Oh! so coning you are, you think I know nothing—you think I am asleep—bote I know it—I know it quite well. You think I know nothing about the land you take from Miss Mary. Ah! you are very coning—oh! very; but I 'av hear it all, and I tell you—and I swear per sangue di D——, when you get that money I shall, and will, and moste—mo-ooste 'av a very large, comfortable, beeg handful—do you hear me? Oh, you very coning old rascal; and if you weel not geeve it, oh, my dear Sir Richard, echellent master, I am so moche afaid we will 'av a fight between us—a quarrel—that will spoil our love and friendship, and maybe, helas! horte your reputation—shoking—make the gentlemen spit on you, and avoid you, and call you all the ogly names—oh! shoking."
A man sitting in a chair and facing his wig, which is on a wig stand.
Here he was interrupted by a loud ringing in Sir Richard's chamber.
"There he is to pool his leetle bell—damnation, what noise. I weel go up joste now—time enough, dear, good, patient Sir Richard—time enough—oh, plainty, plainty."
The little man then leisurely fumbled in his pocket until he brought forth a bunch of keys, from which, having selected one, he applied it to the lock of the little press which we have already mentioned, whence he deliberately produced one of the flasks which we have hinted at, along with a tall glass with a spiral stem, and filling himself a bumper of the liquor therein contained, he coolly sipped it to the bottom, accompanied throughout the performance by the incessant tinkling of Sir Richard's hand-bell.
"Ah, very good, most echellent—thank you, Sir Richard, you 'av give me so moche time and so moche music, I 'av drunk your very good health."
So saying, he locked up the flask and glass again, and taking the block which had just represented Sir Richard in the imaginary colloquy in his hand, he left his own chamber, and ran upstairs to the baronet's dressing-room. He found his master alone.
"Ah, Jacopo," exclaimed the baronet, looking somewhat flushed, but speaking, nevertheless, in a dulcet tone enough, "I have been ringing for nearly ten minutes; but I suppose you did not hear me."
"Joste so as you 'av say," replied the man. "Your signoria is very seldom wrong. I was so charmed with my work I could not hear nothing."
"Parucci," rejoined Sir Richard, after a slight pause, "you know I keep no secrets from you."
"Ah, you flatter me, Signor—you flatter me—indeed you do," said the valet, with ironical humility.
His master well understood the tone in which the fellow spoke, but did not care to notice it.
"The fact is, Jacopo," continued Sir Richard, "you already know so many of my secrets, that I have now no motive in excluding you from any."
"Goode, kind—oh, very kind," ejaculated the valet.
"In short," continued his master, who felt a little uneasy under the praises of his attendant—"in short, to speak plainly, I want your assistance. I know your talents well. You can imitate any handwriting you please to copy with perfect accuracy. You must copy, in the handwriting of this manuscript, the draft of a letter which I will hand you this evening. You require some little time to study the character; so take the letter with you, and be in my room at ten to-night. I will then hand you the draft of what I want written. You understand?"
"Understand! To be sure—most certilly I weel do it," replied the Italian, "so that the great devil himself will not tell the writing of the two, l'un dall' altro, one from the other. Never fear—geeve me the letter. I must learn the writing. I weel be here to-night before you are arrive, and I weel do it very fast, and so like—bote you know how well I can copy. Ah! yees; you know it, Signor. I need not tell."
"No more at present," said the baronet, with a gesture of caution. "Assist me to dress."
The Italian accordingly was soon deep in the mysteries of his elaborate functions, where we shall leave him and his master for the present.
Chapter XVII.
Dublin Castle by Night—The Drawing-Room—Lord Wharton and His Court
Sir Richard Ashwoode had set his heart upon having Lord Aspenly for his son-in-law; and all things considered, his lordship was, perhaps, according to the standard by which the baronet measured merit, as good a son-in-law as he had any right to hope for. It was true, Lord Aspenly was neither very young nor very beautiful. Spite of all the ingenious arts by which he reinforced his declining graces, it was clear as the light that his lordship was not very far from seventy; and it was just as apparent that it was not to any extraordinary supply of bone, muscle, or flesh that his vitality was attributable. His lordship was a little, spindle-shanked gentleman, with the complexion of a consumptive frog, and features as sharp as edged tools. He condescended to borrow from the artistic talents of his valet the exquisite pencilling of his eyebrows, as well as the fine black line which gave effect to a set of imaginary eyelashes, and depth and brilliancy to a pair of eyes which, although naturally not very singularly effective, had, nevertheless, nearly as much vivacity in them as they had ever had. His smiles were perennial and unceasing, very winning and rather ghastly. He used much gesticulation, and his shrug was absolutely Parisian. To all these perfections he added a wonderful facility in rounding the periods of a compliment, and an inexhaustible affluence of something which passed for conversation. Thus endowed, and having, moreover, the additional recommendation of a handsome income, a peerage, and an unencumbered celibacy, it is hardly wonderful that his lordship was unanimously voted by all prudent and discriminating persons, without exception, the most fascinating man in all Ireland. Sir Richard Ashwoode was not one whit more in earnest in desiring the match than was Lord Aspenly himself. His lordship had for some time begun to suspect that he had nearly sown his wild oats—that it was time for him to reform—that he was ripe for the domestic virtues, and ought to renounce scamp-hood. He therefore, in the laboratory of his secret soul, compounded a virtuous passion, which he resolved to expend upon the first eligible object who might present herself. Mary Ashwoode was the fortunate damsel who first happened to come within the scope and range of his lordship's premeditated love; and he forthwith in a matrimonial paroxysm applied, according to the good old custom, not to the lady herself, but to Sir Richard Ashwoode, and was received with open arms.
The baronet indeed, as the reader is aware, anticipated many difficulties in bringing the match about; for he well knew how deeply his daughter's heart was engaged, and his misgivings were more sombre and frequent than he cared to acknowledge even to himself. He resolved, however, that the thing should be; and he was convinced, that if his lordship only were firm, spite of fate he would effect it. In order then to inspire Lord Aspenly with this desirable firmness, he not unwisely believed that his best course was to exhibit him as much as possible in public places, in the character of the avowed lover of Mary Ashwoode; a position which, when once unequivocally assumed, afforded no creditable retreat, except through the gates of matrimony. It was arranged, therefore, that the young lady, under the protection of Lady Stukely, and accompanied by Lord Aspenly and Henry Ashwoode, should attend the first drawing-room at the Castle, a ceremonial which had been fixed to take place a few days subsequently to the arrival of Lord Aspenly at Morley Court. Those who have seen the Castle of Dublin only as it now stands, have beheld but the creation of the last sixty or seventy years, with the exception only of the wardrobe tower, an old grey cylinder of masonry, very dingy and dirty, which appears to have gone into half mourning for its departed companions, and presents something of the imposing character of an overgrown, mouldy band-box. At the beginning of the last century, however, matters were very different. The trim brick buildings, with their spacious windows and symmetrical regularity of structure, which now complete the quadrangles of the castle, had not yet appeared; but in their stead masses of building, constructed with very little attention to architectural precision, either in their individual formation or in their relative position, stood ranged together, so as to form two irregular and gloomy squares. That portion of the building which was set apart for state occasions and the vice-regal residence, had undergone so many repairs and modifications, that very little if any of it could have