M. Schele de Vere

Modern Magic


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demonstrated. But this also has not yet been done. What then can we learn from modern magic? Only this: that there are evidently forces in nature with whose character and precise intent we are not yet acquainted, and which yet deserve to be studied and carefully analyzed. Modern magic exhibits certain phenomena in man which are not subject to the known laws of nature, and thus proves that man possesses certain powers which he fails or does not know how to exert in ordinary life. Where these powers appear in consequence of special preparation or an exceptional condition of mind, they are comparatively worthless, because they are in such cases merely the result of physical or mental disease, and we can hope to profit only by powers employed by sound men. But where these powers become manifest by spontaneous action, apparently as the result of special endowment, they deserve careful study, and all the respect due to a new and unknown branch of knowledge.

      Nor must it be overlooked, that, although modern magic as a science is new, most of the phenomena upon which it is based, were well known to the oldest nations. The Chinese, who seem to have possessed all the knowledge of mankind, ages before it could be useful to them, or to others, and to have lost it as soon as there was a call for it, had, centuries ago, not only moving tables, but even writing spirits. Their modern planchette is a small board, which they let float upon the water, with the legs upward; they rest their hands upon the latter, and watch the gyrations it makes in the water. Or they hold a small basket with a camel's-hair brush attached to one end suspended over a table upon which they have strewn a layer of flour; the brush begins to move through the flour and to draw characters in it, which they interpret according to their alphabet. The priests of Buddha in Mongolia, also, have long since employed moving tables, and for a good purpose, usually to detect thieves. The lama, who is appealed to for the purpose, sits down before a small four-legged table, upon which he rests his hands, whilst reading a book of devotion. After perhaps half an hour, he rises, and as he does so, holding his hand steadily upon the table, the table also rises and follows his hand, which he raises till hand and table are both level with his eyes. Then the priest advances, the table precedes him, and soon begins to move at such a rate that it seems to fly through the air, and the lama can hardly follow. Sometimes it falls down upon the very spot where the stolen goods are hidden; at other times it only indicates the direction in which they are to be sought for; and not unfrequently it refuses altogether to move, in which event the priest abandons the case as hopeless. (Nord. Biene, April 27, 1853.) Here also it is evident that the table is not the controlling agent, but the will of the lama, whom it obeys by one of those mysterious powers which we call magic. It is the same force which acts in the divining rod, the pendulum, and similar phenomena.

      The name of Medium is an American invention, and is based upon the assumption that only a few favored persons are able to enter into direct communication with spirits, who may then convey the revelations they receive to others. They are generally children and young persons, but among grown men also certain constitutions seem to be better adapted to such purposes than others. In almost all cases it has been observed, that the electric condition of the medium is a feature of greatest importance; the more electricity he possesses, the better is he able to produce magic phenomena, and when his supply is exhausted by a long session, his power also ceases. Hence, perhaps, the peculiar qualification of children; while, on the other hand, the fact that they not unfrequently are able to answer questions, in languages, of which they are ignorant, proves that they also do not themselves give the reply, but only receive it from the questioner, and state it as it exists in the mind of the latter. Hence, also, the utter absurdity of so-called spirit paintings, and, still worse, of poetical effusions like Mr. Harris' "Lyric of the Golden Age," in eleven thousand four hundred and thirty wretched verses. For what the "circle" does not know individually or collectively, the medium also is not able to produce. This truth is made still more evident by the latest phenomena developed in spiritualistic circles, the so-called trance speaking, which may be heard occasionally in New York circles, and which requires no interposition of a medium. For here, also, we are struck by the utter absence of usefulness in all these revelations; the inspired believers speak, they recite poetry, but it remains literally vox et præterea nihil, and we are forcibly reminded of the words of Æschylus, who already said in his "Agamemnon" (v. 1127),

      "Did ever seers afford delight?

       The long practised art of all the seers whom

       Ever the gods inspired, revealed

       Naught but horrors and a wretched fate."

      Among the media of our day, Home is naturally facile princeps. A Scotchman by birth, he claims that his mother already possessed the gift of Second Sight, and that in their home near Edinburgh similar endowments were frequent among their neighbors. At the age of three years he saw the death of a cousin, who lived in a distant town, and named the persons who were standing around her couch; he conversed constantly in his childish way with spirits and heard heavenly music; his cradle was rocked by invisible hands, and his toys came unaided into his hands. When ten years old he was taken to an aunt in America, in whose house he had no sooner been installed than chairs and tables, beds and utensils, began to move about in wild disorder, till the terrified lady sent the unlucky boy away. Attending once an exhibition of table-moving he fell into fits and suddenly became cataleptic; during the paroxysm he heard a summoning, then the spirits announced the wrecking of two sailors, the table began to rock as in a storm, the whistling of the wind through the tackle, the creaking of the vessel, and the dull, heavy thud of the waves against her bows, all were distinctly heard, and finally the table was upset, while the spirits announced the name and the age of the perishing seamen. From that day Home carefully cultivated his strange gifts, and developed what he considered a decided talent for reading the future. As a young man he returned to Europe and soon became famous. Florence was, for a time, the principal stage of his successes; here he not only summoned the spirits of the departed, but was raised by invisible powers from the ground and hovered for some time above the heads of his visitors. The superstitious Italians finally became excited and threatened him with death, from which a Count Branichi saved him at great personal peril. In Naples the spirits suddenly declared their intention to leave him on February 10, 1856, and to remain absent for a whole year; they did so, and during the interval Home enjoyed better health than ever in his life! In Rome he became a Catholic, and good Pio Nono himself offered him his crucifix to kiss, with the words: "That is the only true magic wand!"—unfortunately this was not Home's view always; at least we find him in 1864 in the same city in conflict with the papal police, who ordered him to cease all intercourse "with higher as well as with lower spirits," and finally compelled him to leave the Eternal City. He then claimed publicly, what, it must not be forgotten, he had consistently maintained from the beginning of his marvelous career, that he was the unwilling agent of higher powers, which affected him at irregular times, independent of his will, and often contrary to his dearest wishes. It must be added that he gave the strongest proof of his sincerity by never accepting from the public pecuniary compensation for the exhibition of peculiar powers.

      His exterior is winning; he is of medium height, light-haired and light-complexioned, of slender figure; simple and well-bred in his manners, and of irreproachable morale. The highest circles of society have always been open to him, and his marriage with a daughter of the Russian general Stroll has given him wealth and an agreeable position in the world. As the spirits had predicted, they returned on the 10th of February, 1857, and announced themselves by repeated gentle knockings—in other words, Home's former nervous disease returned, and with it his exceptionable powers. He was then in Paris, and soon excited the attention of the fair but superstitious Empress, whose favor he speedily obtained by a revelation concerning the "Empereur de l'avenir," as the spirits had the gallantry to call her infant son. Napoleon also began to take an interest in the clever, talented man, whose special gifts did not prevent him from being a pliant courtier and a cunning observer. He showed himself grateful for the kindness with which Eugenie provided for his sister's education by exerting his powers to the utmost at the Tuileries, and by revealing to the Emperor the secrets he had skillfully elicited during his spiritual sessions, from statesmen and generals. At the house of Prince Murat he performed, perhaps, the most surprising feats he has ever accomplished: seated quietly in his arm-chair, he caused tables to whirl around, the clocks in two rooms to stand still or to go at will, all the bells in the house to ring together or separately, and handkerchiefs to escape irresistibly from the hands and the pockets of several