Elizabeth Cady Stanton

The Collected Works


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epistle to the church was sent by John, with some commendations; but it was said that there was a worm at the root of its prosperity, which would destroy the whole unless it were removed. It is not agreed whether the expression Jezebel, is to be understood literally or figuratively. From the reading of some manuscripts it has been thought, that the wife of the presiding minister was intended, that she had obtained great influence in the affairs of the church and made a bad use of it; that she pretended to have prophetic gifts, and under that sanction propagated abominable principles.

      The figurative meaning, however, seems more suited to the style and the manner of this book; and in this sense it denotes a company of persons, of the spirit and character of Jezebel, within the church under one principal deceiver. Jezebel, a Zidonian and a zealous idolater, being married to the King of Israel (Ahab) contrary to the Divine law, used all her influence to draw the Israelites from the worship of Jehovah into idolatry. Satan and woman are the chief characters in all the frightful visions; and the sacred period of maternity is made to illustrate some of the most terrible upheavals in national life, as between the old dragon and the mother of the race. Whatever this book was intended to illustrate, its pictures are painfully vivid.

      E. C. S.

      Chapter II.

       Table of Contents

      Revelation xii.

      And there appeared a great wonder in heaven; a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars:

      2 And she being with child travailed in birth.

      3 And there appeared another wonder in heaven; and behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads.

      4 And his tail drew the third part of the stars of heaven, and the dragon stood before the woman to devour her child as soon as it was born.

      5 And she brought forth a man child, that was caught up unto God.

      6 And the woman fled into the wilderness, where she hath a place prepared of God.

      13 And when the dragon saw that he was cast unto the earth, he was wroth with the woman, and went to make war with the remnant of her seed.

      The constellation Draco, the Great Serpent, was at one time ruler of the night, being formerly at the very centre of the heavens and so large that it was called the Great Dragon. Its body spread over seven signs of the Zodiac, which were called its seven heads. So great a space did it occupy, that, in mystic language, it "drew a third part of the stars from heaven and cast them to the earth." Thuban, in its tail, was formerly the pole-star, or "judge of the earth!" It approached much nearer the true pole than Cynosura, the present pole-star, which is one and a half degrees distant and will never approach nearer than twelve minutes, while Thuban was only ten minutes distant.

      At an early day serpents were much respected; they were thought to have more "pneuma" or spirit than any other living thing and were termed "fiery." For this cause high initiates were called "naga," or serpents of wisdom; and a living serpent was always carried in the celebration of the mysteries. During the brilliant eighteenth and nineteenth Egyptian dynasties, Draco was a great god; but when this constellation lost its place in the heavens, and Thuban ceased to be the guiding sidereal Divinity, it shared the fate of all the fallen gods. "The gods of our fathers are our devils," says an Arabic proverb. When Re-Veilings was written, Draco had become a fallen angel representing evil spirituality. By precessional motion the foot of Hercules rests upon its head, and we find it depicted as of the most material color, red.

      Colors and jewels are parts of astrology; and ancient cities, as Ectabana, were built and colored after the planets. The New Jerusalem of Re-Veilings is purely an astrological city, not to be understood without a knowledge of mystic numbers, letters, jewels and colors. So, also, the four and twenty elders of Re-Veilings are twenty-four stars of the Chaldean Zodiac, "counsellors" or "judges," which rose and set with it. Astrology was brought into great prominence by the visit of the magi, the zodiacal constellation Virgo, the "woman with a child," ruling Palestine, in which country Bethlehem is situated. The great astronomer and astrologer, Ptolemy, judged the character of countries from the signs ruling them, as to this day is done by astrologers.

      The woman attacked by the great red dragon, Cassiopea, was known as Nim-Makh, the Mighty Lady. For many centuries, at intervals of about three hundred years, a brilliant star suddenly appeared in this constellation, remaining visible a few months, then as suddenly disappearing. In mystic phraseology this star was a child. It was seen A. D. 945, A. D. 1264, and was noted by Tycho Brahe and other astronomers in 1562, when it suddenly became so brilliant that it could be seen at midday, gradually assuming the appearance of a great conflagration, then as gradually fading away. Since thus caught up to the throne of God, this star-child has not again appeared, although watched for by astronomers during the past few years. The Greeks, who borrowed so much from the Egyptians, created from this book the story of Andromeda and the monster sent by Neptune to destroy her, while Madame Blavatsky says that St. John's dragon is Neptune, a symbol of Atlantaen magi.

      The crown of twelve stars upon the head of the apocalyptic woman are the twelve constellations of the Zodiac. Clothed with the sun, woman here represents the Divinity of the feminine, its spirituality as opposed to the materiality of the masculine; for in Egypt the sun, as giver of life, was regarded as feminine, while the moon, shining by reflected light, was looked upon as masculine. With her feet upon the moon, woman, corresponding to and representing the soul, portrays the ultimate triumph of spiritual things over material things—over the body, which man, or the male principle, corresponds to and represents.

      "There was war in heaven." The wonderful progress and freedom of woman, as woman, within the last half century, despite the false interpretation of the Bible by the Church and by masculine power, is the result of this great battle; and all attempts to destroy her will be futile. Her day and hour have arrived; the dragon of physical power over her, the supremacy of material things in the world, as depicted by the male principle, are yielding to the spiritual, represented by woman. The eagle, true bird of the sun and emblem of our own great country, gives his wings to her aid; and the whole earth comes to help her against her destroyer.

      And thus must Re-Veilings be left with much truth untouched, yet with the hope that what has been written will somewhat help to a comprehension of this greatly misunderstood yet profoundly "sacred" and "secret" book, whose true reading is of such vast importance to the human race.

      M. J. G.

      Here is a little well intended respect for woman as representing the Church. In this vision she appears clothed with the sun, and the moon under her feet, which denotes her superiority, says the commentator, to her reflected feebler light of the Mosaic dispensation. The crown of twelve stars on her head represents her honorable maintenance of the doctrines of the Church. just as the woman was watched by the dragon, and her children devoured, so was the Church watched and persecuted by the emissaries of the Papal hierachy. The seven heads of the dragon represent the seven hills on which Rome is built; the ten horns, ten kingdoms into which the Western empire was divided. The tail of the dragon drawing a third part of the stars represent the power of the Romans, who had conquered one-third part of the earth.

      Revelation xvii.

      3 So he carried me away in the spirit into the wilderness; and I saw a woman sit upon a scarlet colored beast, full of names of blasphemy, having saves heads and ten horns.

      4 And the woman was arrayed in purple and scarlet color, and decked with gold and precious stones and pearls, having a golden cup in bar hand.

      5 And upon her forehead was a name written, Mystery, Babylon the Great.

      18 And the woman which thou sawest is that great city, which reigneth over the kings of the earth.

      The woman draped in scarlet, seated on a beast, was the emblem of the Church of Rome. The beast represents the temporal power by which it has been supported. These colors have always distinguished the popes and the cardinals, as well as the Roman