself about the embroidery of a ruff in which she meant that her portrait should be taken.
The painter of whom they had been speaking was not one of those native artists who at a later period than this borrowed their colors from the Indians