of so much immorality, of so many vile actions, it was not so much their fault as the fault of the privileges which they enjoyed through custom, indulgence, or party spirit. Here is an example:
One day O'Neilan, having drunk rather freely, rides through the city at full speed. A poor old woman who was crossing the street has no time to avoid him, she falls, and her head is cut open by the horse's feet. O'Neilan places himself under arrest, but the next day he is set at liberty. He had only to plead that it was an accident.
The officer Laurent not having called upon me to redeem his promisory note of six sequins during the week, I told him in the street that I would no longer consider myself bound to keep the affair secret. Instead of excusing himself, he said,
"I do not care!"
The answer was insulting, and I intended to compel him to give me reparation, but the next day O'Neilan told me that Captain Laurent had gone mad and had been locked up in a mad-house. He subsequently recovered his reason, but his conduct was so infamous that he was cashiered.
O'Neilan, who was as brave as Bayard, was killed a few years afterwards at the battle of Prague. A man of his complexion was certain to fall the victim of Mars or of Venus. He might be alive now if he had been endowed only with the courage of the fox, but he had the courage of the lion. It is a virtue in a soldier, but almost a fault in an officer. Those who brave danger with a full knowledge of it are worthy of praise, but those who do not realize it escape only by a miracle, and without any merit attaching itself to them. Yet we must respect those great warriors, for their unconquerable courage is the offspring of a strong soul, of a virtue which places them above ordinary mortals.
Whenever I think of Prince Charles de Ligne I cannot restrain my tears. He was as brave as Achilles, but Achilles was invulnerable. He would be alive now if he had remembered during the fight that he was mortal. Who are they that, having known him, have not shed tears in his memory? He was handsome, kind, polished, learned, a lover of the arts, cheerful, witty in his conversation, a pleasant companion, and a man of perfect equability. Fatal, terrible revolution! A cannon ball took him from his friends, from his family, from the happiness which surrounded him.
The Prince de Waldeck has also paid the penalty of his intrepidity with the loss of one arm. It is said that he consoles himself for that loss with the consciousness that with the remaining one he can yet command an army.
O you who despise life, tell me whether that contempt of life renders you worthy of it?
The opera opened immediately after Easter, and I was present at every performance. I was then entirely cured, and had resumed my usual life. I was pleased to see that Baletti shewed off Marina to the best advantage. I never visited her, but Baletti was in the habit of breakfasting with me almost every morning.
He had often mentioned an old actress who had left the stage for more than twenty years, and pretended to have been my father's friend. One day I took a fancy to call upon her, and he accompanied me to her house.
I saw an old, broken-down crone whose toilet astonished me as much as her person. In spite of her wrinkles, her face was plastered with red and white, and her eyebrows were indebted to India ink for their black appearance. She exposed one-half of her flabby, disgusting bosom, and there could be no doubt as to her false set of teeth. She wore a wig which fitted very badly, and allowed the intrusion of a few gray hairs which had survived the havoc of time. Her shaking hands made mine quiver when she pressed them. She diffused a perfume of amber at a distance of twenty yards, and her affected, mincing manner amused and sickened me at the same time. Her dress might possibly have been the fashion twenty years before. I was looking with dread at the fearful havoc of old age upon a face which, before merciless time had blighted it, had evidently been handsome, but what amazed me was the childish effrontery with which this time-withered specimen of womankind was still waging war with the help of her blasted charms.
Baletti, who feared lest my too visible astonishment should vex her, told her that I was amazed at the fact that the beautiful strawberry which bloomed upon her chest had not been withered by the hand of Time. It was a birth-mark which was really very much like a strawberry. "It is that mark," said the old woman, simpering, "which gave me the name of 'La Fragoletta.'"
Those words made me shudder.
I had before my eyes the fatal phantom which was the cause of my existence. I saw the woman who had thirty years before, seduced my father: if it had not been for her, he would never have thought of leaving his father's house, and would never have engendered me in the womb of a Venetian woman. I have never been of the opinion of the old author who says, 'Nemo vitam vellet si daretur scientibus'.
Seeing how thoughtful I was, she politely enquired my name from Baletti, for he had presented me only as a friend, and without having given her notice of my visit. When he told her that my name was Casanova, she was extremely surprised.
"Yes, madam," I said, "I am the son of Gaetan Casanova, of Parma."
"Heavens and earth! what is this? Ah! my friend, I adored your father! He was jealous without cause, and abandoned me. Had he not done so, you would have been my son! Allow me to embrace you with the feelings of a loving mother."
I expected as much, and, for fear she should fall, I went to her, received her kiss, and abandoned myself to her tender recollections. Still an actress, she pressed her handkerchief to her eyes, pretending to weep, and assuring me that I was not to doubt the truth of what she said.
"Although," she added, "I do not look an old woman yet."
"The only fault of your dear father," she continued, "was a want of gratitude."
I have no doubt that she passed the same sentence upon the son, for, in spite of her kind invitation, I never paid her another visit.
My purse was well filled, and as I did not care for Mantua, I resolved on going to Naples, to see again my dear Therese, Donna Lucrezia, Palo father and son, Don Antonio Casanova, and all my former acquaintances. However, my good genius did not approve of that decision, for I was not allowed to carry it into execution. I should have left Mantua three days later, had I not gone to the opera that night.
I lived like an anchorite during my two months' stay in Mantua, owing to the folly. I committed on the night of my arrival. I played only that time, and then I had been lucky. My slight erotic inconvenience, by compelling me to follow the diet necessary to my cure, most likely saved me from greater misfortunes which, perhaps, I should not have been able to avoid.
Chapter XXI
My Journey to Cesena in Search of Treasure—I Take Up My Quarters in Franzia's House—His Daughter Javotte
The opera was nearly over when I was accosted by a young man who, abruptly, and without any introduction, told me that as a stranger I had been very wrong in spending two months in Mantua without paying a visit to the natural history collection belonging to his father, Don Antonio Capitani, commissary and prebendal president.
"Sir," I answered, "I have been guilty only through ignorance, and if you would be so good as to call for me at my hotel to-morrow morning, before the evening I shall have atoned for my error, and you will no longer have the right to address me the same reproach."
The son of the prebendal commissary called for me, and I found in his father a most eccentric, whimsical sort of man. The curiosities of his collection consisted of his family tree, of books of magic, relics, coins which he believed to be antediluvian, a model of the ark taken from nature at the time when Noah arrived in that extraordinary harbour, Mount Ararat, in Armenia. He load several medals, one of Sesostris, another of Semiramis, and an old knife of a queer shape, covered with rust. Besides all those wonderful treasures, he possessed, but under lock and key, all the paraphernalia of freemasonry.
"Pray, tell me," I said to him, "what relation there is between this collection and natural history? I see nothing here representing the three kingdoms."
"What!