Томас Харди

The Return of the Native


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the women sat. “We struck down across, d'ye see, Mr. Wildeve, and she went round by the path.”

      “And I see the young bride's little head!” said Grandfer, peeping in the same direction, and discerning Thomasin, who was waiting beside her aunt in a miserable and awkward way. “Not quite settled in yet—well, well, there's plenty of time.”

      Wildeve made no reply; and probably feeling that the sooner he treated them the sooner they would go, he produced a stone jar, which threw a warm halo over matters at once.

      “That's a drop of the right sort, I can see,” said Grandfer Cantle, with the air of a man too well-mannered to show any hurry to taste it.

      “Yes,” said Wildeve, “'tis some old mead. I hope you will like it.”

      “O ay!” replied the guests, in the hearty tones natural when the words demanded by politeness coincide with those of deepest feeling. “There isn't a prettier drink under the sun.”

      “I'll take my oath there isn't,” added Grandfer Cantle. “All that can be said against mead is that 'tis rather heady, and apt to lie about a man a good while. But tomorrow's Sunday, thank God.”

      “I feel'd for all the world like some bold soldier after I had had some once,” said Christian.

      “You shall feel so again,” said Wildeve, with condescension, “Cups or glasses, gentlemen?”

      “Well, if you don't mind, we'll have the beaker, and pass 'en round; 'tis better than heling it out in dribbles.”

      “Jown the slippery glasses,” said Grandfer Cantle. “What's the good of a thing that you can't put down in the ashes to warm, hey, neighbours; that's what I ask?”

      “Right, Grandfer,” said Sam; and the mead then circulated.

      “Well,” said Timothy Fairway, feeling demands upon his praise in some form or other, “'tis a worthy thing to be married, Mr. Wildeve; and the woman you've got is a dimant, so says I. Yes,” he continued, to Grandfer Cantle, raising his voice so as to be heard through the partition, “her father (inclining his head towards the inner room) was as good a feller as ever lived. He always had his great indignation ready against anything underhand.”

      “Is that very dangerous?” said Christian.

      “And there were few in these parts that were upsides with him,” said Sam. “Whenever a club walked he'd play the clarinet in the band that marched before 'em as if he'd never touched anything but a clarinet all his life. And then, when they got to church door he'd throw down the clarinet, mount the gallery, snatch up the bass viol, and rozum away as if he'd never played anything but a bass viol. Folk would say—folk that knowed what a true stave was—'Surely, surely that's never the same man that I saw handling the clarinet so masterly by now!”

      “I can mind it,” said the furze-cutter. “'Twas a wonderful thing that one body could hold it all and never mix the fingering.”

      “There was Kingsbere church likewise,” Fairway recommenced, as one opening a new vein of the same mine of interest.

      Wildeve breathed the breath of one intolerably bored, and glanced through the partition at the prisoners.

      “He used to walk over there of a Sunday afternoon to visit his old acquaintance Andrew Brown, the first clarinet there; a good man enough, but rather screechy in his music, if you can mind?”

      “'A was.”

      “And neighbour Yeobright would take Andrey's place for some part of the service, to let Andrey have a bit of a nap, as any friend would naturally do.”

      “As any friend would,” said Grandfer Cantle, the other listeners expressing the same accord by the shorter way of nodding their heads.

      “No sooner was Andrey asleep and the first whiff of neighbour Yeobright's wind had got inside Andrey's clarinet than everyone in church feeled in a moment there was a great soul among 'em. All heads would turn, and they'd say, 'Ah, I thought 'twas he!' One Sunday I can well mind—a bass viol day that time, and Yeobright had brought his own. 'Twas the Hundred-and-thirty-third to 'Lydia'; and when they'd come to 'Ran down his beard and o'er his robes its costly moisture shed,' neighbour Yeobright, who had just warmed to his work, drove his bow into them strings that glorious grand that he e'en a'most sawed the bass viol into two pieces. Every winder in church rattled as if 'twere a thunderstorm. Old Pa'son Williams lifted his hands in his great holy surplice as natural as if he'd been in common clothes, and seemed to say hisself, 'O for such a man in our parish!' But not a soul in Kingsbere could hold a candle to Yeobright.”

      “Was it quite safe when the winder shook?” Christian inquired.

      He received no answer, all for the moment sitting rapt in admiration of the performance described. As with Farinelli's singing before the princesses, Sheridan's renowned Begum Speech, and other such examples, the fortunate condition of its being for ever lost to the world invested the deceased Mr. Yeobright's tour de force on that memorable afternoon with a cumulative glory which comparative criticism, had that been possible, might considerably have shorn down.

      “He was the last you'd have expected to drop off in the prime of life,” said Humphrey.

      “Ah, well; he was looking for the earth some months afore he went. At that time women used to run for smocks and gown-pieces at Greenhill Fair, and my wife that is now, being a long-legged slittering maid, hardly husband-high, went with the rest of the maidens, for 'a was a good, runner afore she got so heavy. When she came home I said—we were then just beginning to walk together—'What have ye got, my honey?' 'I've won—well, I've won—a gown-piece,' says she, her colours coming up in a moment. 'Tis a smock for a crown, I thought; and so it turned out. Ay, when I think what she'll say to me now without a mossel of red in her face, it do seem strange that 'a wouldn't say such a little thing then. … However, then she went on, and that's what made me bring up the story. Well, whatever clothes I've won, white or figured, for eyes to see or for eyes not to see' ('a could do a pretty stroke of modesty in those days), 'I'd sooner have lost it than have seen what I have. Poor Mr. Yeobright was took bad directly he reached the fair ground, and was forced to go home again.' That was the last time he ever went out of the parish.”

      “'A faltered on from one day to another, and then we heard he was gone.”

      “D'ye think he had great pain when 'a died?” said Christian.

      “O no—quite different. Nor any pain of mind. He was lucky enough to be God A'mighty's own man.”

      “And other folk—d'ye think 'twill be much pain to 'em, Mister Fairway?”

      “That depends on whether they be afeard.”

      “I bain't afeard at all, I thank God!” said Christian strenuously. “I'm glad I bain't, for then 'twon't pain me. … I don't think I be afeard—or if I be I can't help it, and I don't deserve to suffer. I wish I was not afeard at all!”

      There was a solemn silence, and looking from the window, which was unshuttered and unblinded, Timothy said, “Well, what a fess little bonfire that one is, out by Cap'n Vye's! 'Tis burning just the same now as ever, upon my life.”

      All glances went through the window, and nobody noticed that Wildeve disguised a brief, telltale look. Far away up the sombre valley of heath, and to the right of Rainbarrow, could indeed be seen the light, small, but steady and persistent as before.

      “It was lighted before ours was,” Fairway continued; “and yet every one in the country round is out afore 'n.”

      “Perhaps there's meaning in it!” murmured Christian.

      “How meaning?” said Wildeve sharply.

      Christian was too scattered to reply, and Timothy helped him.

      “He means, sir, that the lonesome dark-eyed creature up there that some say is a witch—ever I should call a fine young woman such a name—is always up to some odd