me haltingly that the great tome from which she was working ten years ago, and which had been left open on the solid library table, was still there exactly as she had placed it before being forced to abandon her work. For a decade apparently no one had entered that library. I could not but sympathise with the poor lady, thus revisiting, almost herself like a ghost, the haunted arena of her short happiness. But though she proved so dismal a companion, the old woman who came with her was a treasure. Having lived all her life in some semi-slum near the Strand, and having rarely experienced more than a summer's-day glimpse of the country, the long journey had delighted her, and now this rambling old castle in the midst of the forest seemed to realise all the dreams which a perusal of halfpenny fiction had engendered in her imagination. She lit a fire, and cooked for us a very creditable supper, bustling about the place, singing to herself in a high key.
Shortly after supper Sophia Brooks, exhausted as much by her emotions and memories as by her long journey of that day, retired to rest. After being left to myself I smoked some cigarettes, and finished a bottle of superb claret which stood at my elbow. A few hours before I had undoubtedly fallen in the estimation of the stolid constable when, instead of asking him questions regarding the tragedy, I had inquired the position of the wine cellar, and obtained possession of the key that opened its portal. The sight of bin after bin of dust-laden, cobwebbed bottles, did more than anything else to reconcile me to my lonely vigil. There were some notable vintages represented in that dismal cavern.
It was perhaps half-past ten or eleven o'clock when I began my investigations. I had taken the precaution to provide myself with half a dozen so-called electric torches before I left London. These give illumination for twenty or thirty hours steadily, and much longer if the flash is used only now and then. The torch is a thick tube, perhaps a foot and a half long, with a bull's-eye of glass at one end. By pressing a spring the electric rays project like the illumination of an engine's headlight. A release of the spring causes instant darkness. I have found this invention useful in that it concentrates the light on any particular spot desired, leaving all the surroundings in gloom, so that the mind is not distracted, even unconsciously, by the eye beholding more than is necessary at the moment. One pours a white light over any particular substance as water is poured from the nozzle of a hose.
The great house was almost painfully silent. I took one of these torches, and went to the foot of the grand staircase where the wicked butler had met his death. There, as his lordship had said, lay the silver tray, and nearby a silver jug, a pair of spoons, a knife and fork, and scattered all around the fragments of broken plates, cups, and saucers. With an exclamation of surprise at the stupidity of the researchers who had preceded me, I ran up the stair two steps at a time, turned to the right, and along the corridor until I came to the room occupied by the late earl. The coverings of the bed lay turned down just as they were when his lordship sprang to the floor, doubtless, in spite of his deafness, having heard faintly the fatal crash at the foot of the stairs. A great oaken chest stood at the head of the bed, perhaps six inches from the wall. Leaning against this chest at the edge of the bed inclined a small, round table, and the cover of the table had slipped from its sloping surface until it partly concealed the chest lid. I mounted on this carven box of old black oak and directed the rays of electric light into the chasm between it and the wall. Then I laughed aloud, and was somewhat startled to hear another laugh directly behind me. I jumped down on the floor again, and swung round my torch like a searchlight on a battleship at sea. There was no human presence in that chamber except myself. Of course, after my first moment of surprise, I realised that the laugh was but an echo of my own. The old walls of the old house were like sounding-boards. The place resembled an ancient fiddle, still tremulous with the music that had been played on it. It was easy to understand how a superstitious population came to believe in its being haunted; in fact, I found by experiment that if one trod quickly along the uncovered floor of the corridor, and stopped suddenly, one seemed to hear the sound of steps still going on.
I now returned to the stair head, and examined the bare polished boards with most gratifying results. Amazed at having learnt so much in such a short time, I took from my pocket the paper on which the dying nobleman had attempted to write with his half-paralysed hand. The chief constable had given the document to me, and I sat on the stair head, spread it out on the floor and scrutinised it. It was all but meaningless. Apparently two words and the initial letter of a third had been attempted. Now, however grotesque a piece of writing may be, you can sometimes decipher it by holding it at various angles, as those puzzles are solved which remain a mystery when gazed at direct. By partially closing the eyes you frequently catch the intent, as in those pictures where a human figure is concealed among the outlines of trees and leaves. I held the paper at arm's length, and with the electric light gleaming upon it, examined it at all angles, with eyes wide open, and eyes half closed. At last, inclining it away from me, I saw that the words were intended to mean, 'The Secret'. The secret, of course, was what he was trying to impart, but he had apparently got no further than the title of it. Deeply absorbed in my investigation, I was never more startled in my life than to hear in the stillness down the corridor the gasped words, 'Oh, God!'
I swept round my light, and saw leaning against the wall, in an almost fainting condition, Sophia Brooks, her eyes staring like those of a demented person, and her face white as any ghost's could have been. Wrapped round her was a dressing-gown. I sprang to my feet.
'What are you doing there?' I cried.
'Oh, is that you, Monsieur Valmont? Thank God, thank God! I thought I was going insane. I saw a hand, a bodiless hand, holding a white sheet of paper.'
'The hand was far from bodiless, madam, for it belonged to me. But why are you here? It must be near midnight.'
'It is midnight,' answered the woman; 'I came here because I heard my husband call me three times distinctly, "Sophia, Sophia, Sophia!" just like that.'
'Nonsense, madam,' I said, with an asperity I seldom use where the fair sex is concerned; but I began to see that this hysterical creature was going to be in the way during a research that called for coolness and calmness. I was sorry I had invited her to come. 'Nonsense, madam, you have been dreaming.'
'Indeed, Monsieur Valmont, I have not. I have not even been asleep, and I heard the words quite plainly. You must not think I am either mad or superstitious.'
I thought she was both, and next moment she gave further evidence of it, running suddenly forward, and clutching me by the arm.
'Listen! listen!' she whispered. 'You hear nothing?'
'Nonsense!' I cried again, almost roughly for my patience was at an end, and I wished to go on with my inquiry undisturbed.
'Hist, hist!' she whispered; 'listen!' holding up her finger. We both stood like statues, and suddenly I felt that curious creeping of the scalp which shows that even the most civilised among us have not yet eliminated superstitious fear. In the tense silence I heard someone slowly coming up the stair; I heard the halting step of a lame man. In the tension of the moment I had allowed the light to go out; now recovering myself, I pressed the spring, and waved its rays backward and forward down the stairway. The space was entirely empty, yet the hesitating footsteps approached us, up and up. I could almost have sworn on which step they last struck. At this interesting moment Sophia Brooks uttered a piercing shriek and collapsed into my arms, sending the electric torch rattling down the steps, and leaving us in impenetrable darkness. Really, I profess myself to be a gallant man, but there are situations which have a tendency to cause annoyance. I carried the limp creature cautiously down the stairs, fearing the fate of the butler, and at last got her into the dining-room, where I lit a candle, which gave a light less brilliant, perhaps, but more steady than my torch. I dashed some water in her face, and brought her to her senses, then uncorking another bottle of wine, I bade her drink a glassful, which she did.
'What was it?' she whispered.
'Madam, I do not know. Very possibly the club-footed ghost of Rantremly.'
'Do you believe in ghosts, Monsieur Valmont?'
'Last night I did not, but at this hour I believe in only one thing, which is that it is time everyone was asleep.'
She rose to her feet at this, and with a tremulous little laugh apologised for her terror,