over her mouth a little red tongue, which showed, that in spite of her apparent indifference, which was owing, no doubt, to her excellent education, she was not insensible to the surprise her neighbor had prepared for her; instead of lying down again on the cushion as she had done the first time, she remained seated, yawning languidly, but wagging her tail, to show that she would wake entirely, after two or three such little attentions as she had just had paid to her.
D'Harmental, who was well acquainted with the habits of all the King Charles' dogs of the pretty women of the day, understood the amiable intentions of Mirza, and not wishing to give her time to change her mind, threw a second piece of sugar, taking care that it should fall at such a distance as to oblige her to leave her cushion to get it. This test would decide whether she was most inclined to laziness or greediness. Mirza remained an instant uncertain, but then greediness carried the day, and she went across the room to fetch the piece of sugar, which had rolled under the harpsichord. At this moment a third piece fell near the window, and Mirza came toward it; but there the liberality of the chevalier stopped; he thought that he had now given enough to require some return, and he contented himself with calling Mirza in a more imperative tone, and showing her the other pieces of sugar which he held in his hand.
Mirza this time, instead of looking at the chevalier with uneasiness or disdain, rested her paws on the window, and began to behave as she would to an old acquaintance. It was finished; Mirza was tamed.
The chevalier remarked that it was now his turn to play the contemptuous with Mirza, and to speak to her, in order to accustom her to his voice; however, fearing a return of pride on the part of his interlocutor, who sustained her part in the dialogue by little whines and grumblings, he threw her a fourth piece of sugar, which she seized with greater avidity from having been kept waiting. This time, without being called, she came to take her place at the window. The chevalier's triumph was complete. So complete, that Mirza, who the day before had given signs of so superior an intelligence in discovering Bathilde's return, and in running to the door as she descended the staircase, this time discovered neither the one nor the other, so that her mistress, entering all at once, surprised her in the midst of these coquetries with her neighbor. It is but just to say, however, that at the noise the door made in opening Mirza turned, and recognizing Bathilde, bounded toward her, lavishing on her the most tender caresses; but we must add, to the shame of the species, that this duty once accomplished, she hastened back to the window. This unusual action on the part of the dog naturally guided Bathilde's eyes toward the cause which occasioned it. Her eyes met those of the chevalier.
Bathilde blushed: the chevalier bowed; and Bathilde, without knowing what she was doing, returned the salute.
Her first impulse was to go and close the window, but an instinctive feeling restrained her. She understood that this was giving importance to a thing which had none, and that to put herself on the defensive was to avow herself attacked. In consequence, she crossed to that part of the room where her neighbor's glance could not reach. Then, at the end of a few minutes, when she returned, she found that he had closed his window. Bathilde understood that there was discretion in this action, and she thanked him. Indeed, the chevalier had just made a masterstroke. On the terms which he was on with his neighbor, it was impossible that both windows should remain open at once; if the chevalier's window was open, his neighbor's must be shut; and he knew that when that was closed, there was not a chance of seeing even the tip of Mirza's nose behind the curtain; while if, on the contrary, his window was closed, hers might possibly remain open, and he could watch her passing to and fro, or working, which was a great amusement for a poor devil condemned to absolute seclusion; besides, he had made an immense step:—he had saluted Bathilde, and she had returned it. They were no longer strangers to each other, but, in order that their acquaintance might advance, he must be careful not to be too brusk.
To risk speaking to her after the salute would have been risking too much; it was better to allow Bathilde to believe that it was all the effect of chance. Bathilde did not believe it, but she appeared to do so. The result was that she left her window open, and, seeing her neighbor's closed, sat down by her own with a book in her hand. As to Mirza, she jumped on to the stool at her mistress's feet, but instead of resting her head as usual on the knees of the young girl, she placed it on the sill, of the window, so much was she occupied with the generous unknown. The chevalier seated himself in the middle of his room, took his pencils, and thanks to a corner of his curtain skillfully raised, he sketched the delicious picture before him. Unfortunately the days were short, and toward three o'clock the little light which the clouds and rain had permitted to descend to the earth began to decline, and Bathilde closed her window. Nevertheless, even in this short time the chevalier had finished the young girl's head, and the likeness was perfect. There was her waving hair, her fine transparent skin, the graceful curve of her swan-like neck; in fact, all to which art can attain with one of those inimitable models which are the despair of artists.
When night closed in, the Abbe Brigaud arrived. The chevalier and he wrapped themselves in their mantles, and went toward the Palais Royal; they had, it will be remembered, to examine the ground. The house in which Madame de Sabran lived, since her husband had been named maitre d'hotel to the regent, was No. 22, between the Hotel de la Roche-Guyon and the passage formerly called Passage du Palais Royal, because it was the only one leading from the Rue des Bons Enfants to the Rue de Valois. This passage, now called Passage du Lycée, was closed at the same time as the other gates of the garden; that is to say, at eleven o'clock in the evening; therefore, having once entered a house in the Rue des Bons Enfants, unless it had a second door opening on the Rue de Valois, no one could return to the Palais Royal after eleven o'clock without making the round, either by the Rue Neuve des Petits-Champs, or by the Cour des Fontaines.
Thus it was with Madame de Sabran's house; it was an exquisite little hotel, built toward the end of the last century, some five-and-twenty years before, by a merchant who wished to ape the great lords and have a petite maison of his own. It was a one-storied house, with a stone gallery, on which the servants' attics opened, and surmounted by a low tilted roof. Under the first-floor windows was a large balcony which jutted out three or four feet, and extended right across the house; but some iron ornaments, similar to the balcony, and which reached to the terrace, separated the two windows on each side from the three in the center, as is often done when it is desired to interrupt exterior communications. The two facades were exactly similar, only, as the Rue de Valois was eight or ten feet lower than that of the Bons Enfants, the ground-floor windows and door opened on a terrace, where was a little garden, filled in spring with charming flowers, but which did not communicate with the street, the only entrance being, as we have said, in the Rue des Bons Enfants.
This was all our conspirators could wish; the regent, once entered into Madame de Sabran's house, would—provided he stayed after eleven o'clock, which was probable—be taken as in a trap, and nothing would be easier than to carry out their plan in the Rue des Bons Enfants, one of the most deserted and gloomy places in the neighborhood; moreover, as this street was surrounded by very suspicious houses, and frequented by very bad company, it was a hundred to one that they would not pay any attention to cries which were too frequent in that street to cause any uneasiness, and that if the watch arrived, it would be, according to the custom of that estimable force, long after their intervention could be of any avail. The inspection of the ground finished, the plans laid, and the number of the house taken, they separated; the abbe to go to the Arsenal to give Madame de Maine an account of the proceedings, and D'Harmental to return to his attic.
As on the preceding night, Bathilde's room was lighted, but this time the young girl was not drawing but working; her light was not put out till one o'clock in the morning. As to the good man, he had retired long before D'Harmental returned. The chevalier slept badly; between a love at its commencement and a conspiracy at its height, he naturally experienced some sensations little favorable to sleep; but toward morning fatigue prevailed, and he only awoke on feeling himself violently shaken by the arm. Without doubt the chevalier was at that moment in some bad dream, of which this appeared to him the end, for, still half asleep, he stretched out his hand toward the pistols which were at his side.
"Ah, ah!" cried the abbe, "an instant, young man. What a hurry you are in! Open your eyes wide—so. Do you not recognize me?"
"Ah!" said D'Harmental, laughing, "it is you, abbe.