.

declaimed loudly: "Johnny volluped into Job's Coffin, and Venus she most died a-lawfin!"

      Johnny gave a grunt of contempt, and the genius, who happened to be Bud, lifted his head off the pillow and stared at the black shadow where Johnny lay curled up like a cat.

      "What's the matter with that, Skyrider? Kain't I make up po'try if I want to?"

      "Sure. Help yourself—you poor fish. Vollup! Hunh!" The contempt was even more pronounced than before.

      "Well? What's the matter with that? You said it yourself. And look out how you go peddlin' names around here. You think nobody knows anything but you! You're the little boy that invented flyin'—got the idea from yore own head, by thunder, when it swelled up like a balloon with self-conceit! That there gas-head of yourn'll take yuh right up amongst the clouds some day, and you won't need no flyin' machine, neither! Skyrider—is—right!" Accidentally Johnny had touched Bud's self-esteem in a tender spot. "And that's no kidding, either!" he clinched his meaning. "Punch a hole in yore skelp, and I'll bet that big haid of yourn would wizzle all up like them red balloons they sell at circuses! You—"

      "Hm-m-m! Just so it ain't all solid bone like yours," Johnny came back at him with youth's full quota of scorn. "Keep away from pool rooms, Bud. Somebody is liable to take your head off and use it for a cue-ball. Vollup! Hunh!"

      Bud said more; a great deal more. But Johnny flopped over on the other side, buried his head under the blankets, and let them talk. Cue-balls—that was all their heads were good for. So why concern himself over their senseless patter?

      It occurred to him, just before he went to sleep, that the unmistakable, southern drawl of Tex was missing from the jumble of voices. Tex, he remembered, had been unusually silent at supper, also, and twice Johnny had caught Tex watching him somberly. But he could think of no possible reason why Tex should want him to go down to Sinkhole Camp, and he could not see how either of them could effect the change even if Johnny had cared to go. Sudden Selmer did not ask his men what was their desire. Sudden gave orders; his men could obey or they could quit. And if Pete left, as Tex had hinted, Sudden would send some one down there, and that would be an end of it. There was just about one chance in six that Johnny Jewel would be the man to go.

      Yet it so happened that Johnny did go—though Tex had nothing to do with it, so far as Johnny could see. For all his determination to stay and tolerate his companions, noon found him packed and out by the gate that opened on the stage road, waiting to flag the stage and buy a ride to town. He had accomplished, since breakfast, two fights and another quarrel with Mary V over that infernal jingle he had written. And though Johnny could not see it, Tex had had something to do with them all.

      Tex was not one of these diabolically cunning villains. He did not consider himself any kind of a villain. He accepted himself more or less contentedly as a poor, striving young man who wanted to get ahead in the world and was eager to pick up what he called "side money," which might, if he were on to his job, amount to more than his wages. Tex did not consider that he owed the Rolling R anything whatever save a certain number of days' work in each month that he drew a pay check. He sold Sudden his time and his skill in the saddle—a month of it for fifty dollars. But if he could double that fifty without harm to himself, Tex was not going to split any hairs over the method.

      Tex was not displaying any great genius when he edged the boys on to tease Johnny beyond the limit of that young man's endurance, or when he tattled to Mary V a slighting remark about her ability as a poet. Tex was merely carrying out an idea which had come to him when he saw Johnny with his hands full of aircraft literature. If it worked, all right. If it didn't work, Johnny would not be on the Rolling R pay roll any longer, but Tex would not have lost anything. It would be convenient to have Johnny down at Sinkhole Camp, shirking his job while he fiddled around with his flying bug. Tex believed he knew how he could keep the bug very active, and Johnny very much engrossed with it—down at Sinkhole Camp. It was simple enough, and worth the slight effort Tex was making.

      So there was Johnny Jewel with his saddle and bridle and suitcase and chaps, waiting out by the mail box for the stage. And there came Sudden, driving back from the railroad—Tex knew he was expected back that forenoon—and reaching the gate before the stage had come in sight around the southwest spur of the ridge it could not cross. Sudden liked Johnny—and Tex knew that too. (Tex made it his business to know a good deal which had nothing to do with his legitimate work.) And good riders who did not get drunk every chance that offered were not to be hired every day in the week.

      Johnny opened the gate, but Sudden did not drive through. He stopped and eyed the suitcase and the saddle and the chaps, and then he looked at Johnny.

      "Too much song-bird stuff?" he asked, which showed how sensitive was the finger Sudden kept on the pulse of his outfit.

      "I've got to work for a living, but I don't have to work with that bunch of idiots," Johnny stated with much dignity.

      Sudden rubbed a gauntleted hand across the lower part of his face; and that, I think, is why Johnny saw himself taken as seriously as his young egotism demanded.

      "Rather be by yourself, would you? Well, throw your baggage in the back of the car. I want you to catch up a couple of horses and go on down to Sinkhole. You won't be annoyed down there with anybody's foolishness but your own, young man. You'll work for your living, all right! Got a gun? A rifle? Well, there's one at the house you can take. There may not be any Rolling R horses going across the line—but it'll be your business to know there aren't. If you see a greaser prowling around, put him on the run. They're paying good money for horses in Mexico, remember. You're down there to see they don't get 'em too cheap on this side. Do you get that?"

      "Yes, sir—you bet!"

      "Oh. You do? Well, get in."

      At the corral he turned again to Johnny. "Stop at the house when you're ready. There's a pile of Modern Mechanics you may as well take along. You won't have any too much time for reading, though—not if you work the way you rhyme."

      "Well, I hope I work better," said Johnny, his spirits risen to where speech bubbled. "I get paid for my work—and I guess I'd starve writing poetry for a living."

      "Yes, I guess you would. Good thing you know it." Sudden swung his machine around and drove into the garage, and Johnny, untying his rope from his saddle, went into the corral to catch two fairly gentle horses.

      When he was ready he rode over to the bungalow, leading the gentlest horse packed with bedding roll, "war bag," and a few odds and ends that Johnny wanted to take along. Sudden was waiting on the porch with a rifle, cartridge belt and two extra boxes of ammunition, and a sack half full of magazines. He stood with his hands in his pockets while Johnny tied rifle and sack on the saddle.

      "Now I want you to understand, Johnny, that you're going down there on special work," he said, coming down the steps and standing close to the horse. "There's a telephone, and that's your protection if anything looks off-color. Keep the stock pushed back pretty well away from the line fences. There's some good feed in those draws over east of Sinkhole creek. Let 'em graze in there—but keep an eye out for rustlers. Get to know the bunches of horses and watch their moves. You'll soon know whether they are being bothered. Pete leaves camp this afternoon. You'll probably meet him.

      "And this gun—well, you keep it right with you. I don't want you to go around hunting trouble, but I want you to be ready for it if it comes. A horse looks awfully good to a greaser, remember. But no greaser likes the looks of a white man with a gun. Now let's see how much brains you've got for the job, young man. If you see to it that no Rolling R stuff comes up missing, and do it without any trouble, I'll call that making good."

      "All right, I'll try and make good, then." Johnny's shoulders went back. "When a man's got some object in life besides just earning a living, he—"

      From within the house full-toned chords were struck from a piano. Johnny scowled, gave his packed horse a yank, and rode off. Couldn't that girl ever let up on a fellow? Playing that darn fool tune over and over! It sure showed how much brains she had in her head! He hoped she'd get enough of it. If he was her mother or her father, he knew what