Baroness Emmuska Orczy Orczy

The Noble Rogue


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of proving that the young man had really died, and Monseigneur the Archbishop's refusal to grant permission for a second marriage.

      Then when the news filtered through from England as far as the back shop in the Rue de l'Ancienne Comédie that Rupert Kestyon was not only alive but had—by a wonderful, almost miraculous series of events—inherited the title and estates of his deceased kinsman and was now of a truth by the will of God and the law of his country milor of Stowmaries, and one of the greatest gentleman in the whole of England, Mme. Legros' optimism found its crowning glory in its justification.

      That the young milor seemed disinclined to acknowledge the daughter of the Paris tailor as his wife and that he seemed to be taking serious steps to have the marriage annulled, were but trifling matters which never upset Mme. Legros' equanimity.

      She was quite sure that the marriage could not be annulled without special dispensation from the Holy Father himself, and equally sure that that dispensation would never be granted. She had perfect faith not only in the sacred indissolubility of the marriage tie, but in the happy future of Rose Marie.

      When Monseigneur the Archbishop of Paris granted her Armand a special audience, whereat the tailor had begged permission to lay the family case before His Greatness, Mme. Legros never for a moment doubted the happy issue of that interview: and when her man came home and told his satisfactory tale, maman was in no way astonished.

      Her optimism had been justified: that was all.

      But what did astonish the good soul was the fact that the child—Rose Marie—sat crying in her bed, whereas she should have been singing and laughing all about the place.

      Therefore, maman, with commendable forethought, prescribed cold camomile tea as a remedy against what was obviously but a sharp attack of megrims.

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      Come Care and Pleasure, Hope and Pain

      And bring the fated Fairy Prince.

      —Tennyson.

      And in the narrow bed built within the wall in the tiny room, wherein a tallow candle placed on a central table threw only very feeble rays, the girl Rose Marie lay dreaming.

      She—Rose Marie—the daughter of Papa Legros—as he was uniformly called in the neighbourhood—she was now a great lady, by the will of God and the decree of the Holy Father himself. She would have a glass coach like the ladies whom she had so often seen driving about in Versailles, and sit in it, dressed in the latest fashion and holding a fan in her hand, which would be encased in a lace mitten.

      At this point in her dreams Rose Marie sat up in bed, very straight and dignified, with her little hands folded over the cotton coverlet, and she bent her young head to right and to left, like one saluting a number of passers-by. A nod accompanied by an encouraging smile indicated the greeting to a supposed friend, whilst a condescending nod and a haughty stare suggested the presence of an acquaintance of somewhat low degree.

      Thus Rose Marie had seen the ladies behave in their coaches in Versailles. She had seen Maria Mancini bow serenely to her admirers, and the Queen Mother bestow the stony stare on her detractors. She had watched, wondered and admired, but never had she tried to imitate until now—now that her smile would be appreciated by many, her frown be of consequence to others.

      Up to now it had not mattered. Though her father was reputed to be wealthy, he was only a tailor, who had to bow and scrape and wallow before the great gentlemen of the Court. Aye! and had more than once been soundly thrashed because of the misfit of a pair of Court breeches.

      And Rose Marie had oft sighed for greatness, for the gilded coach and a seat at the opera, for silken dresses, flowers, patches and rouge. She was only a child with an acutely developed sense of sympathy for everything that was dainty and refined, everything that smelt sweetly and was soft and tender to the touch.

      Thus she went on dreaming her dream in content, never doubting for a moment that happiness lay closely linked with this sudden accession to grandeur. The fact that her lawful lord and husband had shown a desire to break his marriage vows, and to take unto himself some other wife more equal to him in rank and breeding than the humble tailor's daughter, troubled Rose Marie not at all. With sublime faith in the workings of Providence, she put her husband's reluctance to acknowledge her down to his ignorance of herself.

      He had never seen her since the day of the ceremony, eighteen years ago. She was a baby in arms then, whilst now—

      Rose Marie drew in her breath and listened. Maman was evidently not yet coming up. All was still on this upper floor of the house. Rose Marie put her feet to the ground and rose from her bed. She picked up the candle from the table and tripped across the room to where—on the whitewashed wall opposite—there hung a small gilt-framed mirror.

       Into this she peeped, holding the candle well above her head. Her face wore neither the look of vanity, nor even that of satisfaction: rather was it a look of the closest possible scrutiny. Rose Marie turned her head to right and left again, but not—this time—in order to enact a private comedy, but in order to convince herself in her own mind that her cheeks had indeed that peach-like bloom, which her overfond father had so oft proclaimed, and that her hair was sufficiently brilliant in colour to be called golden, and yet not too vivid to be called "roux."

      We may take it that this scrutiny, which lasted nearly twenty minutes, was of a satisfactory character, for presently, with a happy little sigh, and heaving breast, Rose Marie tripped lightly back to her narrow bed in the wall, and squeezed herself well within the further dark angle, to which the flickering light of the tallow candle had no access.

      This she did because she had heard maman's step on the stairs, and because her own cheeks now were of a flaming red.

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      For what is wedlock forced but a hell.

      —1 Henry VI. V. 5.

      "My Lord is sad."

      "Oh!—"

      "My Lord is weary!"

      "!!—"

      A pause. Mistress Julia Peyton, you understand, was waxing impatient. Can you wonder? She was not accustomed to moodiness on the part of her courtiers; to a certain becoming diffidence mayhap, to tongue-tiedness—if we may be allowed so to call it—on the part of her young adorers fresh from their country homes, fledglings scarce free from the gentle trammels of their mother's apron strings, to humility in the presence of so much beauty, grace and wit as she was wont to display when taken with the desire to please, to all that yes, yes and a thousand times yes, the adorable Julia was fully accustomed. But to silence on the part of the wittiest gentleman about town, to moodiness akin to ill-humour on the part of the most gallant young rake this side of Westminster—no! no! and a thousand times no! Mistress Julia would have none of it.

      Her daintily-shod foot beat a quick measure against the carpets, her fingers delicately tipped with rouge played a devil's tattoo on the polished top of the tiny marqueterie table beside her, and her small teeth, white and even as those of a kitten, tore impatiently at her under lip.

       Still Lord Stowmaries paid no heed to these obvious signs of a coming storm. He lolled in an armchair opposite the imperious beauty, his chin was resting in his hand, his brow was puckered, and oh! most portentous outward indication of troubles within! his cravat looked soiled and crumpled, as if an angry hand had fidgeted its immaculate whiteness away.

      At