been endowed by himself with titles properly so called. Most of them are merely headed with the opening words of the poems themselves—as "I was looking a long while;" "To get betimes in Boston Town;" "When lilacs last in the door-yard bloomed;" and so on. It seems to me that in a selection such a lengthy and circuitous method of identifying the poems is not desirable: I should wish them to be remembered by brief, repeatable, and significant titles. I have therefore supplied titles of my own to such pieces as bear none in the original edition: wherever a real title appears in that edition, I have retained it.
With these remarks I commend to the English reader the ensuing selection from a writer whom I sincerely believe to be, whatever his faults, of the order of great poets, and by no means of pretty good ones. I would urge the reader not to ask himself, and not to return any answer to the questions, whether or not this poet is like other poets—whether or not the particular application of rules of art which is found to hold good in the works of those others, and to constitute a part of their excellence, can be traced also in Whitman. Let the questions rather be—Is he powerful? Is he American? Is he new? Is he rousing? Does he feel and make me feel? I entertain no doubt as to the response which in due course of time will be returned to these questions and such as these, in America, in England, and elsewhere—or to the further question, "Is Whitman then indeed a true and a great poet?" Lincoln's verdict bespeaks the ultimate decision upon him, in his books as in his habit as he lives—"Well, he looks like a man."
Walt Whitman occupies at the present moment a unique position on the globe, and one which, even in past time, can have been occupied by only an infinitesimally small number of men. He is the one man who entertains and professes respecting himself the grave conviction that he is the actual and prospective founder of a new poetic literature, and a great one—a literature proportional to the material vastness and the unmeasured destinies of America: he believes that the Columbus of the continent or the Washington of the States was not more truly than himself in the future a founder and upbuilder of this America. Surely a sublime conviction, and expressed more than once in magnificent words—none more so than the lines beginning
"Come, I will make this continent indissoluble."[7]
[Footnote 7: See the poem headed Love of Comrades, p. 308.]
Were the idea untrue, it would still be a glorious dream, which a man of genius might be content to live in and die for: but is it untrue? Is it not, on the contrary, true, if not absolutely, yet with a most genuine and substantial approximation? I believe it is thus true. I believe that Whitman is one of the huge, as yet mainly unrecognised, forces of our time; privileged to evoke, in a country hitherto still asking for its poet, a fresh, athletic, and American poetry, and predestined to be traced up to by generation after generation of believing and ardent—let us hope not servile—disciples.
"Poets are the unacknowledged legislators of the world." Shelley, who knew what he was talking about when poetry was the subject, has said it, and with a profundity of truth Whitman seems in a peculiar degree marked out for "legislation" of the kind referred to. His voice will one day be potential or magisterial wherever the English language is spoken—that is to say, in the four corners of the earth; and in his own American hemisphere, the uttermost avatars of democracy will confess him not more their announcer than their inspirer.
1868. W. M. ROSSETTI.
N.B.—The above prefatory notice was written in 1868, and is reproduced practically unaltered. Were it to be brought up to the present date, 1886, I should have to mention Whitman's books Two Rivulets and Specimen-days and Collect, and the fact that for several years past he has been partially disabled by a paralytic attack. He now lives at Camden, New Jersey.
1886. W. M. R.
PREFACE TO LEAVES OF GRASS.
America does not repel the past, or what it has produced under its forms, or amid other politics, or the idea of castes, or the old religions; accepts the lesson with calmness; is not so impatient as has been supposed that the slough still sticks to opinions and manners and literature while the life which served its requirements has passed into the new life of the new forms; perceives that the corpse is slowly borne from the eating and sleeping rooms of the house; perceives that it waits a little while in the door, that it was fittest for its days, that its action has descended to the stalwart and well-shaped heir who approaches, and that he shall be fittest for his days.
The Americans, of all nations at any time upon the earth, have probably the fullest poetical Nature. The United States themselves are essentially the greatest poem. In the history of the earth hitherto the largest and most stirring appear tame and orderly to their ampler largeness and stir. Here at last is something in the doings of man that corresponds with the broadcast doings of the day and night. Here is not merely a nation, but a teeming nation of nations. Here is action untied from strings, necessarily blind to particulars and details, magnificently moving in vast masses.
Here is the hospitality which for ever indicates heroes. Here are the roughs and beards and space and ruggedness and nonchalance that the soul loves. Here the performance, disdaining the trivial, unapproached in the tremendous audacity of its crowds and groupings and the push of its perspective, spreads with crampless and flowing breadth, and showers its prolific and splendid extravagance. One sees it must indeed own the riches of the summer and winter, and need never be bankrupt while corn grows from the ground, or the orchards drop apples, or the bays contain fish, or men beget children.
Other states indicate themselves in their deputies: but the genius of the United States is not best or most in its executives or legislatures, nor in its ambassadors or authors or colleges, or churches, or parlours, nor even in its newspapers or inventors, but always most in the common people. Their manners, speech, dress, friendships—the freshness and candour of their physiognomy—the picturesque looseness of their carriage—their deathless attachment to freedom—their aversion to anything indecorous or soft or mean—the practical acknowledgment of the citizens of one state by the citizens of all other states—the fierceness of their roused resentment—their curiosity and welcome of novelty—their self-esteem and wonderful sympathy—their susceptibility to a slight—the air they have of persons who never knew how it felt to stand in the presence of superiors—the fluency of their speech—their delight in music, the sure symptom of manly tenderness and native elegance of soul—their good temper and open- handedness—the terrible significance of their elections, the President's taking off his hat to them, not they to him—these too are unrhymed poetry. It awaits the gigantic and generous treatment worthy of it.
The largeness of nature or the nation were monstrous without a corresponding largeness and generosity of the spirit of the citizen. Not nature, nor swarming states, nor streets and steamships, nor prosperous business, nor farms nor capital nor learning, may suffice for the ideal of man, nor suffice the poet. No reminiscences may suffice either. A live nation can always cut a deep mark, and can have the best authority the cheapest—namely, from its own soul. This is the sum of the profitable uses of individuals or states, and of present action and grandeur, and of the subjects of poets.—As if it were necessary to trot back generation after generation to the eastern records! As if the beauty and sacredness of the demonstrable must fall behind that of the mythical! As if men do not make their mark out of any times! As if the opening of the western continent by discovery, and what has transpired since in North and South America, were less than the small theatre of the antique, or the aimless sleep-walking of the Middle Ages! The pride of the United States leaves the wealth and finesse of the cities, and all returns of commerce and agriculture, and all the magnitude or geography or shows of exterior victory, to enjoy the breed of full-sized men, or one full-sized man unconquerable and simple.
The American poets are to enclose old and new; for America is the race of races. Of them a bard is to be commensurate with a people. To him the other continents arrive as contributions: he gives them reception for their sake and his own sake. His spirit responds to his country's spirit: he incarnates its geography and natural life and rivers and lakes. Mississippi with annual