the assets. May and her mother were left without a penny. The mother did the right thing, and died—it was best. May went direct to Brunt's, the largest draper in the Five Towns, and asked for a place under 'Madame' in the dress-making department. Brunt's daughter, who was about to be married, gave her the place instantly. Three years later, when 'Madame' returned to Paris, May stepped into the French-woman's shoes.
On Sundays and on Thursday afternoons, and sometimes (but not too often) at the theatre, May was the finest walking advertisement that Brunt's ever had. Old Brunt would have proposed to her, it was rumoured, had he not been scared by her elegance. Sundry sons of prosperous manufacturers, unabashed by this elegance, did in fact secretly propose, but with what result was known only to themselves.
Later, as May waxed in importance at Brunt's, she was sent to Manchester to buy. She lunched at the Exchange Restaurant. The world and Manchester are very small. The first man she set eyes on was Edward Norris. Another week, Norris said to her with a thrill, and he would have been gone for ever to London. Chance is not to be flouted. The sequel was inevitable. They loved. And all the select private bars in Hanbridge tinkled to the news that May Scarratt had been and hooked a stockbroker!
When the toilette was done, and the maid gone, she wound a thin black scarf round her olive neck and shoulders, and sat down negligently on a Chippendale settee in the attitude of a portrait by Boldini; her little feet were tucked up sideways on the settee; the perforated lace ends of the scarf fell over her low corsage to the level of the seat. And she waited, still the bride. He was late, but she knew he would be late. Sure in the conviction that he was a strong man, a man of imagination and of deeds, she could easily excuse this failing in him, as she did that other habit of impulsive action in trifles. Nay, more, she found keen pleasure in excusing it. 'Dear thing!' she reflected, 'he forgets so.' Therefore she waited, content in enjoying the image in the glass of her dark face, her small plump person, and her Paris gown—that dream! She thought with assuaged grief of her father's tragedy; she would have liked him to see her now, the jewel in the case—her father and she had understood each other.
All around, and above and below, she felt, without hearing it, the activity of the opulent, complex life of the mansions. Her mind dwelt with satisfaction on long carpeted corridors noiselessly paraded by flunkeys, mahogany lifts continually ascending and descending like the angels of the ladder, the great entrance hall with its fire always burning and its doors always swinging, the salle à manger sown with rose-shaded candles, and all the splendid privacies rising stage upon stage to the attics, where the flunkeys philosophized together. She confessed the beauty and distinction achieved by this extravagant organization for gratifying earthly desires. Often, in the pinching days of her servitude, she had murmured against the injustice of things, and had called wealth a crime while poverty starved. But now she perceived that society was what it was inevitably, and could not be altered. She accepted it in profound peace of mind, gaily fraternal towards the fortunate, compassionate towards those in adversity.
In the next flat someone began to play very brilliantly a Hungarian Rhapsody of Liszt's. And even the faint sound of that riotous torrent of melody, so arrogantly gorgeous, intoxicated her soul. She shivered under the sudden vision of the splendid joy of being alive. And how she envied the player! French she had learned from 'Madame,' but she had no skill on the piano; it was her one regret.
She touched the bell.
'Has your master come in yet?' she inquired of the maid.
'No, madam, not yet.'
She knew he had not come in, but she could not resist the impulse to ask.
Ten minutes later, when the piano had ceased, she jumped up, and, creeping to the front-door of the flat, gazed foolishly across the corridor at the grille of the lift. She heard the lift in travail. It appeared and passed out of sight above. No, he had not come! Glancing aside, she saw the tall slender figure of a girl in a green tea-gown—a mere girl: it was the player of the Hungarian Rhapsody. And this girl, too, she thought, was expectant and disappointed! They shut their doors simultaneously, she and May, who also had her girlish moments. Then the rhapsody recommenced.
'Oh, madam!' screamed the maid, almost tumbling into the boudoir.
'What is it?' May demanded with false calm.
The maid lifted the corner of her black apron to her eyes, as though she had been a stage soubrette in trouble.
'The master, madam! He's fell out of his cab—just in front of the mansions—and they're bringing him in—such blood I never did see!'
The maid finished with hysterics.
III
'And them just off their honeymoon!'
The inconsolable tones of the lady's-maid came from the kitchen to the open door of the bedroom, where May was giving instructions to the elderly cook.
'Send that girl out of the flat this moment!' May said.
'Yes, ma'am.'
'Make the beef-tea in case it's wanted, and let me have some more warm water. There's John and the doctor!'
She started at a knock.
'No, it's only the postman, ma'am.'
Some letters danced on the hall floor and on her nerves.
'Oh dear!' May whispered. 'I thought it was the doctor at last.'
'John's bound to be back with one in a minute, ma'am. Do bear up,' urged the cook, hurrying to the kitchen.
She could have destroyed the woman for those last words.
With the proud certainty of being equal to the dreadful crisis, she turned abruptly into the bedroom, where her husband lay insensible on one of the new beds. Assisted by the policemen and the cook, she had done everything that could be done: cut away the coats and the waistcoat, removed the boots, straightened the limbs, washed the face and neck—especially the neck—which had to be sponged continually, and scattered messengers, including John, over the vicinity in search of medical aid. And now the policemen had gone, the general emotion on the staircase had subsided, the front-door of the flat was shut. The great ocean of the life of the mansions had closed smoothly upon her little episode. She was alone with the shattered organism.
She bent fondly over the bed, and her Paris frock, and the black scarf which she had not removed, touched its ruinous burden. Her right hand directed the sponge with ineffable tenderness, and then the long thin fingers tightened to a frenzied clutch to squeeze it over the basin. The whole of her being was absorbed in a deep passion of pity and an intolerable hunger for the doctor.
Through the wall came once more the faint sound of the Hungarian Rhapsody, astonishingly rapid and brilliant. She set her teeth to endure its unconscious message of the vast indifference of life to death.
The organism stirred, and May watched the deathly face for a sign. The eyes opened and stared at her in agonized bewilderment. The lips tried to speak, and failed.
'It's all right, darling,' she said softly. 'You're in your own bed. The doctor will be here directly. Drink this.'
She gave him some brandy-and-water, and they looked at each other. He was no longer Edward Norris, the finely regulated intelligence, the masterful volition, the conqueror of the world and of a woman; but merely the embodiment of a frightened, despairing, flickering, hysterical will-to-live, which glanced in terror at the corners of the room as though it saw fate there. And beneath her intense solicitude was the instinctive feeling, which hurt her, but which she could not dismiss, of her measureless, dominating superiority. With what glad relief would she have changed places with him!
'I'm dying, May,' he murmured at length, with a sigh. 'Why doesn't the doctor come?'
'He is coming,' she replied soothingly. 'You'll be better soon.'
But his effort in speaking obliged her to use the sponge again, and he saw it, and drew another sigh, more mortal than the first.
'Oh!