How to write screenplays using Vladimir Yakovlevich Propp approach. PRACTICAL GUIDE. Maxim Bukhteev

tale.

      Enemies can harm in a variety of ways.

      – Kidnapping a bride, children, a wife.

      – Kidnapping some magic substance.

      – Stealing or spoiling crops or supplies.

      – Stealing a light, the Moon or a warmth.

      – Any other type of stealing.

      Propp remarks, that all forms of stealing are very much alike and could’ve been united, however he describes separately the most common cases for the convenience.

      – Bodily injury.

      The interesting thing here is that in fairy tales (from the mythology point of view) it is a form of a stealing. Fairytale enemies can easily kidnap hero’s heart and hide it in some secret place. The victim has to find what was stolen and to return it to its place.

      – A sudden disappearance.

      In this case, unlike in kidnapping, an enemy doesn’t take anything for himself. Let’s say, there’s no antagonist in the comedy The Hangover, 2009. Characters make a “lacking” by themselves, forgetting where they have left the groom.

      – An enemy demands and takes the victim away.

      As a rule, it is a consequence of a deceptive contract.

      – An Antagonist himself banishes someone from the house.

      In the tale “The Three Little Pigs”, the wolf just destroys heroes’ houses. One more common theme is when a stepmother gets rid of her husband’s children, like for example, in the tale “Hensel and Gretel”.

      – The villain can order the third party to banish someone from the house.

      For example, to throw into the sea or leave in some deserted place.

      11.The enemy bewitches the victim.

      Propp specifically notices, that the antagonist often harms in several ways at the same time. For example, as in the tale of the sleeping princess. The princess, having pricked her finger, gets bewitched and falls asleep, which is one of the disappearance forms. The bewitchment form is rarely found by itself. The magic is usually used for some concrete purposes, not for the process itself. The same goes for some other forms, which Propp calls accompanying.

      – The Antagonist makes a substitution.