leaf.
"Tell me," he said, in a hoarse whisper, "what do you see there?"
Arthur started, and followed the direction of his eyes to the bare wall opposite the window, at that end of the room through which the door was made.
"I see," he said, "some moving shadows."
"What do they resemble?"
"I don't know; nothing in particular. What are they?"
"What are they?" hissed Philip, whose face was livid with terror, "they are the shades of the dead sent here to torture me. Look, she goes to meet him; the old man is telling her. Now she will wring her hands."
"Nonsense, Mr. Caresfoot, nonsense," said Arthur, shaking himself together; "I see nothing of the sort. Why, it is only the shadows flung by the moonlight through the swinging boughs of that tree. Cut it down, and you will have no more writing upon your wall."
"Ah! of course you are right, Heigham, quite right," ejaculated his host, faintly, wiping the cold sweat from his brow; "it is nothing but the moonlight. How ridiculous of me! I suppose I am a little out of sorts—liver wrong. Give me some whisky, there's a good fellow, and I'll drink damnation to all the shadows and the trees that throw them. Ha, ha, ha!"
There was something so uncanny about his host's manner, and his evident conviction of the origin of the wavering figures on the wall (which had now disappeared), that Arthur felt, had it not been for Angela, he would not be sorry to get clear of him and his shadows as soon as possible, for superstition, he knew, is as contagious as small-pox. When at length he reached his great bare bed-chamber, not, by the way, a comfortable sort of place to sleep in after such an experience, it was only after some hours, in the excited state of his imagination, that, tired though he was, he could get the rest he needed.
CHAPTER XXIV
Next morning, when they met at their eight o'clock breakfast, Arthur noticed that Angela was distressed about something.
"There is bad news," she said, almost before he greeted her; "my cousin George is very ill with typhus fever."
"Indeed!" remarked Arthur, rather coolly.
"Well, I must say it does not appear to distress you very much."
"No, I can't say it does. To be honest, I detest your cousin, and I don't care if he is ill or not; there."
As she appeared to have no reply ready, the subject then dropped.
After breakfast Angela proposed that they should walk—for the day was again fine—to the top of a hill about a mile away, whence a view of the surrounding country could be obtained. He consented, and on the way told her of his curious experiences with her father on the previous night. She listened attentively, and, when he had finished, shook her head.
"There is," she said, "something about my father that separates him from everybody else. His life never comes out into the sunlight of the passing day, it always gropes along in the shadow of some gloomy past. What the mystery is that envelops him I neither know nor care to inquire; but I am sure that there is one."
"How do you explain the shadows?"
"I believe your explanation is right; they are, under certain conditions of light, thrown by a tree that grows some distance off. I have seen something that looks like figures on that wall myself in full daylight. That he should interpret such a simple thing as he does shows a curious state of mind."
"You do not think, then," said Arthur, in order to draw her out, "that it is possible, after all, he was right, and that they were something from another place? The reality of his terror was almost enough to make one believe in them, I can tell you."
"No, I do not," answered Angela, after a minute's thought. "I have no doubt that the veil between ourselves and the unseen world is thinner than we think. I believe, too, that communication, and even warnings sometimes, under favourable conditions, or when the veil is worn thin by trouble or prayer, can pass from the other world to ourselves. But the very fact of my father's terror proves to me that his shadows are nothing of the sort, for it is hardly possible that spirits can be permitted to come to terrify us poor mortals; if they come at all, it is in love and gentleness, to comfort or to warn, and not to work upon our superstitions."
"You speak as though you knew all about it; you should join the new Ghost Society," he answered, irreverently, sitting himself down on a fallen tree, an example that she followed.
"I have thought about it sometimes, that is all, and, so far as I have read, I think that my belief is a common one, and what the Bible teaches us; but, if you will not think me foolish, I will tell you something that confirms me in it. You know that my mother died when I was born; well, it may seem strange to you, but I am convinced that she is sometimes very near me."
"Do you mean that you see or hear her?"
"No, I only feel her presence; more rarely now, I am sorry to say, as
I grow older."
"How do you mean?"
"I can hardly explain what I mean, but sometimes—it may be at night, or when I am sitting alone in the daytime—a great calm comes upon me, and I am a changed woman. All my thoughts rise into a higher, purer air, and are, as it were, tinged with a reflected light; everything earthly seems to pass away from me, and I feel as though fetters had fallen from my soul, and I know that I am near my mother. Then everything passes, and I am left myself again."
"And what are the thoughts you have at these times?"
"Ah! I wish I could tell you; they pass away with her who brought them, leaving nothing but a vague after-glow in my mind like that in the sky after the sun has set. But now look at the view; is it not beautiful in the sunlight? All the world seems to be rejoicing."
Angela was right; the view was charming. Below lay the thatched roofs of the little village of Bratham, and to the right the waters of the lake shone like silver in the glancing sunlight, whilst the gables of the old house, peeping out from amongst the budding foliage, looked very picturesque. The spring had cast her green garment over the land; from every copse rang out the melody of birds, and the gentle breeze was heavy with the scent of the unnumbered violets that starred the mossy carpet at their feet. In the fields where grew the wheat and clover, now springing into lusty life, the busy weeders were at work, and on the warm brown fallows the sower went forth to sow. From the early pastures beneath, where purled a little brook, there came a pleasant lowing of kine, well-contented with the new grass, and a cheerful bleating of lambs, to whom as yet life was nothing but one long skip. It was a charming scene, and its influence sank deep into the gazers' hearts.
"It is depressing to think," said Arthur, rather sententiously, but really chiefly with the object of getting at his companion's views, "that all this cannot last, but is, as it were, like ourselves, under sentence of death."
"It rose and fell and fleeted
Upon earth's troubled sea,
A wave that swells to vanish
Into eternity.
Oh! mystery and wonder
Of wings that cannot fly,
Of ears that cannot hearken,
Of life that lives—to die!"
quoth Angela, by way of comment.
"Whose lines are those?" asked Arthur. "I don't know them."
"My own," she said, shyly; "that is, they are a translation of a verse of a Greek ode I wrote for Mr. Fraser. I will say you the original, if you like; I think it better than the translation, and I believe that it is fair Greek."
"Thank you, thank you, Miss Blue-stocking; I am quite satisfied with your English version. You positively alarm me, Angela. Most people are quite content if they can put a poem written in English into