man's shirt, and tried to get him to swallow some whiskey from the bottle he found in his pocket. Appalled to find all his efforts unavailing, he sprang on the horse and rode to the stables for help.
The foreman coming out, cried: "Good heavens, Mr. Buller, that's the old man's horse. Where did you get him? Well, Jerry, old fellow," he continued, patting the horse, who whinnied affectionately, "they've been using you badly, and you've come home to be taken care of. Where did you find him, Mr. Buller?"
"Out on the prairie, and I'm afraid I've killed the man who was riding him. God knows, I didn't intend to, but he fired at me, and I hit harder than I thought."
Sidney and the foreman ran out together to where Jerry's late rider lay on the grass.
"He's done for," said the foreman, bending over the prostrate figure, but taking the precaution to have a revolver in his hand. "He's got his dose, thank God. This is the man who murdered your uncle. Think of him being knocked over with a city cane, and think of the old man's revenge money coming back to the family again!"
The Understudy.
The Monarch in the Arabian story had an ointment which, put upon the right eye, enabled him to see through the walls of houses. If the Arabian despot had passed along a narrow street leading into a main thoroughfare of London, one night just before the clock struck twelve, he would have beheld, in a dingy back room of a large building, a very strange sight. He would have seen King Charles the First seated in friendly converse with none other than Oliver Cromwell.
The room in which these two noted people sat had no carpet and but few chairs. A shelf extended along one side of the apartment, and it was covered with mugs containing paint and grease. Brushes were littered about, and a wig lay in a corner. A mirror stood at either end of the shelf, and beside these, flared two gas-jets protected by wire baskets. Hanging from nails driven in the walls were coats, waist-coats, and trousers of more modern cut than the costumes worn by the two men.
King Charles, with his pointed beard and his ruffles of lace, leaned picturesquely back in his chair, which rested against the wall. He was smoking a very black brier-root pipe, and perhaps his Majesty enjoyed the weed all the more that there was just above his head, tacked to the wall, a large placard, containing the words, "No smoking allowed in this room, or in any other part of the theatre."
Cromwell, in more sober garments, had an even jauntier attitude than the King, for he sat astride the chair, with his chin resting on the back of it, smoking a cigarette in a meerschaum holder.
"I'm too old, my boy," said the King, "and too fond of my comfort; besides, I have no longer any ambition. When an actor once realises that he will never be a Charles Kean or a Macready, then come peace and the enjoyment of life. Now, with you it is different: you are, if I may say so in deep affection, young and foolish. Your project is a most hare-brained scheme. You are throwing away all you have already won."
"Good gracious!" cried Cromwell, impatiently, "what have I won?"
"You have certainly won something," resumed the elder calmly, "when a person of your excitable nature can play so well the sombre, taciturn character of Cromwell. You have mounted several rungs, and the whole ladder lifts itself up before you. You have mastered two or three languages, while I know but one, and that imperfectly. You have studied the foreign drama, while I have not even read all the plays of Shakespeare. I can do a hundred parts conventionally well. You will, some day, do a great part as no other man on earth can act it, and then fame will come to you. Now you propose recklessly to throw all this away and go into the wilds of Africa."
"The particular ladder you offer me," said Cromwell, "I have no desire to climb; I am sick of the smell of the footlights and the whole atmosphere of the theatre. I am tired of the unreality of the life we lead. Why not be a hero instead of mimicking one?"
"But, my dear boy," said the King, filling his pipe again, "look at the practical side of things. It costs a fortune to fit out an African expedition. Where are you to get the money?"
This question sounded more natural from the lips of the King than did the answer from the lips of Cromwell.
"There has been too much force and too much expenditure about African travel. I do not intend to cross the Continent with arms and the munitions of war. As you remarked a while ago, I know several European languages, and if you will forgive what sounds like boasting, I may say that I have a gift for picking up tongues. I have money enough to fit myself out with some necessary scientific instruments, and to pay my passage to the coast. Once there, I shall win my way across the Continent through love and not through fear."
"You will lose your head," said King Charles; "they don't understand that sort of thing out there, and, besides, the idea is not original. Didn't Livingstone try that tack?"
"Yes, but people have forgotten Livingstone and his methods. It is now the explosive bullet and the elephant gun. I intend to learn the language of the different native tribes I meet, and if a chief opposes me and will not allow me to pass through his territory, and if I find I cannot win him over to my side by persuasive talk, then I shall go round."
"And what is to be the outcome of it all?" cried Charles. "What is your object?"
"Fame, my boy, fame," cried Cromwell, enthusiastically, flinging the chair from under him and pacing the narrow room. "If I can get from coast to coast without taking the life of a single native, won't that be something greater than all the play-acting from now till Doomsday?"
"I suppose it will," said the King, gloomily; "but you must remember you are the only friend I have, and I have reached an age when a man does not pick up friends readily."
Cromwell stopped in his walk and grasped the King by the hand. "Are you not the only friend I have," he said; "and why can you not abandon this ghastly sham and come with me, as I asked you to at first? How can you hesitate when you think of the glorious freedom of the African forest, and compare it with this cribbed and cabined and confined business we are now at?"
The King shook his head slowly, and knocked the ashes from his pipe. He seemed to have some trouble in keeping it alight, probably because of the prohibition on the wall.
"As I said before," replied the King, "I am too old. There are no pubs in the African forest where a man can get a glass of beer when he wants it. No, Ormond, African travel is not for me. If you are resolved to go, go and God bless you; I will stay at home and carefully nurse your fame. I shall from time to time drop appetising little paragraphs into the papers about your wanderings, and when you are ready to come back to England, all England will be ready to listen to you. You know how interest is worked up in the theatrical business by judicious puffing in the papers, and I imagine African exploration requires much the same treatment. If it were not for the Press, my boy, you could explore Africa till you were blind and nobody would hear a word about it, so I will be your advance agent and make ready for your home-coming."
At this point in the conversation between these two historic characters, the janitor of the theatre put his head into the room and reminded the celebrities that it was very late, whereupon both King and Commoner rose, with some reluctance, and washed themselves; the King becoming, when he put on the ordinary dress of an Englishman, Mr. James Spence, while Cromwell, after a similar transformation, became Mr. Sidney Ormond; and thus, with nothing of Royalty or Dictatorship about them, the two strolled up the narrow street into the main thoroughfare and entered their favourite midnight restaurant, where, over a belated meal, they continued the discussion of the African project, which Spence persisted in looking upon as one of the maddest expeditions that had ever come to his knowledge; but the talk was futile, as most talk is, and within a month from that time Ormond was on the ocean, his face set towards Africa.
Another man took Ormond's place at the theatre, and Spence continued to play his part, as the papers said, in his usual acceptable manner. He heard from his friend, in due course, when he landed. Then at intervals came one or two letters showing how he had surmounted the numerous difficulties