had better go back to the house with Florence. Many times she felt the drawing power of his keen blue eyes on her face. And at these moments she sensed more than brotherly regard. He was watching her, studying her, weighing her, and the conviction was vaguely disturbing. It was disquieting for Madeline to think that Alfred might have guessed her trouble. From time to time he brought cowboys to her and introduced them, and laughed and jested, trying to make the ordeal less embarrassing for these men so little used to women.
Before the week was out, however, Alfred found occasion to tell her that it would be wiser for her to let the round-up go on without gracing it further with her presence. He said it laughingly; nevertheless, he was serious. And when Madeline turned to him in surprise he said, bluntly:
“I don't like the way Don Carlos follows you around. Bill's afraid that Nels or Ambrose or one of the cowboys will take a fall out of the Mexican. They're itching for the chance. Of course, dear, it's absurd to you, but it's true.”
Absurd it certainly was, yet it served to show Madeline how intensely occupied she had been with her own feelings, roused by the tumult and toil of the round-up. She recalled that Don Carlos had been presented to her, and that she had not liked his dark, striking face with its bold, prominent, glittering eyes and sinister lines; and she had not liked his suave, sweet, insinuating voice or his subtle manner, with its slow bows and gestures. She had thought he looked handsome and dashing on the magnificent black horse. However, now that Alfred's words made her think, she recalled that wherever she had been in the field the noble horse, with his silver-mounted saddle and his dark rider, had been always in her vicinity.
“Don Carlos has been after Florence for a long time,” said Alfred. “He's not a young man by any means. He's fifty, Bill says; but you can seldom tell a Mexican's age from his looks. Don Carlos is well educated and a man we know very little about. Mexicans of his stamp don't regard women as we white men do. Now, my dear, beautiful sister from New York, I haven't much use for Don Carlos; but I don't want Nels or Ambrose to make a wild throw with a rope and pull the Don off his horse. So you had better ride up to the house and stay there.”
“Alfred, you are joking, teasing me,” said Madeline. “Indeed not,” replied Alfred. “How about it, Flo?” Florence replied that the cowboys would upon the slightest provocation treat Don Carlos with less ceremony and gentleness than a roped steer. Old Bill Stillwell came up to be importuned by Alfred regarding the conduct of cowboys on occasion, and he not only corroborated the assertion, but added emphasis and evidence of his own.
“An', Miss Majesty,” he concluded, “I reckon if Gene Stewart was ridin' fer me, thet grinnin' Greaser would hev hed a bump in the dust before now.”
Madeline had been wavering between sobriety and laughter until Stillwell's mention of his ideal of cowboy chivalry decided in favor of the laughter.
“I am not convinced, but I surrender,” she said. “You have only some occult motive for driving me away. I am sure that handsome Don Carlos is being unjustly suspected. But as I have seen a little of cowboys' singular imagination and gallantry, I am rather inclined to fear their possibilities. So good-by.”
Then she rode with Florence up the long, gray slope to the ranch-house. That night she suffered from excessive weariness, which she attributed more to the strange working of her mind than to riding and sitting her horse. Morning, however, found her in no disposition to rest. It was not activity that she craved, or excitement, or pleasure. An unerring instinct, rising dear from the thronging sensations of the last few days, told her that she had missed something in life. It could not have been love, for she loved brother, sister, parents, friends; it could not have been consideration for the poor, the unfortunate, the hapless; she had expressed her sympathy for these by giving freely; it could not have been pleasure, culture, travel, society, wealth, position, fame, for these had been hers all her life. Whatever this something was, she had baffling intimations of it, hopes that faded on the verge of realizations, haunting promises that were unfulfilled. Whatever it was, it had remained hidden and unknown at home, and here in the West it began to allure and drive her to discovery. Therefore she could not rest; she wanted to go and see; she was no longer chasing phantoms; it was a hunt for treasure that held aloof, as intangible as the substance of dreams.
That morning she spoke a desire to visit the Mexican quarters lying at the base of the foothills. Florence protested that this was no place to take Madeline. But Madeline insisted, and it required only a few words and a persuading smile to win Florence over.
From the porch the cluster of adobe houses added a picturesque touch of color and contrast to the waste of gray valley. Near at hand they proved the enchantment lent by distance. They were old, crumbling, broken down, squalid. A few goats climbed around upon them; a few mangy dogs barked announcement of visitors; and then a troop of half-naked, dirty, ragged children ran out. They were very shy, and at first retreated in affright. But kind words and smiles gained their confidence, and then they followed in a body, gathering a quota of new children at each house. Madeline at once conceived the idea of doing something to better the condition of these poor Mexicans, and with this in mind she decided to have a look indoors. She fancied she might have been an apparition, judging from the effect her presence had upon the first woman she encountered. While Florence exercised what little Spanish she had command of, trying to get the women to talk, Madeline looked about the miserable little rooms. And there grew upon her a feeling of sickness, which increased as she passed from one house to another. She had not believed such squalor could exist anywhere in America. The huts reeked with filth; vermin crawled over the dirt floors. There was absolutely no evidence of water, and she believed what Florence told her—that these people never bathed. There was little evidence of labor. Idle men and women smoking cigarettes lolled about, some silent, others jabbering. They did not resent the visit of the American women, nor did they show hospitality. They appeared stupid. Disease was rampant in these houses; when the doors were shut there was no ventilation, and even with the doors open Madeline felt choked and stifled. A powerful penetrating odor pervaded the rooms that were less stifling than others, and this odor Florence explained came from a liquor the Mexicans distilled from a cactus plant. Here drunkenness was manifest, a terrible inert drunkenness that made its victims deathlike.
Madeline could not extend her visit to the little mission-house. She saw a padre, a starved, sad-faced man who, she instinctively felt, was good. She managed to mount her horse and ride up to the house; but, once there, she weakened and Florence had almost to carry her in-doors. She fought off a faintness, only to succumb to it when alone in her room. Still, she did not entirely lose consciousness, and soon recovered to the extent that she did not require assistance.
Upon the morning after the end of the round-up, when she went out on the porch, her brother and Stillwell appeared to be arguing about the identity of a horse.
“Wal, I reckon it's my old roan,” said Stillwell, shading his eyes with his hand.
“Bill, if that isn't Stewart's horse my eyes are going back on me,” replied Al. “It's not the color or shape—the distance is too far to judge by that. It's the motion—the swing.”
“Al, mebbe you're right. But they ain't no rider up on thet hoss. Flo, fetch my glass.”
Florence went into the house, while Madeline tried to discover the object of attention. Presently far up the gray hollow along a foothill she saw dust, and then the dark, moving figure of a horse. She was watching when Florence returned with the glass. Bill took a long look, adjusted the glasses carefully, and tried again.
“Wal, I hate to admit my eyes are gettin' pore. But I guess I'll hev to. Thet's Gene Stewart's hoss, saddled, an' comin' at a fast clip without a rider. It's amazin' strange, an' some in keepin' with other things concernin' Gene.”
“Give me the glass,” said Al. “Yes, I was right. Bill, the horse is not frightened. He's coming steadily; he's got something on his mind.”
“Thet's a trained hoss, Al. He has more sense than some men I know. Take a look with the glasses up the hollow. See anybody?”
“No.”
“Swing up over the foothills—where the trail leads.