ADAM
What, my young master?—O my gentle master!
O my sweet master! O you memory
Of old Sir Rowland! why, what make you here?
Why are you virtuous? why do people love you?
And wherefore are you gentle, strong, and valiant?
Why would you be so fond to overcome
The bonny prizer of the humorous duke?
Your praise is come too swiftly home before you.
Know you not, master, to some kind of men
Their graces serve them but as enemies?
No more do yours; your virtues, gentle master,
Are sanctified and holy traitors to you.
O, what a world is this, when what is comely
Envenoms him that bears it!
ORLANDO
Why, what’s the matter?
ADAM
O unhappy youth,
Come not within these doors; within this roof
The enemy of all your graces lives:
Your brother,—no, no brother; yet the son—
Yet not the son; I will not call him son—
Of him I was about to call his father,—
Hath heard your praises; and this night he means
To burn the lodging where you use to lie,
And you within it: if he fail of that,
He will have other means to cut you off;
I overheard him and his practices.
This is no place; this house is but a butchery:
Abhor it, fear it, do not enter it.
ORLANDO
Why, whither, Adam, wouldst thou have me go?
ADAM
No matter whither, so you come not here.
ORLANDO
What, wouldst thou have me go and beg my food?
Or with a base and boisterous sword enforce
A thievish living on the common road?
This I must do, or know not what to do:
Yet this I will not do, do how I can:
I rather will subject me to the malice
Of a diverted blood and bloody brother.
ADAM
But do not so. I have five hundred crowns,
The thrifty hire I sav’d under your father,
Which I did store to be my foster-nurse,
When service should in my old limbs lie lame,
And unregarded age in corners thrown;
Take that: and He that doth the ravens feed,
Yea, providently caters for the sparrow,
Be comfort to my age! Here is the gold;
All this I give you. Let me be your servant;
Though I look old, yet I am strong and lusty:
For in my youth I never did apply
Hot and rebellious liquors in my blood;
Nor did not with unbashful forehead woo
The means of weakness and debility;
Therefore my age is as a lusty winter,
Frosty, but kindly: let me go with you;
I’ll do the service of a younger man
In all your business and necessities.
ORLANDO
O good old man; how well in thee appears
The constant service of the antique world,
When service sweat for duty, not for meed!
Thou art not for the fashion of these times,
Where none will sweat but for promotion;
And having that, do choke their service up
Even with the having: it is not so with thee.
But, poor old man, thou prun’st a rotten tree,
That cannot so much as a blossom yield
In lieu of all thy pains and husbandry:
But come thy ways, we’ll go along together;
And ere we have thy youthful wages spent
We’ll light upon some settled low content.
ADAM
Master, go on; and I will follow thee
To the last gasp, with truth and loyalty.—
From seventeen years till now almost fourscore
Here lived I, but now live here no more.
At seventeen years many their fortunes seek;
But at fourscore it is too late a week:
Yet fortune cannot recompense me better
Than to die well and not my master’s debtor.
[Exeunt.]
SCENE IV. The Forest of Arden
[Enter ROSALIND in boy’s clothes, CELIA dressed like a shepherdess, and TOUCHSTONE.]
ROSALIND
O Jupiter! how weary are my spirits!
TOUCHSTONE
I care not for my spirits, if my legs were not weary.
ROSALIND
I could find in my heart to disgrace my man’s apparel, and to cry like a woman; but I must comfort the weaker vessel, as doublet and hose ought to show itself courageous to petticoat; therefore, courage, good Aliena.
CELIA
I pray you bear with me; I can go no further.
TOUCHSTONE
For my part, I had rather bear with you than bear you: yet I should bear no cross if I did bear you; for I think you have no money in your purse.
ROSALIND
Well, this is the forest of Arden.
TOUCHSTONE
Ay, now am I in Arden: the more fool I; when I was at home I was in a better place; but travellers must be content.
ROSALIND
Ay, be so, good Touchstone.—Look you, who comes here?, a young man and an old in solemn talk.
[Enter CORIN and SILVIUS.]
CORIN
That is the way to make her scorn you still.
SILVIUS
O Corin, that thou knew’st how I do love her!
CORIN
I partly guess; for I have lov’d ere now.
SILVIUS
No, Corin, being old, thou canst not guess;
Though in thy youth thou wast as true a lover
As ever sigh’d upon a midnight pillow:
But if thy love were ever like to mine,—
As sure I think did never man love so,—
How many actions most ridiculous
Hast thou been drawn to by thy fantasy?
CORIN
Into a thousand