document, that has been much discussed; and these discussions may be numbered among the most flagrant examples of literary intemperance: but this will not surprise us, when we allow for the structure of mind, the language, and the usual productions of those, to whom the treatise is naturally of the greatest importance. In the description of the Germans, Tacitus goes out of his way to laugh at the "licentia vetustatis," "the debauches of pedants and antiquarians;" as though he suspected the fortunes of his volume, and the future distinctions of the Teutonic genius. For sane readers, it will be enough to remark, that the Germany of Tacitus was limited, upon the west, by the natural and proper boundary of the Rhine; that it embraced a portion of the Low Countries; and that, although he says it was confined within the Danube, yet the separation is not clear between the true Germans and those obscurer tribes, whose descendants furnish a long enumeration of titles to the present melancholy sovereign of the House of Austria. Gibbon remarks, with his usual sense, "In their primitive state of simplicity and independence, the Germans were surveyed by the discerning eye, and delineated by the masterly pencil of Tacitus, the first historian who supplied the science of philosophy to the study of facts. The expressive conciseness of his descriptions has deserved to exercise the diligence of innumerable antiquarians, and to excite the genius and penetration of the philosophic historians of our own time." Upon a few sentences out of the "Germania"; which relate to the kings, to the holding of land, to the public assemblies, and to the army; an imposing structure of English constitutional history has been erected: our modern historians look upon this treatise with singular approval; because it shows them, they say, the habits of their own forefathers in their native settlements. They profess to be enchanted with all they read; and, in their works, they betray their descent from the ancestors they admire. Gibbon says, prettily, "Whenever Tacitus indulges himself in those beautiful episodes, in which he relates some domestic transaction of the Germans or of the Parthians, his principal object is to relieve the attention of the reader from an uniform scene of vice and misery." Whether he succeeds, I must leave my readers to decide. Tacitus describes the quarrels of the Germans; fought, then with weapons; now, with words: their gambling, their sloth, their drunkenness. "Strong beer, a liquor extracted with very little art from wheat or barley, and corrupted (as it is strongly expressed by Tacitus) into a certain semblance of wine, was sufficient for the gross purposes of German debauchery." Tacitus informs us, too, "that they sleep far into the day; that on rising they take a bath, usually of warm water; then they eat." To pass an entire day and night in drinking, disgraces no one: "Dediti somno ciboque," he says; a people handed over to sloth and gluttony. Some of these customs are now almost obsolete; the baths, for instance. In others, there has been little alteration since the Age of Tacitus; and the Germans have adhered, with obstinate fidelity, to their primitive habits. Tacitus thought less of their capacity, upon the whole, than it is usual to think now: "The Chatti," he says, "for Germans, have much intelligence;" "Leur intelligence et leur finesse étonnent, dans des Germains." But let us forget these "Tedeschi lurchi, non ragionam di lor;" and pass on to those manly virtues, which Tacitus records: To abandon your shield, is the basest of crimes, "relicta non bene parmula;" nor may a man thus disgraced be present at their sacred rites, nor enter their council; many, indeed, after escaping from battle, have ended their infamy with the halter. And to more shameful crimes, they awarded a sterner punishment:
Behind flock'd wrangling up a piteous crew Greeted of none, disfeatured and forlorn: Cowards, who were in sloughs interr'd alive; And round them still the wattled hurdles hung Wherewith they stamp'd them down, and trod them deep, To hide their shameful memory from men.
