Florence gasped. “It's worse than I feared. … Gene, Al will kill you.”
“That'll be a good thing,” replied the cowboy, dejectedly.
“Gene Stewart, it certainly would, unless you turn over a new leaf,” retorted Florence. “But don't be a fool.” And here she became earnest and appealing. “Go away, Gene. Go join the rebels across the border—you're always threatening that. Anyhow, don't stay here and run any chance of stirring Al up. He'd kill you just the same as you would kill another man for insulting your sister. Don't make trouble for Al. That'd only make sorrow for her, Gene.”
The subtle import was not lost upon Madeline. She was distressed because she could not avoid hearing what was not meant for her ears. She made an effort not to listen, and it was futile.
“Flo, you can't see this a man's way,” he replied, quietly. “I'll stay and take my medicine.”
“Gene, I could sure swear at you or any other pig-head of a cowboy. Listen. My brother-in-law, Jack, heard something of what I said to you last night. He doesn't like you. I'm afraid he'll tell Al. For Heaven's sake, man, go down-town and shut him up and yourself, too.”
Then Madeline heard her come into the house and presently rap on the door and call softly:
“Miss Hammond. Are you awake?”
“Awake and dressed, Miss Kingsley. Come in.”
“Oh! You've rested. You look so—so different. I'm sure glad. Come out now. We'll have breakfast, and then you may expect to meet your brother any moment.”
“Wait, please. I heard you speaking to Mr. Stewart. It was unavoidable. But I am glad. I must see him. Will you please ask him to come into the parlor a moment?”
“Yes,” replied Florence, quickly; and as she turned at the door she flashed at Madeline a woman's meaning glance. “Make him keep his mouth shut!”
Presently there were slow, reluctant steps outside the front door, then a pause, and the door opened. Stewart stood bareheaded in the sunlight. Madeline remembered with a kind of shudder the tall form, the embroidered buckskin vest, the red scarf, the bright leather wristbands, the wide silver-buckled belt and chaps. Her glance seemed to run over him swift as lightning. But as she saw his face now she did not recognize it. The man's presence roused in her a revolt. Yet something in her, the incomprehensible side of her nature, thrilled in the look of this splendid dark-faced barbarian.
“Mr. Stewart, will you please come in?” she asked, after that long pause.
“I reckon not,” he said. The hopelessness of his tone meant that he knew he was not fit to enter a room with her, and did not care or cared too much.
Madeline went to the door. The man's face was hard, yet it was sad, too. And it touched her.
“I shall not tell my brother of your—your rudeness to me,” she began. It was impossible for her to keep the chill out of her voice, to speak with other than the pride and aloofness of her class. Nevertheless, despite her loathing, when she had spoken so far it seemed that kindness and pity followed involuntarily. “I choose to overlook what you did because you were not wholly accountable, and because there must be no trouble between Alfred and you. May I rely on you to keep silence and to seal the lips of that priest? And you know there was a man killed or injured there last night. I want to forget that dreadful thing. I don't want it known that I heard—”
“The Greaser didn't die,” interrupted Stewart.
“Ah! then that's not so bad, after all. I am glad for the sake of your friend—the little Mexican girl.”
A slow scarlet wave overspread his face, and his shame was painful to see. That fixed in Madeline's mind a conviction that if he was a heathen he was not wholly bad. And it made so much difference that she smiled down at him.
“You will spare me further distress, will you not, please?” His hoarse reply was incoherent, but she needed only to see his working face to know his remorse and gratitude.
Madeline went back to her room; and presently Florence came for her, and directly they were sitting at breakfast. Madeline Hammond's impression of her brother's friend had to be reconstructed in the morning light. She felt a wholesome, frank, sweet nature. She liked the slow Southern drawl. And she was puzzled to know whether Florence Kingsley was pretty or striking or unusual. She had a youthful glow and flush, the clear tan of outdoors, a face that lacked the soft curves and lines of Eastern women, and her eyes were light gray, like crystal, steady, almost piercing, and her hair was a beautiful bright, waving mass.
Florence's sister was the elder of the two, a stout woman with a strong face and quiet eyes. It was a simple fare and service they gave to their guest; but they made no apologies for that. Indeed, Madeline felt their simplicity to be restful. She was sated with respect, sick of admiration, tired of adulation; and it was good to see that these Western women treated her as very likely they would have treated any other visitor. They were sweet, kind; and what Madeline had at first thought was a lack of expression or vitality she soon discovered to be the natural reserve of women who did not live superficial lives. Florence was breezy and frank, her sister quaint and not given much to speech. Madeline thought she would like to have these women near her if she were ill or in trouble. And she reproached herself for a fastidiousness, a hypercritical sense of refinement that could not help distinguishing what these women lacked.
“Can you ride?” Florence was asking. “That's what a Westerner always asks any one from the East. Can you ride like a man—astride, I mean? Oh, that's fine. You look strong enough to hold a horse. We have some fine horses out here. I reckon when Al comes we'll go out to Bill Stillwell's ranch. We'll have to go, whether we want to or not, for when Bill learns you are here he'll just pack us all off. You'll love old Bill. His ranch is run down, but the range and the rides up in the mountains—they are beautiful. We'll hunt and climb, and most of all we'll ride. I love a horse—I love the wind in my face, and a wide stretch with the mountains beckoning. You must have the best horse on the ranges. And that means a scrap between Al and Bill and all the cowboys. We don't all agree about horses, except in case of Gene Stewart's iron-gray.”
“Does Mr. Stewart own the best horse in the country?” asked Madeline. Again she had an inexplicable thrill as she remembered the wild flight of Stewart's big dark steed and rider.
“Yes, and that's all he does own,” replied Florence. “Gene can't keep even a quirt. But he sure loves that horse and calls him—”
At this juncture a sharp knock on the parlor door interrupted the conversation. Florence's sister went to open it. She returned presently and said:
“It's Gene. He's been dawdlin' out there on the front porch, and he knocked to let us know Miss Hammond's brother is comin'.”
Florence hurried into the parlor, followed by Madeline. The door stood open, and disclosed Stewart sitting on the porch steps. From down the road came a clatter of hoofs. Madeline looked out over Florence's shoulder and saw a cloud of dust approaching, and in it she distinguished outlines of horses and riders. A warmth spread over her, a little tingle of gladness, and the feeling recalled her girlish love for her brother. What would he be like after long years?
“Gene, has Jack kept his mouth shut?” queried Florence; and again Madeline was aware of a sharp ring in the girl's voice.
“No,” replied Stewart.
“Gene! You won't let it come to a fight? Al can be managed. But Jack hates you and he'll have his friends with him.”
“There won't be any fight.”
“Use your brains now,” added Florence; and then she turned to push Madeline gently back into the parlor.
Madeline's glow of warmth changed to a blank dismay. Was she to see her brother act with the violence she now associated with cowboys? The clatter of hoofs stopped before the door. Looking out, Madeline saw a bunch of dusty, wiry horses pawing the gravel and tossing lean heads. Her swift glance