count, followed a second later by a gush of flame. The man dropped, his breast riddled. At the same instant the thunder-storm that had been gathering broke loose. The boys fled wildly, believing that Satan himself had arrived to claim the lost soul.
That was a day and locality of violent impulse and sudden action. Happenings such as these were not infrequent in a town like Hannibal. And there were events connected with slavery. Sam once saw a slave struck down and killed with a piece of slag, for a trifling offense. He saw an Abolitionist attacked by a mob that would have lynched him had not a Methodist minister defended him on a plea that he must be crazy. He did not remember in later years that he had ever seen a slave auction, but he added:
"I am suspicious that it was because the thing was a commonplace spectacle and not an uncommon or impressive one. I do vividly remember seeing a dozen black men and women, chained together, lying in a group on the pavement, waiting shipment to a Southern slave- market. They had the saddest faces I ever saw."
Readers of Mark Twain's books—especially the stories of Huck and Tom, will hardly be surprised to hear of these early happenings that formed so large a portion of the author's early education. Sam, however, did not regard them as education—not at the time. They got into his dreams. He set them down as warnings, or punishments, intended to give him a taste for a better life. He felt that it was his conscience that made such things torture him. That was his mother's idea, and he had a high respect for her opinion in such matters. Among other things, he had seen her one day defy a vicious and fierce Corsican—a common terror in the town—who had chased his grown daughter with a heavy rope in his hand, declaring he would wear it out on her. Cautious citizens got out of the way, but Jane Clemens opened her door to the fugitive; then, instead of rushing in and closing it, spread her arms across it, barring the way. The man raved, and threatened her with the rope, but she did not flinch or show any sign of fear. She stood there and shamed and defied him until he slunk off, crestfallen and conquered. Any one as brave as his mother must have a perfect conscience, Sam thought, and would know how to take care of it. In the darkness he would say his prayers, especially when a thunderstorm was coming, and vow to begin a better life. He detested Sunday-school as much as he did day-school, and once his brother Orion, who was moral and religious, had threatened to drag him there by the collar, but, as the thunder got louder, Sam decided that he loved Sunday-school and would go the next Sunday without being invited.
Sam's days were not all disturbed by fierce events. They were mostly filled with pleasanter things. There were picnics sometimes, and ferryboat excursions, and any day one could roam the woods, or fish, alone or in company. The hills and woods around Hannibal were never disappointing. There was the cave with its marvels. There was Bear Creek, where he had learned to swim. He had seen two playmates drown; twice, himself, he had been dragged ashore, more dead than alive; once by a slave girl, another time by a slave man—Neal Champ, of the Pavey Hotel. But he had persevered, and with success. He could swim better than any playmate of his age.
It was the river that he cared for most. It was the pathway that led to the great world outside. He would sit by it for hours and dream. He would venture out on it in a quietly borrowed boat, when he was barely strong enough to lift an oar. He learned to know all its moods and phases.
More than anything in the world he hungered to make a trip on one of the big, smart steamers that were always passing. "You can hardly imagine what it meant," he reflected, once, "to a boy in those days, shut in as we were, to see those steamboats pass up and down, and never take a trip on them."
It was at the mature age of nine that he found he could endure this no longer. One day when the big packet came down and stopped at Hannibal, he slipped aboard and crept under one of the boats on the upper deck. Then the signal-bells rang, the steamer backed away and swung into midstream; he was really going at last. He crept from beneath the boat and sat looking out over the water and enjoying the scenery. Then it began to rain—a regular downpour. He crept back under the boat, but his legs were outside, and one of the crew saw him. He was dragged out and at the next stop set ashore. It was the town of Louisiana, where there were Lampton relatives, who took him home. Very likely the home-coming was not entirely pleasant, though a "lesson," too, in his general education.
And always, each summer, there was the farm, where his recreation was no longer mere girl plays and swings, with a colored nurse following about, but sports with his older boy cousins, who went hunting with the men, for partridges by day and for 'coons and 'possums by night. Sometimes the little boy followed the hunters all night long, and returned with them through the sparkling and fragrant morning, fresh, hungry, and triumphant, just in time for breakfast. So it is no wonder that Little Sam, at nine, was no longer Little Sam, but plain Sam Clemens, and grown up. If there were doubtful spots in his education—matters related to smoking and strong words—it is also no wonder, and experience even in these lines was worth something in a book like Tom Sawyer.
The boy Sam Clemens was not a particularly attractive lad. He was rather undersized, and his head seemed too large for his body. He had a mass of light sandy hair, which he plastered down to keep from curling. His eyes were keen and blue and his features rather large. Still, he had a fair, delicate complexion when it was not blackened by grime and tan; a gentle, winning manner; a smile and a slow way of speaking that made him a favorite with his companions. He did not talk much, and was thought to be rather dull—was certainly so in most of his lessons—but, for some reason, he never spoke that every playmate in hearing did not stop, whatever he was doing, to listen. Perhaps it would be a plan for a new game or lark; perhaps it was something droll; perhaps it was just a casual remark that his peculiar drawl made amusing. His mother always referred to his slow fashion of speech as "Sammy's long talk." Her own speech was even more deliberate, though she seemed not to notice it. Sam was more like his mother than the others. His brother, Henry Clemens, three years younger, was as unlike Sam as possible. He did not have the "long talk," and was a handsome, obedient little fellow whom the mischievous Sam loved to tease. Henry was to become the Sid of Tom Sawyer, though he was in every way a finer character than Sid. With the death of little Benjamin, Sam and Henry had been drawn much closer together, and, in spite of Sam's pranks, loved each other dearly. For the pranks were only occasional, and Sam's love for Henry was constant. He fought for him oftener than with him.
Many of the home incidents in the Tom Sawyer book really happened. Sam did clod Henry for getting him into trouble about the colored thread with which he sewed his shirt when he came home from swimming; he did inveigle a lot of boys into whitewashing a fence for him; he did give painkiller to Peter, the cat. As for escaping punishment for his misdeeds, as described in the book, this was a daily matter, and his methods suited the occasions. For, of course, Tom Sawyer was Sam Clemens himself, almost entirely, as most readers of that book have imagined. However, we must have another chapter for Tom Sawyer and his doings—the real Tom and his real doings with those graceless, lovable associates, Joe Harper and Huckleberry Finn.
V.
TOM SAWYER AND HIS BAND
In beginning "The Adventures of Tom Sawyer" the author says, "Most of the adventures recorded in this book really occurred," and he tells us that Huck Finn is drawn from life; Tom Sawyer also, though not from a single individual, being a composite of three boys whom Mark Twain had known.
The three boys were himself, almost entirely, with traces of two schoolmates, John Briggs and Will Bowen. John Briggs was also the original of Joe Harper, the "Terror of the Seas." As for Huck Finn, the "Red-Handed," his original was a village waif named Tom Blankenship, who needed no change for his part in the story.
The Blankenship family picked up an uncertain livelihood, fishing and hunting, and lived at first under a tree in a bark shanty, but later moved into a large, barn-like building, back of the Clemens home on Hill Street. There were three male members of the household: Old Ben, the father, shiftless and dissolute; young Ben, the eldest son—a doubtful character, with certain good traits; and Tom—that is to say, Huck, who was just as he is described in the book—a ruin of rags, a river-rat,