Having now surveyed the compositions in this volume, it is proper that we should at length devote some of our notice to Gordon himself, and to his manner of presenting Tacitus. Thomas Gordon was born in Scotland; the date has not yet been ascertained. He is thought to have been educated at a northern university, and to have become an Advocate. Later, he went to London; and taught languages. Two pamphlets on the Bangorian controversy brought him into notice; and he wrote many religious and political dissertations. "A Defence of Primitive Christianity, against the Exhorbitant Claims of Fanatical and Dissaffected Clergymen;" "Tracts on Religion, and on the Jacobite Rebellion of '45;" "The Pillars of Priestcraft and Orthodoxy Shaken;" "A Cordial for Low Spirits;" are the titles of some of his compositions. In politics, and in theology, he was a republican and free-thinker: he translated and edited "The Spirit of Ecclesiastics in All Ages;" he was a contributor to "The Independent Whig;" and in a series of "Cato's Letters," he discoursed at ease upon his usual topics. The Tacitus was published in 1728, in two volumes folio: long dissertations are inserted in either volume; the literature in them excellent, the politics not so good: the volumes, as well as the several parts of them, are dedicated to some Royal and many Noble Patrons. Gordon has also turned Sallust into English: the book was published in 1744, in one handsome quarto; "with Political Discourses upon that Author and Translations of Cicero's Four Orations against Cataline." Walpole made Gordon the first commissioner of wine licences. It is handed down, that Gordon was a burly person, "large and corpulent." It is believed, that he found his way into "The Dunciad," and that he is immortalised there among the "Canaille Écrivante;" the line
Where Tindal dictates and Silenus snores,
is taken to be Pope's description of him. Gordon died in 1750; at the same time as Dr. Middleton, the elegant biographer of Cicero: Lord Bolingbroke is said to have observed, when the news was told him, "Then is the best writer in England gone, and the worst." That Bolingbroke should have disliked Gordon and his politics, does not surprise me; but I cannot understand for what reason he, and other good judges, despised his writings. "The chief glory of every people arises from its authors," Dr. Johnson says; and happy the people, I would assert, who have no worse writers than Thomas Gordon. I wish to draw attention to Gordon's correct vocabulary, to his bold and pregnant language, and to his scholarly punctuation. Among our present writers, the art of punctuation is a lost accomplishment; and it is usual now to find writings with hardly anything but full stops; colons and semicolons are almost obsolete; commas are neglected, or misused; and our slovenly pages are strewn with dashes, the last resources of an untidy thinker, the certain witnesses to a careless and unfinished sentence. How different, and how superior, is the way of Gordon; who, though he can be homely and familiar, never lays aside the well-bred and courteous manners of a polished Age. In his writings, the leading clauses of a sentence are distinguished by their colons: the minor clauses, by their semicolons; the nice meaning of the details is expressed, the pleasure and the convenience of his readers are alike increased, by his right and elegant use of commas. The comma, with us, is used as a loop or bracket, and for little else: by the more accurate scholars of the last Age, it was employed to indicate a finer meaning; to mark an emphasis, or an elision; to introduce a relative clause; to bring out the value of an happy phrase, or the nice precision of an epithet. And thus the authors of the great century of prose, that orderly and spacious time, assembled their words, arranged their sentences, and marshalled them into careful periods: without any loss to the subtile meaning of their thought, or any sacrifice of vigour, they exposed their subject in a dignified procession of stately paragraphs; and when the end is reached we look back upon a perfect specimen of the writer's art. We have grown careless about form, we have little sense for balance and proportion, and we have sacrificed the good manners of literature to an ill-bred liking for haste and noise: it has been decided, that the old way of writing is cumbersome and slow; as well might some guerilla chieftain have announced to his fellow-barbarians, that Caesar's legions were not swift and beautiful in their manoeuvres, nor irresistible in their advance. I have spoken of our long sentences, with nothing but full stops: they are variegated, here and there, with shorter sentences, sometimes of two words; this way of writing is common in Macaulay or in the histories of Mr. Green, and I have seen it recommended in Primers of Literature and Manuals of Composition. With the jolting and unconnected fragments of these authorities, I would contrast the musical and flowing periods of Dr. Johnson's "Lives of the Poets": to study these works in solitude, will probably be sufficient to justify my preference; but to hear them read aloud, should convert the most unwilling listener into an advocate of my opinion.
Dr. Birkbeck Hill, in the delightful Preface to his Boswell, explains how he was turned by a happy chance to the study of the literature of the eighteenth century; and how he read on and on in the enchanting pages of "The Spectator." "From Addison in the course of time I passed on," he continues, "to the other great writers of his