and they were all mad to get there. Yet Captain Dennison maintained absolute silence on that topic. Clean shaven, bronzed, tall, and solidly built, clear-eyed, not exactly handsome but engaging—what lay back of the man’s peculiar reticence? Being a daughter of Eve, the mystery intrigued her profoundly.
Had he been a professional sailor prior to the war? It seemed to her if that had been the case he would have enlisted in the Navy. He talked like a man who had spent many years on the water; but in labour or in pleasure, he made it most difficult for her to tell. Of his people, of his past, not Bluebeard’s closet was more firmly shut. Still with a little smile she recalled that eventually a woman had opened that closet door, and hadn’t had her head cut off, either.
He was poor like herself. That much was established. For he had said frankly that when he received his discharge from the Army he would have to dig up a job to get a meal ticket.
Dear, dear! Would she ever see a continuous stretch of sunshine again? How this rain tore into things! Shanghai! Wouldn’t it be fun to have a thousand dollars to fling away on the shops? She wanted jade beads, silks—not the quality the Chinese made for export, but that heavy, shiver stuff that was as strong and shielding as wool—ivory carvings, little bronze Buddhas with prayer scrolls inside of them, embroidered jackets. But why go on? She had less than a hundred, and she would have to carry home gimcracks instead of curios.
They were bobbing over a bridge now, and a little way beyond she saw the lighted windows of the great caravansary, the Astor House. It smacked of old New York, where in a few weeks she would be stepping back into the dull routine of hospital work.
She paid the ricksha boy and ran into the lobby, stamping her feet and shaking the umbrella. The slicker was an overhead affair, and she had to take off her hat to get free. This act tumbled her hair about considerably, and Jane Norman’s hair was her glory. It was the tint of the copper beech, thick, finespun, with intermittent twists that gave it a wavy effect.
Jane was not beautiful; that is, her face was not—it was comely. It was her hair that turned male heads. It was then men took note of her body. She was magnificently healthy, and true health is a magnet as powerful as that of the true pole. It drew toward her men and women and children. Her eyes were gray and serious; her teeth were white and sound. She was twenty-four.
There was, besides her hair, another thing that was beautiful—her voice. It answered like the G string of an old Strad to every emotion. One could tell instantly when she was merry or sad or serious or angry. She could not hide her emotions any more than she could hide her hair. As a war nurse she had been adored by the wounded men and fought over by the hospital commandants. But few men had dared make love to her. She had that peculiar gift of drawing and repelling without consciousness.
As the Chinese boy got her things together Jane espied the bookstall. American newspapers and American magazines! She packed four or five of each under her arm, nodded to the boy, and followed the manager to the lift! She hoped the lights would hang so that she could lie in bed and read. Her brain was thirsty for a bit of romance.
Humming, she unpacked. She had brought one evening gown, hoping she might have a chance to wear it before it fell apart from disuse. She shook out the wrinkles and hung the gown in the closet. Lavender! She raised a fold of the gown and breathed in rapturously that homy perfume. She sighed. Perhaps she would have to lay away all her dreams in lavender.
A little later she sat before the dressing mirror, combing her hair. How it happened she never could tell, but she heard a crash upon the wood floor, and discovered her hand mirror shattered into a thousand splinters.
Seven years’ bad luck! She laughed. Fate had blundered. The mirror had fallen seven years too late.
Chapter III
Outside the bar where the Whangpoo empties into the Yang-tse lay the thousand-ton yacht Wanderer II, out of New York. She was a sea whippet, and prior to the war her bowsprit had nosed into all the famed harbours of the seven seas. For nearly three years she had been in the auxiliary fleet of the United States Navy. She was still in war paint, owner’s choice, but all naval markings had been obliterated. Her deck was flush. The house, pierced by the main companionway, was divided into three sections—a small lounging room, a wireless room, and the captain’s cabin, over which stood the bridge and chart house. The single funnel rose between the captain’s cabin and the wireless room, and had the rakish tilt of the racer. Wanderer II could upon occasion hit it up round twenty-one knots, for all her fifteen years. There was plenty of deck room fore and aft.
The crew’s quarters were up in the forepeak. A passage-way divided the cook’s galley and the dry stores, then came the dining salon. The main salon, with a fine library, came next. The port side of this salon was cut off into the owner’s cabin. The main companionway dropped into the salon, a passage each side giving into the guest cabins. But rarely these days were there any guests on Wanderer II.
The rain slashed her deck, drummed on the boat canvas, and blurred the ports. The deck house shed webby sheets of water, now to port, now to starboard. The ladder was down, and a reflector over the platform advertised the fact that either the owner had gone into Shanghai or was expecting a visitor.
All about were rocking lights, yellow and green and red, from warships, tramps, passenger ships, freighters, barges, junks. The water was streaked with shaking lances of colour.
In the salon, under a reading lamp, sat a man whose iron-gray hair was patched with cowlicks. Combs and brushes produced no results, so the owner had had it clipped to a short pompadour. It was the skull of a fighting man, for all that frontally it was marked by a high intellectuality. This sort of head generally gives the possessor yachts like Wanderer II, tremendous bank accounts; the type that will always possess these things, despite the howl of the proletariat.
The face was sunburned. There was some loose flesh under the jaws. The nose was thick and pudgy, wide in the nostrils, like a lion’s. The predatory are not invariably hawk-nosed. The eyes were blue—in repose, a warm blue—and there were feathery wrinkles at the corners which suggested that the toll-taker could laugh occasionally. The lips were straight and thin, the chin square—stubborn rather than relentless. A lonely man who was rarely lonesome.
His body was big. One has to be keen physically as well as mentally to make a real success of anything. His score might have tallied sixty. He was at the peak of life, but hanging there, you might say. To-morrow Anthony Cleigh might begin the quick downward journey.
He had made his money in mines, rails, ships; and now he was spending it prodigally. Prodigally, yes, but with caution and foresight. There was always a ready market for what he bought. If he paid a hundred thousand for a Rembrandt, rest assured he knew where he could dispose of it for the same amount. Cleigh was a collector by instinct. With him it was no fad; it was a passion, sometimes absurd. This artistic love of rare and beautiful creations was innate, not acquired. Dealers had long since learned their lesson, and no more sought to impose upon him.
He was not always scrupulous. In the dollar war he had been sternly honest, harshly just. In pursuit of objects of art he argued with his conscience that he was not injuring the future of widows and orphans when he bought some purloined masterpiece. Without being in the least aware of it, he was now the victim, not the master, of the passion. He would have purchased Raphael’s Adoration of the Magi had some rogue been able to steal it from the Vatican.
Hanging from the ceiling and almost touching the floor, forward between the entrance to the dining salon and the owner’s cabin, was a rug eight and a half by six. It was the first object that struck your eye as you came down the companionway. It was an animal rug, a museum piece; rubies and sapphires and emeralds and topaz melted into wool. It was under glass to fend off the sea damp. Fit to hang beside the Ardebil Carpet.
You never saw the rug except in this salon. Cleigh dared not hang it in his gallery at home in New York for the particular reason that the British Government, urged by the Viceroy