of that great artist and very complete rascal, Benvenuto Cellini? He is the last person reputed to have seen a real salamander in the fire, and he only remembered the fact because his father beat him lest he should forget it."
"Ben who?" broke in Robert cheerfully.
"Benvenuto Cellini."
"Never heard of him.... Well, let's have a peep-o. Miss Manning and I dine at a quarter to eight. You've been taking some snapshots in the park, I'm told. If they've got any ginger in them——"
"Probably you will describe them as hot stuff," said Trenholme, laying a portfolio on the wall in front of Sylvia and opening it.
"This is a pencil drawing of the great gates," he went on, ignoring Fenley. "Of course, they're Wren's, and therefore beautiful. Roxton Park holds a real treasure in those gates, Miss Manning. Here is a water-color sketch of the house and grounds. Do you like it?"
"Oh, it is exquisite! Why, you have caught the very glint of sunshine on the walls and roofs, and it is shimmering in the leaves of that copper beech. Ah me! It looks so easy."
Robert peered over her shoulder. Sylvia's gasp of admiration annoyed him; but he looked and said nothing.
"This," continued Trenholme, "is an unfinished study of the lake. I was so busily occupied that I was not aware of your presence until you were quite near at hand. Then when you dived into the water I grabbed a canvas and some tubes of paint. Here is the result—completed, to a large extent, in my room at the inn."
He took a picture out of a compartment of the portfolio specially constructed to protect an undried surface, and placed it at an angle that suited the light. His tone was unconcerned, for he had steeled himself against this crucial moment. Would she be angered? Would those limpid blue eyes, violet now in shadow, be raised to his in protest and vexed dismay? During the brief walk to and from the inn he had recollected the girl's age, her surroundings, the cramping influences of existence in a society of middle-class City folk. He felt like a prisoner awaiting a verdict when the issue was doubtful, and a wave of impulse might sway the jury one way or the other.
But he held his head high, and his face flushed slightly, for there could be no gainsaying the message glowing from that cunning brush work. There were two goddesses, one in marble and one palpitating with life. The likeness, too, was undeniable. If one was a replica of Greek art at its zenith, the other was unmistakably Sylvia Manning.
The girl gazed long and earnestly. Her pale cheeks had reddened for an instant, but the flood of surprise and emotion ebbed as quickly as it flowed, and left her wan, with parted lips.
At last she looked at Trenholme and spoke.
"Thank you!" she said, and their eyes met.
The artist understood; and he in turn, blanched somewhat. Rather hastily he replaced the picture in its receptacle.
Robert Fenley coughed and grinned, and the spell was broken.
"You said I'd call it hot stuff," he said. "Well, you sized my opinion up to a T. Of course, it's jolly clever—any fellow can see that——"
"Good night, Mr. Trenholme," said Sylvia, and she made off at a rapid pace. Robert grinned again.
"No young lady would stand that sort of thing," he chuckled. "You didn't really think she would—eh, what? But look here, I'll buy it. Send me a line later."
He hurried after Sylvia, running to overtake her. Trenholme stood there a long time; in fact, until the two were hidden by the distant line of trees. Then he smiled.
"So you are Robert Fenley," he communed, packing the portfolio leisurely. "Well, if Sylvia Manning marries you, I'll be a bachelor all my days, for I'll never dare imagine I know anything about a woman's soul; though I'm prepared at this hour of grace to stake my career that that girl's soul is worthy of her very perfect body."
Puffing a good deal, Fenley contrived to overhaul his "cousin."
"By jing, Sylvia, you can step out a bit," he said. "And you change your mind mighty quick. Five minutes ago you were ready to wait any length of time till that Johnny turned up, and now you're doing more than five per. What's the rush? It's only half past seven, and we don't dress tonight."
"I'm not dining downstairs," she answered.
"Oh, I say, I can't stand Hilton all alone."
"Nor can I stand either of you," she was tempted to retort, but contented herself by saying that she had arranged for a meal to be served in her aunt's room. Grumble and growl as he might, Robert could not shake her resolve; he was in a vile temper when he reached the dining-room.
His brother had not arrived, so he braced himself for an ordeal by drinking a stiff whisky and soda. When Hilton came in the pair nodded to each other but ate in silence. At last Robert glanced up at Tomlinson.
"Just shove the stuff on the table and clear out," he said. "We'll help ourselves. Mr. Hilton and I want to have a quiet talk."
Hilton gave him a quick underlook but did not interfere. Perhaps purposely, when the servants had left the room he opened the battle with a sneer.
"I hope you didn't make a fool of yourself this evening," he said.
"As how?" queried Robert, wondrously subdued to all appearance, though aching to give the other what he called "a bit of his mind."
"I understand you made after Sylvia and the artist, meaning to chastise somebody."
"You were wrong," said Robert slowly. "You nearly always are. I make mistakes myself, but I own up handsomely. You don't. That's where we differ, see?"
"I see differences," and Hilton helped himself to a glass of claret.
"Trenholme, the artist Johnny, is a clever chap—slightly cracked, as they all are, but dashed clever. By gad, you ought to see the picture he's painted of Sylvia. Anyhow, you will see it. I've bought it."
"Really?"
"I said I'd buy it—same thing. He'll jump at the offer. It'll hang in my dressing-room. I don't suppose Sylvia will kick about a trifle like that when we're married."
Hilton was holding the glass of wine to his lips. His hand shook, and he spilled a little, but he drank the remainder.
"When did you decide to marry Sylvia?" he inquired, after a pause which might have been needed to gain control of his voice.
"It's been decided for a long time," said Robert doggedly, himself showing some signs of enforced restraint. "It was the pater's wish, as you know. I'm sorry now I didn't fix matters before he died; but 'better late than never.' I asked Sylvia today, and we've arranged to get married quite soon."
"Are you by any chance telling the truth?"
"What the blazes do you mean?" and Robert's fist pounded the table heavily.
"Exactly what I say. You say that you and Sylvia have arranged to get married quite soon. Those were your words. Is that true?"
"Confound you, of course it is."
"Sylvia has actually agreed to that?"
"I asked her. What more do you want?"
"I am merely inquiring civilly what she said."
"Dash it, you know what girls are like. You ought to. Isn't Eileen Garth a bit coy at times?"
"One might remark that Mrs. Lisle also was coy."
"Look here——" began the other furiously, but the other checked him.
"Let us stop bickering like a couple of counter jumpers," he said, and a shrewder man than Robert might have been warned by the slow, incisive utterance. "You make an astonishing announcement on an occasion when it might least be expected, yet resent any doubt being thrown on its accuracy. Did or did not Sylvia accept you?"
"Well, she said something about not wishing to talk of marriage so soon after the old man's death, but that was just her way of putting