Zona Gale

Mothers to Men


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never knew a man to say so little and yet to get so much said.

      "'Well-a,' says Mis' Sykes, 'of course Sodality was formed with the idee of caring for Cemetery. You see that lets in the Dead only.'

      "'Gosh,' says Eppleby Holcomb, 'how exclusive.' But I don't know as anybody heard him but me.

      "'I know,' says Insley, slow. 'Well, at any rate, perhaps there are things that all of us Living might do together—for the sake, say, of earning some money for the Dead. There'd be no objection to that, would there?'

      "'Oh, no,' says Mis' Sykes. 'I'm sure nobody could take exception to that. Of course you always have to earn money out of the living.'

      "Insley looked at us all kind of shy—at one and another and another of us, like he thought he might find some different answer in somebody's eyes. I smiled at him, and so did Mis' Toplady, and so did Eppleby; and Mis' Eleanor Emmons, the widow-lady, lately moved in, she nodded. But the rest set there like their faces was on wrong side out and didn't show no true pattern.

      "'I mean,' he says, not quite knowing how to make us understand what he was driving at, 'I mean, let's get to know these folks while they are alive. Aren't we all more interested in folks, than we are in their graves?'

      "'Folks,' Timothy Toplady says over, meditative, like he'd heard of members, customers, clients, murderers and the like, but never of folks.

      "'I mean,' Insley says again, 'oh, any one of a dozen things. For instance, do something jolly that'll give your young people something to do evenings—get them to help earn the money for Cemetery, if you want to,' he adds, laughing a little.

      "'There's goin' to be a Vigilance Committee to see after the young folks of Friendship Village, nights,' says Silas Sykes, grim.

      "'You might have town parties, have the parties in schools and in the town hall,' Insley goes on, 'and talk over the Cemetery that belongs to you all, and talk over the other things besides the Cemetery that belong to you all. Maybe I could help,' he adds, 'though I own up to you now I'm really more fond of folks—speaking by and large—than I am of tombstones.'

      "He said a little more to us, about how folks was doing in the world outside the village, and he was so humorous about it that they never knew how something inside him was hopping with hope, like I betted it was, with his young, divine enthusiasm. And when he'd got done he waited, all grave and eager, for somebody to peep up. And it was, as it would be, Silas Sykes who spoke first.

      "'It's all right, it's all right,' says he, 'so long as Sodality don't go meddling in the village affairs—petitionin' the council and protestin' an' so on. That gets any community all upset.'

      "'That's so,' says Timothy, nodding. 'Meetin', singin' songs, servin' lemonade an' plantin' things in the ground is all right enough. It helps on the fellow feelin' amazin'. But pitchin' in for reforms and things—' Timothy shook his head.

      "'As to reforms,' says Insley, 'give me the fellowship, and the reforms will take care of themselves.'

      "'Things is quite handy about takin' their course, though,' says Silas, 'so be we don't yank open the cocoons an' buds an' others.'

      "'Well,' says Mis' Uppers, 'I can't do much more, Professor. I'm drove to death, as it is. I don't even get time to do my own improvin' round the place.' Mis' Uppers always makes that her final argument. 'Sew for the poor?' I've heard her say. 'Why, I can't even get my own fall sewing done.'

      "'Me, too,' and, 'Me, either,' went round the circle. And, 'I can't do a great deal myself,' says Mis' Sykes, 'not till after my niece goes away.'

      "I thought, 'I shouldn't think you could tend to much of anything else, not with Miss Beryl Sessions in the house.' That was the Sykes's niece, till then unknown to them, that we'd all of us heard nothing but, since long before she come. But of course I kept still, part because I was expecting an unknown niece of my own in a week or so, and your unknown relatives is quite likely to be glass houses.

      "'Another thing,' says Mis' Hubbelthwait, 'don't let's us hold any doin's in this church, kicking up the new cork that the Ladies' Aid has just put down on the floor. It'll all be tracked up in no time, letting in Tom, Dick, and Harry.'

      "'Don't let's get the church mixed up in anything outside, for pity's sakes,' says Silas. 'The trustees'll object to our meeting here, if we quit working for a dignified object and go to making things mutual, promiscuous. Churches has got to be church-like.'

      "'Well, Silas,' says Eppleby Holcomb, that hadn't been saying anything, 'I donno as some of us could bring ourselves to think of Christ as real Christ-like, if he come back the way he use' to be.'

      "Insley sat looking round on them all, still with his way of saying good morning on a good day. I wondered if he wasn't wishing that they'd hang on that way to something worth hanging to. For I've always thought, and I think now, that they's a-plenty of stick-to-itiveness in the world; but the trouble is, it's stuck to the wrong thing.

      "The talk broke up after that, like somebody had said something in bad taste; and we conversed around in groups, and done our best to make 'way with the refreshments. And Insley set talking to Mis' Eleanor Emmons, the new widow, lately moved in.

      "About Mis' Emmons the social judgment of Friendship Village was for the present hanging loose. This was partly because we didn't understand her name.

      "'My land, was her husband a felon or a thief or what that she don't use his name?' everybody asked everybody. 'What's she stick her own name in front of his last name like that for? Sneaked out of usin' his Christian name as soon as his back was turned, I call it,' said some. 'My land, I'd use my dead husband's forename if it was Nebuchadnezzar. My opinion, we'd best go slow till she explains herself.'

      "But I guess Insley had more confidence.

      "'You'll help, I know?' I heard him say to Mis' Emmons.

      "'My friend,' she says back, 'whatever I can do I'll do. It's a big job you're talking about, you know.'

      "'It's the big job,' says Insley, quiet.

      "Pretty soon Mis' Toplady got up on her feet, drawing her shawl up her back.

      "'Well,' she says, 'whatever you decide, count on me—I'll always do for chinkin' in. I've got to get home now and set my bread or it won't be up till day after to-morrow. Ready, Timothy? Good night all.'

      "She went towards the door, Timothy following. But before they got to it, it opened, and somebody come in, at the sight of who Mis' Toplady stopped short and the talk of the rest of us fell away. No stranger, much, comes to Friendship Village without our knowing it, and to have a stranger walk unbeknownst into the very lecture-room of the First Church was a thing we never heard of, without he was a book agent or a travelling man.

      "Here, though, was a stranger—and such a stranger. She was so unexpected and so dazzling that it shot through my head she was like a star, taking refuge from all the roughness and the rain outside—a star, so it come in my head, using up its leisure on a cloudy night with peepin' in here and there to give out brightness anyway. The rough, dark cheviot that the girl wore was sort of like a piece of storm-cloud clinging about that brightness—a brightness of wind-rosy face and blowy hair, all uncovered. She stood on the threshold, holding her wet umbrella at arm's length out in the entry.

      "'I beg your pardon. Are you ready, Aunt Eleanor?' she asked.

      "Mis' Eleanor Emmons turned and looked at her.

      "'Robin!' she says. 'Why, you must be wet through.'

      "'I'm pretty wet,' says the girl, serene, 'I'm so messy I won't come in. I'll just stop out here on the steps. Don't hurry.'

      "'Wait a minute,' Mis' Emmons says. 'Stay where you are then, please, Robin, and meet these people.'

      "The girl threw the door wide, and she stepped back into the vestibule, where her umbrella had been trailing little puddles; and she stood there against the big, black background of the night