full of fun and frolic, he led his retinue from house to house, bringing mirth where he went, and leaving regret when he departed. Mordaunt became thus generally known, and beloved as generally, through most of the houses composing the patriarchal community of the Main Isle; but his visits were most frequently and most willingly paid at the mansion of his father’s landlord and protector, Magnus Troil.
It was not entirely the hearty and sincere welcome of the worthy old Magnate, nor the sense that he was in effect his father’s patron, which occasioned these frequent visits. The hand of welcome was indeed received as eagerly as it was sincerely given, while the ancient Udaller, raising himself in his huge chair, whereof the inside was lined with well-dressed sealskins, and the outside composed of massive oak, carved by the rude graving-tool of some Hamburgh carpenter, shouted forth his welcome in a tone; which might, in ancient times, have hailed the return of loul, the highest festival of the Goths. There was metal yet more attractive, and younger hearts, whose welcome, if less loud, was as sincere as that of the jolly Udaller. But this is matter which ought not to be discussed at the conclusion of a chapter.
Chapter III
“O, Bessy Bell and Mary Gray,
They were twa bonnie lassies;
They biggit a house on yon bum-brae,
And theekit it ower wi’ rashes.
Fair Bessy Bell I looed yestreen,
And thought I ne’er could alter;
But Mary Gray’s twa pawky een
Have garr’d my fancy falter.”
Scots Song.
We have already mentioned Minna and Brenda, the daughters of Magnus Troil. Their mother had been dead for many years, and they were now two beautiful girls, the eldest only eighteen, which might be a year or two younger than Mordaunt Mertoun, the second about seventeen. They were the joy of their father’s heart, and the light of his old eyes; and although indulged to a degree which might have endangered his comfort and their own, they repaid his affection with a love, into which even blind indulgence had not introduced slight regard, or feminine caprice. The difference of their tempers and of their complexions was singularly striking, although combined, as is usual, with a certain degree of family resemblance.
The mother of these maidens had been a Scottish lady from the Highlands of Sutherland, the orphan of a noble chief, who, driven from his own country during the feuds of the seventeenth century, had found shelter in those peaceful islands, which, amidst poverty and seclusion, were thus far happy, that they remained unvexed by discord, and unstained by civil broil. The father (his name was Saint Clair) pined for his native glen, his feudal tower, his clansmen, and his fallen authority, and died not long after his arrival in Zetland. The beauty of his orphan daughter, despite her Scottish lineage, melted the stout heart of Magnus Troil. He sued and was listened to, and she became his bride; but dying in the fifth year of their union, left him to mourn his brief period of domestic happiness.
From her mother, Minna inherited the stately form and dark eyes, the raven locks and finely-pencilled brows, which showed she was, on one side at least, a stranger to the blood of Thule. Her cheek, —
O call it fair, not pale!
was so slightly and delicately tinged with the rose, that many thought the lily had an undue proportion in her complexion. But in that predominance of the paler flower, there was nothing sickly or languid; it was the true natural colour of health, and corresponded in a peculiar degree with features, which seemed calculated to express a contemplative and high-minded character. When Minna Troil heard a tale of woe or of injustice, it was then her blood rushed to her cheeks, and showed plainly how warm it beat, notwithstanding the generally serious, composed, and retiring disposition, which her countenance and demeanour seemed to exhibit. If strangers sometimes conceived that these fine features were clouded by melancholy, for which her age and situation could scarce have given occasion, they were soon satisfied, upon further acquaintance, that the placid, mild quietude of her disposition, and the mental energy of a character which was but little interested in ordinary and trivial occurrences, was the real cause of her gravity; and most men, when they knew that her melancholy had no ground in real sorrow, and was only the aspiration of a soul bent on more important objects than those by which she was surrounded, might have wished her whatever could add to her happiness, but could scarce have desired that, graceful as she was in her natural and unaffected seriousness, she should change that deportment for one more gay. In short, notwithstanding our wish to have avoided that hackneyed simile of an angel, we cannot avoid saying there was something in the serious “beauty of her aspect, in the measured, yet graceful ease of her motions, in the music of her voice, and the serene purity of her eye, that seemed as if Minna Troil belonged naturally to some higher and better sphere, and was only the chance visitant of a world that was not worthy of her.
The scarcely less beautiful, equally lovely, and equally innocent Brenda, was of a complexion as differing from her sister, as they differed in character, taste, and expression. Her profuse locks were of that paly brown which receives from the passing sunbeam a tinge of gold, but darkens again when the ray has passed from it. Her eye, her mouth, the beautiful row of teeth, which in her innocent vivacity were frequently disclosed; the fresh, yet not too bright glow of a healthy complexion, tinging a skin like the drifted snow, spoke her genuine Scandinavian descent. A fairy form, less tall than that of Minna, but still more finely moulded into symmetry — a careless, and almost childish lightness of step — an eye that seemed to look on every object with pleasure, from a natural and serene cheerfulness of disposition, attracted even more general admiration than the charms of her sister, though perhaps that which Minna did excite, might be of a more intense as well as more reverential character.
The dispositions of these lovely sisters were not less different than their complexions. In the kindly affections, neither could be said to excel the other, so much were they attached to their father and to each other. But the cheerfulness of Brenda mixed itself with the everyday business of life, and seemed inexhaustible in its profusion. The less buoyant spirit of her sister appeared to bring to society a contented wish to be interested and pleased with what was going forward, but was rather placidly carried along with the stream of mirth and pleasure, than disposed to aid its progress by any efforts of her own. She endured mirth, rather than enjoyed it; and the pleasures in which she most delighted, were those of a graver and more solitary cast. The knowledge which is derived from books was beyond her reach. Zetland afforded few opportunities, in those days, of studying the lessons, bequeathed By dead men to their kind; and Magnus Troil, such as we have described him, was not a person within whose mansion the means of such knowledge were to be acquired. But the book of nature was before Minna, that noblest of volumes, where we are ever called to wonder and to admire, even when we cannot understand. The plants of those wild regions, the shells on the shores, and the long list of feathered clans which haunt their cliffs and eyries, were as well known to Minna Troil as to the most experienced fowlers. Her powers of observation were wonderful, and little interrupted by other tones of feeling. The information which she acquired by habits of patient attention, was indelibly riveted in a naturally powerful memory. She had also a high feeling for the solitary and melancholy grandeur of the scenes in which she was placed. The ocean, in all its varied forms of sublimity and terror — the tremendous cliffs that resound to the ceaseless roar of the billows, and the clang of the seafowl, had for Minna a charm in almost every state in which the changing seasons exhibited them. With the enthusiastic feelings proper to the romantic race from which her mother descended, the love of natural objects was to her a passion capable not only of occupying, but at times of agitating, her mind. Scenes upon which her sister looked with a sense of transient awe or emotion, which vanished on her return from witnessing them, continued long to fill Minna’s imagination, not only in solitude, and in the silence of the night, but in the hours of society. So that sometimes when she sat like a beautiful statue, a present member of the domestic circle, her thoughts were far absent, wandering on the wild seashore, and among the yet wilder mountains of her native isles. And yet, when recalled to conversation,