of the bamboo huts; passing like spirits on the wing through the shadows of the grove, and sometimes descending into the bosom of the valley in gleaming flights from the mountains. Their plumage is purple and azure, crimson and white, black and gold; with bills of every tint: bright bloody red, jet black, and ivory white, and their eyes are bright and sparkling; they go sailing through the air in starry throngs; but, alas! the spell of dumbness is upon them all—there is not a single warbler in the valley!
I know not why it was, but the sight of these birds, generally the ministers of gladness, always oppressed me with melancholy. As in their dumb beauty they hovered by me whilst I was walking, or looked down upon me with steady curious eyes from out the foliage, I was almost inclined to fancy that they knew they were gazing upon a stranger, and that they commiserated his fate.
CHAPTER 30
A PROFESSOR OF THE FINE ARTS—HIS PERSECUTIONS—SOMETHING ABOUT TATTOOING AND TABOOING—TWO ANECDOTES IN ILLUSTRATION OF THE LATTER—A FEW THOUGHTS ON THE TYPEE DIALECT
In one of my strolls with Kory-Kory, in passing along the border of a thick growth of bushes, my attention was arrested by a singular noise. On entering the thicket I witnessed for the first time the operation of tattooing as performed by these islanders.
I beheld a man extended flat upon his back on the ground, and, despite the forced composure of his countenance, it was evident that he was suffering agony. His tormentor bent over him, working away for all the world like a stone-cutter with mallet and chisel. In one hand he held a short slender stick, pointed with a shark’s tooth, on the upright end of which he tapped with a small hammer-like piece of wood, thus puncturing the skin, and charging it with the colouring matter in which the instrument was dipped. A cocoanut shell containing this fluid was placed upon the ground. It is prepared by mixing with a vegetable juice the ashes of the ‘armor’, or candle-nut, always preserved for the purpose. Beside the savage, and spread out upon a piece of soiled tappa, were a great number of curious black-looking little implements of bone and wood, used in the various divisions of his art. A few terminated in a single fine point, and, like very delicate pencils, were employed in giving the finishing touches, or in operating upon the more sensitive portions of the body, as was the case in the present instance. Others presented several points distributed in a line, somewhat resembling the teeth of a saw. These were employed in the coarser parts of the work, and particularly in pricking in straight marks. Some presented their points disposed in small figures, and being placed upon the body, were, by a single blow of the hammer, made to leave their indelible impression. I observed a few the handles of which were mysteriously curved, as if intended to be introduced into the orifice of the ear, with a view perhaps of beating the tattoo upon the tympanum. Altogether the sight of these strange instruments recalled to mind that display of cruel-looking mother-of-pearl-handled things which one sees in their velvet-lined cases at the elbow of a dentist.
The artist was not at this time engaged on an original sketch, his subject being a venerable savage, whose tattooing had become somewhat faded with age and needed a few repairs, and accordingly he was merely employed in touching up the works of some of the old masters of the Typee school, as delineated upon the human canvas before him. The parts operated upon were the eyelids, where a longitudinal streak, like the one which adorned Kory-Kory, crossed the countenance of the victim.
In spite of all the efforts of the poor old man, sundry twitchings and screwings of the muscles of the face denoted the exquisite sensibility of these shutters to the windows of his soul, which he was now having repainted. But the artist, with a heart as callous as that of an army surgeon, continued his performance, enlivening his labours with a wild chant, tapping away the while as merrily as a woodpecker.
So deeply engaged was he in his work, that he had not observed our approach, until, after having, enjoyed an unmolested view of the operation, I chose to attract his attention. As soon as he perceived me, supposing that I sought him in his professional capacity, he seized hold of me in a paroxysm of delight, and was an eagerness to begin the work. When, however, I gave him to understand that he had altogether mistaken my views, nothing could exceed his grief and disappointment. But recovering from this, he seemed determined not to credit my assertion, and grasping his implements, he flourished them about in fearful vicinity to my face, going through an imaginary performance of his art, and every moment bursting into some admiring exclamation at the beauty of his designs.
Horrified at the bare thought of being rendered hideous for life if the wretch were to execute his purpose upon me, I struggled to get away from him, while Kory-Kory, turning traitor, stood by, and besought me to comply with the outrageous request. On my reiterated refusals the excited artist got half beside himself, and was overwhelmed with sorrow at losing so noble an opportunity of distinguishing himself in his profession.
The idea of engrafting his tattooing upon my white skin filled him with all a painter’s enthusiasm; again and again he gazed into my countenance, and every fresh glimpse seemed to add to the vehemence of his ambition. Not knowing to what extremities he might proceed, and shuddering at the ruin he might inflict upon my figure-head, I now endeavoured to draw off his attention from it, and holding out my arm in a fit of desperation, signed to him to commence operations. But he rejected the compromise indignantly, and still continued his attack on my face, as though nothing short of that would satisfy him. When his forefinger swept across my features, in laying out the borders of those parallel bands which were to encircle my countenance, the flesh fairly crawled upon my bones. At last, half wild with terror and indignation, I succeeded in breaking away from the three savages, and fled towards old Marheyo’s house, pursued by the indomitable artist, who ran after me, implements in hand. Kory-Kory, however, at last interfered and drew him off from the chase.
This incident opened my eyes to a new danger; and I now felt convinced that in some luckless hour I should be disfigured in such a manner as never more to have the FACE to return to my countrymen, even should an opportunity offer.
These apprehensions were greatly increased by the desire which King Mehevi and several of the inferior chiefs now manifested that I should be tattooed. The pleasure of the king was first signified to me some three days after my casual encounter with Karky the artist. Heavens! what imprecations I showered upon that Karky. Doubtless he had plotted a conspiracy against me and my countenance, and would never rest until his diabolical purpose was accomplished. Several times I met him in various parts of the valley, and, invariably, whenever he descried me, he came running after me with his mallet and chisel, flourishing them about my face as if he longed to begin. What an object he would have made of me!
When the king first expressed his wish to me, I made known to him my utter abhorrence of the measure, and worked myself into such a state of excitement, that he absolutely stared at me in amazement. It evidently surpassed his majesty’s comprehension how any sober-minded and sensible individual could entertain the least possible objection to so beautifying an operation.
Soon afterwards he repeated his suggestion, and meeting with a little repulse, showed some symptoms of displeasure at my obduracy. On his a third time renewing his request, I plainly perceived that something must be done, or my visage was ruined for ever; I therefore screwed up my courage to the sticking point, and declared my willingness to have both arms tattooed from just above the wrist to the shoulder. His majesty was greatly pleased at the proposition, and I was congratulating myself with having thus compromised the matter, when he intimated that as a thing of course my face was first to undergo the operation. I was fairly driven to despair; nothing but the utter ruin of my ‘face divine’, as the poets call it, would, I perceived, satisfy the inexorable Mehevi and his chiefs, or rather, that infernal Karky, for he was at the bottom of it all.
The only consolation afforded me was a choice of patterns: I was at perfect liberty to have my face spanned by three horizontal bars, after the fashion of my serving-man’s; or to have as many oblique stripes slanting across it; or if, like a true courtier, I chose to model my style on that of royalty, I might wear a sort of freemason badge upon my countenance in the shape of a mystic triangle. However, I would have none of these, though the king most earnestly impressed upon my mind