me, as it ought? Why should he know it? He shall not know it!"
Saying those last words, she desperately held the letter within an inch of the flame of the candle. At the same moment the white curtain over the window before her stirred a little, as the freshening air found its way through the old-fashioned, ill-fitting sashes. Her eye caught sight of it, as it waved gently backward and forward. She clasped the letter suddenly to her breast with both hands, and shrank back against the wall of the room, her eyes still fastened on the curtain with the same blank look of horror which they had exhibited when Mrs. Treverton had threatened to claim her servant's obedience from the other world.
"Something moves," she gasped to herself, in a breathless whisper. "Something moves in the room."
The curtain waved slowly to and fro for the second time. Still fixedly looking at it over her shoulder, she crept along the wall to the door.
"Do you come to me already?" she said, her eyes riveted on the curtain while her hand groped over the lock for the key. "Before your grave is dug? Before your coffin is made? Before your body is cold?"
She opened the door and glided into the passage; stopped there for a moment, and looked back into the room.
"Rest!" she said. "Rest, mistress—he shall have the letter."
The staircase-lamp guided her out of the passage. Descending hurriedly, as if she feared to give herself time to think, she reached Captain Treverton's study, on the ground-floor, in a minute or two. The door was wide open, and the room was empty.
After reflecting a little, she lighted one of the chamber-candles standing on the hall-table, at the lamp in the study, and ascended the stairs again to her master's bedroom. After repeatedly knocking at the door and obtaining no answer, she ventured to go in. The bed had not been disturbed, the candles had not been lit—to all appearance the room had not even been entered during the night.
There was but one other place to seek him—the chamber in which his wife lay dead. Could she summon the courage to give him the letter there? She hesitated a little—then whispered, "I must! I must!"
The direction she now compelled herself to take led her a little way down the stairs again. She descended very slowly this time, holding cautiously by the banisters, and pausing to take breath almost at every step. The door of what had been Mrs. Treverton's bedroom was opened, when she ventured to knock at it, by the nurse, who inquired, roughly and suspiciously, what she wanted there.
"I want to speak to my master."
"Look for him somewhere else. He was here half an hour ago. He is gone now."
"Do you know where he has gone?"
"No. I don't pry into other people's goings and comings. I mind my own business."
With that discourteous answer, the nurse closed the door again. Just as Sarah turned away from it she looked toward the inner end of the passage. The door of the nursery was situated there. It was ajar, and a dim gleam of candle-light was flickering through it.
"AND TOWARD THE OPENING THUS MADE SARAH NOW ADVANCED."
She went in immediately, and saw that the candle-light came from an inner room, usually occupied, as she well knew, by the nursery-maid and by the only child of the house of Treverton—a little girl named Rosamond, aged, at that time, nearly five years.
"Can he be there?—in that room, of all the rooms in the house!"
Quickly as the thought arose in her mind, Sarah raised the letter (which she had hitherto carried in her hand) to the bosom of her dress, and hid it for the second time, exactly as she had hidden it on leaving her mistress's bedside.
She then stole across the nursery on tiptoe toward the inner room. The entrance to it, to please some caprice of the child's, had been arched, and framed with trellis-work, gayly colored, so as to resemble the entrance to a summer-house. Two pretty chintz curtains, hanging inside the trellis-work, formed the only barrier between the day-room and the bedroom. One of these was looped up, and toward the opening thus made Sarah now advanced, after cautiously leaving her candle in the passage outside.
The first object that attracted her attention in the child's bedroom was the figure of the nurse-maid, leaning back, fast asleep, in an easy-chair by the window. Venturing, after this discovery, to look more boldly into the room, she next saw her master sitting with his back toward her, by the side of the child's crib. Little Rosamond was awake, and was standing up in bed with her arms round her father's neck. One of her hands held over his shoulder the doll that she had taken to bed with her, the other was twined gently in his hair. The child had been crying bitterly, and had now exhausted herself, so that she was only moaning a little from time to time, with her head laid wearily on her father's bosom.
The tears stood thick in Sarah's eyes as they looked on her master and on the little hands that lay round his neck. She lingered by the raised curtain, heedless of the risk she ran, from moment to moment, of being discovered and questioned—lingered until she heard Captain Treverton say soothingly to the child:
"Hush, Rosie, dear! hush, my own love! Don't cry any more for poor mamma. Think of poor papa, and try to comfort him."
Simple as the words were, quietly and tenderly as they were spoken, they seemed instantly to deprive Sarah Leeson of all power of self-control. Reckless whether she was heard or not, she turned and ran into the passage as if she had been flying for her life. Passing the candle she had left there, without so much as a look at it, she made for the stairs, and descended them with headlong rapidity to the kitchen-floor. There one of the servants who had been sitting up met her, and, with a face of astonishment and alarm, asked what was the matter.
"I'm ill—I'm faint—I want air," she answered, speaking thickly and confusedly. "Open the garden door, and let me out."
The man obeyed, but doubtfully, as if he thought her unfit to be trusted by herself.
"She gets stranger than ever in her ways," he said, when he rejoined his fellow-servant, after Sarah had hurried past him into the open air. "Now our mistress is dead, she will have to find another place, I suppose. I, for one, sha'n't break my heart when she's gone. Shall you?"
CHAPTER III.
THE HIDING OF THE SECRET.
The cool, sweet air in the garden, blowing freshly over Sarah's face, seemed to calm the violence of her agitation. She turned down a side walk, which led to a terrace and overlooked the church of the neighboring village.
The daylight out of doors was clear already. The misty auburn light that goes before sunrise was flowing up, peaceful and lovely, behind a line of black-brown moorland, over all the eastern sky. The old church, with the hedge of myrtle and fuchsia growing round the little cemetery in all the luxuriance which is only seen in Cornwall, was clearing and brightening to view, almost as fast as the morning firmament itself. Sarah leaned her arms heavily on the back of a garden-seat, and turned her face toward the church. Her eyes wandered from the building itself to the cemetery by its side, rested there, and watched the light growing warmer and warmer over the lonesome refuge where the dead lay at rest.
"Oh, my heart! my heart!" she said. "What must it be made of not to break?"
She remained for some time leaning on the seat, looking sadly toward the church-yard, and pondering over the words which she had heard Captain Treverton say to the child. They seemed to connect themselves, as every thing else now appeared to connect itself in her mind, with the letter that had been written on Mrs. Treverton's death-bed. She drew it from her bosom once more, and crushed it up angrily in her fingers.
"Still in my hands! still not seen by any eyes but mine!" she said, looking down at the crumpled pages. "Is it all my fault?