Theudas.]
[Footnote 8: Compare Luke i. 31 with Matt. i. 21.]
[Footnote 9: For example, chap. xix. 12–27.]
[Footnote 10: Thus, of the repast at Bethany he gives two narratives, chap. vii. 36–48, and x. 38–42.]
[Footnote 11: Chap. xxiii. 56.]
[Footnote 12: Chap. ii. 21, 22, 39, 41, 42. This is an Ebionitish feature. Cf. Philosophumena VII. vi. 34.]
[Footnote 13: The parable of the rich man and Lazarus. Compare chap. vi. 20, and following, 24, and following, xii. 13, and following, xvi. entirely, xxii. 35. Acts ii. 44, 45, v. 1, and following.]
[Footnote 14: The woman who anoints his feet, Zaccheus, the penitent thief, the parable of the Pharisee and the publican, and the prodigal son.]
[Footnote 15: For example, Mary of Bethany is represented by him as a sinner who becomes converted.]
[Footnote 16: Jesus weeping over Jerusalem, the bloody sweat, the meeting of the holy women, the penitent thief, &c. The speech to the women of Jerusalem (xxiii. 28, 29) could scarcely have been conceived except after the siege of the year 70.]
A great reserve was naturally enforced in presence of a document of this nature. It would have been as uncritical to neglect it as to employ it without discernment. Luke has had under his eyes originals which we no longer possess. He is less an evangelist than a biographer of Jesus, a "harmonizer," a corrector after the manner of Marcion and Tatian. But he is a biographer of the first century, a divine artist, who, independently of the information which he has drawn from more ancient sources, shows us the character of the Founder with a happiness of treatment, with a uniform inspiration, and a distinctness which the other two synoptics do not possess. In the perusal of his Gospel there is the greatest charm; for to the incomparable beauty of the foundation, common to them all, he adds a degree of skill in composition which singularly augments the effect of the portrait, without seriously injuring its truthfulness.
On the whole, we may say that the synoptical compilation has passed through three stages: First, the original documentary state ([Greek: logia] of Matthew, [Greek: lechthenta ê prachthenta] of Mark), primary compilations which no longer exist; second, the state of simple mixture, in which the original documents are amalgamated without any effort at composition, without there appearing any personal bias of the authors (the existing Gospels of Matthew and Mark); third, the state of combination or of intentional and deliberate compiling, in which we are sensible of an attempt to reconcile the different versions (Gospel of Luke). The Gospel of John, as we have said, forms a composition of another orders and is entirely distinct.
It will be remarked that I have made no use of the Apocryphal Gospels. These compositions ought not in any manner to be put upon the same footing as the canonical Gospels. They are insipid and puerile amplifications, having the canonical Gospels for their basis, and adding nothing thereto of any value. On the other hand, I have been very attentive to collect the shreds preserved by the Fathers of the Church, of the ancient Gospels which formerly existed parallel with the canonical Gospels, and which are now lost—such as the Gospel according to the Hebrews, the Gospel according to the Egyptians, the Gospels styled those of Justin, Marcion, and Tatian. The first two are principally important because they were written in Aramean, like the Logia of Matthew, and appear to constitute one version of the Gospel of this apostle, and because they were the Gospel of the Ebionim—that is, of those small Christian sects of Batanea who preserved the use of Syro-Chaldean, and who appear in some respects to have followed the course marked out by Jesus. But it must be confessed that in the state in which they have come to us, these Gospels are inferior, as critical authorities, to the compilation of Matthew's Gospel which we now possess.
It will now be seen, I think, what kind of historical value I attribute to the Gospels. They are neither biographies after the manner of Suetonius, nor fictitious legends in the style of Philostratus; they are legendary biographies. I should willingly compare them with the Legends of the Saints, the Lives of Plotinus, Proclus, Isidore, and other writings of the same kind, in which historical truth and the desire to present models of virtue are combined in various degrees. Inexactitude, which is one of the features of all popular compositions, is there particularly felt. Let us suppose that ten or twelve years ago three or four old soldiers of the Empire had each undertaken to write the life of Napoleon from memory. It is clear that their narratives would contain numerous errors, and great discordances. One of them would place Wagram before Marengo: another would write without hesitation that Napoleon drove the government of Robespierre from the Tuileries; a third would omit expeditions of the highest importance. But one thing would certainly result with a great degree of truthfulness from these simple recitals, and that is the character of the hero, the impression which he made around him. In this sense such popular narratives would be worth more than a formal and official history. We may say as much of the Gospels. Solely attentive to bring out strongly the excellency of the Master, his miracles, his teaching, the evangelists display entire indifference to everything that is not of the very spirit of Jesus. The contradictions respecting time, place, and persons were regarded as insignificant; for the higher the degree of inspiration attributed to the words of Jesus, the less was granted to the compilers themselves. The latter regarded themselves as simple scribes, and cared but for one thing—to omit nothing they knew.[1]
[Footnote 1: See the passage from Papias, before cited.]
Unquestionably certain preconceived ideas associated themselves with such recollections. Several narratives, especially in Luke, are invented in order to bring out more vividly certain traits of the character of Jesus. This character itself constantly underwent alteration. Jesus would be a phenomenon unparalleled in history if, with the part which he played, he had not early become idealized. The legends respecting Alexander were invented before the generation of his companions in arms became extinct; those respecting St. Francis d'Assisi began in his lifetime. A rapid metamorphosis operated in the same manner in the twenty or thirty years which followed the death of Jesus, and imposed upon his biography the peculiarities of an ideal legend. Death adds perfection to the most perfect man; it frees him from all defect in the eyes of those who have loved him. With the wish to paint the Master, there was also the desire to explain him. Many anecdotes were conceived to prove that in him the prophecies regarded as Messianic had had their accomplishment. But this procedure, of which we must not deny the importance, would not suffice to explain everything. No Jewish work of the time gives a series of prophecies exactly declaring what the Messiah should accomplish. Many Messianic allusions quoted by the evangelists are so subtle, so indirect, that one cannot believe they all responded to a generally admitted doctrine. Sometimes they reasoned thus: "The Messiah ought to do such a thing; now Jesus is the Messiah; therefore Jesus has done such a thing." At other times, by an inverse process, it was said: "Such a thing has happened to Jesus; now Jesus is the Messiah; therefore such a thing was to happen to the Messiah."[1] Too simple explanations are always false when analyzing those profound creations of popular sentiment which baffle all systems by their fullness and infinite variety. It is scarcely necessary to say that, with such documents, in order to present only what is indisputable, we must limit ourselves to general features. In almost all ancient histories, even in those which are much less legendary than these, details open up innumerable doubts. When we have two accounts of the same fact, it is extremely rare that the two accounts agree. Is not this a reason for anticipating many difficulties when we have but one? We may say that amongst the anecdotes, the discourses, the celebrated sayings which have been given us by the historians, there is not one strictly authentic. Were there stenographers to fix these fleeting words? Was there an analyst always present to note the gestures, the manners, the sentiments of the actors? Let any one endeavor to get at the truth as to the way in which such or such contemporary fact has happened; he will not succeed. Two accounts of the same event given by different eye-witnesses differ essentially. Must we, therefore, reject all the coloring of the narratives, and limit ourselves to the bare facts only? That would be to suppress history. Certainly, I think that if we except certain short and almost mnemonic axioms, none of the discourses reported by Matthew are textual; even our stenographic reports are scarcely so. I freely admit that the admirable account of the Passion contains many trifling inaccuracies. Would it, however, be writing the history of Jesus