D. H. Lawrence

The Lost Girl


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of the kitchen and scullery: there would be an installing of new hot-water and sanitary arrangements: there would be a light lift-arrangment from the kitchen: there would be a handsome glazed balcony or loggia or terrace on the first floor at the back, over the whole length of the back-yard. This loggia would give a wonderful outlook to the south-west and the west. In the immediate foreground, to be sure, would be the yard of the livery-stables and the rather slummy dwellings of the colliers, sloping downhill. But these could be easily overlooked, for the eye would instinctively wander across the green and shallow valley, to the long upslope opposite, showing the Manor set in its clump of trees, and farms and haystacks pleasantly dotted, and moderately far off coal-mines with twinkling headstocks and narrow railwaylines crossing the arable fields, and heaps of burning slag. The balcony or covered terrace—James settled down at last to the word terrace—was to be one of the features of the house: the feature. It was to be fitted up as a sort of elegant lounging restaurant. Elegant teas, at two-and-six per head, and elegant suppers, at five shillings without wine, were to be served here.

      As a teetotaller and a man of ascetic views, James, in his first shallow moments, before he thought about it, assumed that his house should be entirely non-alcoholic. A temperance house! Already he winced. We all know what a provincial Temperance Hotel is. Besides, there is magic in the sound of wine. Wines Served. The legend attracted him immensely—as a teetotaller, it had a mysterious, hypnotic influence. He must have wines. He knew nothing about them. But Alfred Swayn, from the Liquor Vaults, would put him in the running in five minutes.

      It was most curious to see Miss Pinnegar turtle up at the mention of this scheme. When first it was disclosed to her, her colour came up like a turkey's in a flush of indignant anger.

      "It's ridiculous. It's just ridiculous!" she blurted, bridling and ducking her head and turning aside, like an indignant turkey.

      "Ridiculous! Why? Will you explain why!" retorted James, turtling also.

      "It's absolutely ridiculous!" she repeated, unable to do more than splutter.

      "Well, we'll see," said James, rising to superiority.

      And again he began to dart absorbedly about, like a bird building a nest. Miss Pinnegar watched him with a sort of sullen fury. She went to the shop door to peep out after him. She saw him slip into the Liquor Vaults, and she came back to announce to Alvina:

      "He's taken to drink!"

      "Drink?" said Alvina.

      "That's what it is," said Miss Pinnegar vindictively. "Drink!"

      Alvina sank down and laughed till she was weak. It all seemed really too funny to her—too funny.

      "I can't see what it is to laugh at," said Miss Pinnegar. "Disgraceful—it's disgraceful! But I'm not going to stop to be made a fool of. I shall be no manageress, I tell you. It's absolutely ridiculous. Who does he think will come to the place? He's out of his mind—and it's drink; that's what it is! Going into the Liquor Vaults at ten o'clock in the morning! That's where he gets his ideas—out of whiskey—or brandy! But he's not going to make a fool of me—"

      "Oh dear!" sighed Alvina, laughing herself into composure and a little weariness. "I know it's perfectly ridiculous. We shall have to stop him."

      "I've said all I can say," blurted Miss Pinnegar.

      As soon as James came in to a meal, the two women attacked him.

      "But father," said Alvina, "there'll be nobody to come."

      "Plenty of people—plenty of people," said her father. "Look at The Shakespeare's Head, in Knarborough."

      "Knarborough! Is this Knarborough!" blurted Miss Pinnegar. "Where are the business men here? Where are the foreigners coming here for business, where's our lace-trade and our stocking-trade?"

      "There are business men," said James. "And there are ladies."

      "Who," retorted Miss Pinnegar, "is going to give half-a-crown for a tea? They expect tea and bread-and-butter for fourpence, and cake for sixpence, and apricots or pineapple for ninepence, and ham-and-tongue for a shilling, and fried ham and eggs and jam and cake as much as they can eat for one-and-two. If they expect a knife-and-fork tea for a shilling, what are you going to give them for half-a-crown?"

      "I know what I shall offer," said James. "And we may make it two shillings." Through his mind flitted the idea of 1/11–½—but he rejected it. "You don't realize that I'm catering for a higher class of custom—"

      "But there isn't any higher class in Woodhouse, father," said Alvina, unable to restrain a laugh.

      "If you create a supply you create a demand," he retorted.

      "But how can you create a supply of better class people?" asked Alvina mockingly.

      James took on his refined, abstracted look, as if he were preoccupied on higher planes. It was the look of an obstinate little boy who poses on the side of the angels—or so the women saw it.

      Miss Pinnegar was prepared to combat him now by sheer weight of opposition. She would pitch her dead negative will obstinately against him. She would not speak to him, she would not observe his presence, she was stone deaf and stone blind: there was no James. This nettled him. And she miscalculated him. He merely took another circuit, and rose another flight higher on the spiral of his spiritual egotism. He believed himself finely and sacredly in the right, that he was frustrated by lower beings, above whom it was his duty to rise, to soar. So he soared to serene heights, and his Private Hotel seemed a celestial injunction, an erection on a higher plane.

      He saw the architect: and then, with his plans and schemes, he saw the builder and contractor. The builder gave an estimate of six or seven hundred—but James had better see the plumber and fitter who was going to instal the new hot water and sanitary system. James was a little dashed. He had calculated much less. Having only a few hundred pounds in possession after Throttle-Ha'penny, he was prepared to mortgage Manchester House if he could keep in hand a sufficent sum of money for the running of his establishment for a year. He knew he would have to sacrifice Miss Pinnegar's work-room. He knew, and he feared Miss Pinnegar's violent and unmitigated hostility. Still—his obstinate spirit rose—he was quite prepared to risk everything on this last throw.

      Miss Allsop, daughter of the builder, called to see Alvina. The Allsops were great Chapel people, and Cassie Allsop was one of the old maids. She was thin and nipped and wistful looking, about forty-two years old. In private, she was tyrannously exacting with the servants, and spiteful, rather mean with her motherless nieces. But in public she had this nipped, wistful look.

      Alvina was surprised by this visit. When she found Miss Allsop at the back door, all her inherent hostility awoke.

      "Oh, is it you, Miss Allsop! Will you come in."

      They sat in the middle room, the common living room of the house.

      "I called," said Miss Allsop, coming to the point at once, and speaking in her Sunday-school-teacher voice, "to ask you if you know about this Private Hotel scheme of your father's?"

      "Yes," said Alvina.

      "Oh, you do! Well, we wondered. Mr. Houghton came to father about the building alterations yesterday. They'll be awfully expensive."

      "Will they?" said Alvina, making big, mocking eyes.

      "Yes, very. What do you think of the scheme?"

      "I?—well—!" Alvina hesitated, then broke into a laugh. "To tell the truth I haven't thought much about it at all."

      "Well I think you should," said Miss Allsop severely. "Father's sure it won't pay—and it will cost I don't know how much. It is bound to be a dead loss. And your father's getting on. You'll be left stranded in the world without a penny to bless yourself with. I think it's an awful outlook for you."

      "Do you?" said Alvina.

      Here she was, with a bang, planked upon the shelf among the old maids.

      "Oh,