Most boys might have looked awkward or theatrical in making the gesture, but he made it with naturalness and ease, because he had been familiar with the form since his babyhood. He had seen officers returning the salutes of their men when they encountered each other by chance in the streets, he had seen princes passing sentries on their way to their carriages, more august personages raising the quiet, recognizing hand to their helmets as they rode through applauding crowds. He had seen many royal persons and many royal pageants, but always only as an ill-clad boy standing on the edge of the crowd of common people. An energetic lad, however poor, cannot spend his days in going from one country to another without, by mere everyday chance, becoming familiar with the outer life of royalties and courts. Marco had stood in continental thoroughfares when visiting emperors rode by with glittering soldiery before and behind them, and a populace shouting courteous welcomes. He knew where in various great capitals the sentries stood before kingly or princely palaces. He had seen certain royal faces often enough to know them well, and to be ready to make his salute when particular quiet and unattended carriages passed him by.
“It is well to know them. It is well to observe everything and to train one’s self to remember faces and circumstances,” his father had said. “If you were a young prince or a young man training for a diplomatic career, you would be taught to notice and remember people and things as you would be taught to speak your own language with elegance. Such observation would be your most practical accomplishment and greatest power. It is as practical for one man as another—for a poor lad in a patched coat as for one whose place is to be in courts. As you cannot be educated in the ordinary way, you must learn from travel and the world. You must lose nothing—forget nothing.”
It was his father who had taught him everything, and he had learned a great deal. Loristan had the power of making all things interesting to fascination. To Marco it seemed that he knew everything in the world. They were not rich enough to buy many books, but Loristan knew the treasures of all great cities, the resources of the smallest towns. Together he and his boy walked through the endless galleries filled with the wonders of the world, the pictures before which through centuries an unbroken procession of almost worshiping eyes had passed uplifted. Because his father made the pictures seem the glowing, burning work of still-living men whom the centuries could not turn to dust, because he could tell the stories of their living and laboring to triumph, stories of what they felt and suffered and were, the boy became as familiar with the old masters—Italian, German, French, Dutch, English, Spanish—as he was with most of the countries they had lived in. They were not merely old masters to him, but men who were great, men who seemed to him to have wielded beautiful swords and held high, splendid lights. His father could not go often with him, but he always took him for the first time to the galleries, museums, libraries, and historical places which were richest in treasures of art, beauty, or story. Then, having seen them once through his eyes, Marco went again and again alone, and so grew intimate with the wonders of the world. He knew that he was gratifying a wish of his father’s when he tried to train himself to observe all things and forget nothing. These palaces of marvels were his schoolrooms, and his strange but rich education was the most interesting part of his life. In time, he knew exactly the places where the great Rembrandts, Vandykes, Rubens, Raphaels, Tintorettos, or Frans Hals hung; he knew whether this masterpiece or that was in Vienna, in Paris, in Venice, or Munich, or Rome. He knew stories of splendid crown jewels, of old armor, of ancient crafts, and of Roman relics dug up from beneath the foundations of old German cities. Any boy wandering to amuse himself through museums and palaces on “free days” could see what he saw, but boys living fuller and less lonely lives would have been less likely to concentrate their entire minds on what they looked at, and also less likely to store away facts with the determination to be able to recall at any moment the mental shelf on which they were laid. Having no playmates and nothing to play with, he began when he was a very little fellow to make a sort of game out of his rambles through picture-galleries, and the places which, whether they called themselves museums or not, were storehouses or relics of antiquity. There were always the blessed “free days,” when he could climb any marble steps, and enter any great portal without paying an entrance fee. Once inside, there were plenty of plainly and poorly dressed people to be seen, but there were not often boys as young as himself who were not attended by older companions. Quiet and orderly as he was, he often found himself stared at. The game he had created for himself was as simple as it was absorbing. It was to try how much he could remember and clearly describe to his father when they sat together at night and talked of what he had seen. These night talks filled his happiest hours. He never felt lonely then, and when his father sat and watched him with a certain curious and deep attention in his dark, reflective eyes, the boy was utterly comforted and content. Sometimes he brought back rough and crude sketches of objects he wished to ask questions about, and Loristan could always relate to him the full, rich story of the thing he wanted to know. They were stories made so splendid and full of color in the telling that Marco could not forget them.
III
THE LEGEND OF THE LOST PRINCE
As he walked through the streets, he was thinking of one of these stories. It was one he had heard first when he was very young, and it had so seized upon his imagination that he had asked often for it. It was, indeed, a part of the long-past history of Samavia, and he had loved it for that reason. Lazarus had often told it to him, sometimes adding much detail, but he had always liked best his father’s version, which seemed a thrilling and living thing. On their journey from Russia, during an hour when they had been forced to wait in a cold wayside station and had found the time long, Loristan had discussed it with him. He always found some such way of making hard and comfortless hours easier to live through.
“Fine, big lad—for a foreigner,” Marco heard a man say to his companion as he passed them this morning. “Looks like a Pole or a Russian.”
It was this which had led his thoughts back to the story of the Lost Prince. He knew that most of the people who looked at him and called him a “foreigner” had not even heard of Samavia. Those who chanced to recall its existence knew of it only as a small fierce country, so placed upon the map that the larger countries which were its neighbors felt they must control and keep it in order, and therefore made incursions into it, and fought its people and each other for possession. But it had not been always so. It was an old, old country, and hundreds of years ago it had been as celebrated for its peaceful happiness and wealth as for its beauty. It was often said that it was one of the most beautiful places in the world. A favorite Samavian legend was that it had been the site of the Garden of Eden. In those past centuries, its people had been of such great stature, physical beauty, and strength, that they had been like a race of noble giants. They were in those days a pastoral people, whose rich crops and splendid flocks and herds were the envy of less fertile countries. Among the shepherds and herdsmen there were poets who sang their own songs when they piped among their sheep upon the mountain sides and in the flower-thick valleys. Their songs had been about patriotism and bravery, and faithfulness to their chieftains and their country. The simple courtesy of the poorest peasant was as stately as the manner of a noble. But that, as Loristan had said with a tired smile, had been before they had had time to outlive and forget the Garden of Eden. Five hundred years ago, there had succeeded to the throne a king who was bad and weak. His father had lived to be ninety years old, and his son had grown tired of waiting in Samavia for his crown. He had gone out into the world, and visited other countries and their courts. When he returned and became king, he lived as no Samavian king had lived before. He was an extravagant, vicious man of furious temper and bitter jealousies. He was jealous of the larger courts and countries he had seen, and tried to introduce their customs and their ambitions. He ended by introducing their worst faults and vices. There arose political quarrels and savage new factions. Money was squandered until poverty began for the first time to stare the country in the face. The big Samavians, after their first stupefaction, broke forth into furious rage. There were mobs and riots, then bloody battles. Since it was the king who had worked this wrong, they would have none of him. They would depose him and make his son king in his place. It was at this part of the story that Marco was always most deeply interested. The young prince was totally unlike his father. He was a true royal Samavian. He was bigger and stronger for his age than any man in the country, and he was as handsome as a young Viking god. More