of it in its totality, intact, as it existed in our mind when imagination bore us from the place in which we were living right to the very heart of a place we longed to see, in a single sweep which seemed miraculous to us not so much because it covered a certain distance as because it united two distinct individualities of the world, took us from one name to another name; and this difference is accentuated (more than in a form of locomotion in which, since one can stop and alight where one chooses, there can scarcely be said to be any point of arrival) by the mysterious operation that is performed in those peculiar places, railway stations, which do not constitute, so to speak, a part of the surrounding town but contain the essence of its personality just as upon their sign-boards they bear its painted name.
But in this respect as in every other, our age is infected with a mania for shewing things only in the environment that properly belongs to them, thereby suppressing the essential thing, the act of the mind which isolated them from that environment. A picture is nowadays 'presented' in the midst of furniture, ornaments, hangings of the same period, a second-hand scheme of decoration in the composition of which in the houses of to-day excels that same hostess who but yesterday was so crassly ignorant, but now spends her time poring over records and in libraries; and among these the masterpiece at which we glance up from the table while we dine does not give us that exhilarating delight which we can expect from it only in a public gallery, which symbolises far better by its bareness, by the absence of all irritating detail, those innermost spaces into which the artist withdrew to create it.
Unhappily those marvellous places which are railway stations, from which one sets out for a remote destination, are tragic places also, for if in them the miracle is accomplished whereby scenes which hitherto have had no existence save in our minds are to become the scenes among which we shall be living, for that very reason we must, as we emerge from the waiting-room, abandon any thought of finding ourself once again within the familiar walls which, but a moment ago, were still enclosing us. We must lay aside all hope of going home to sleep in our own bed, once we have made up our mind to penetrate into the pestiferous cavern through which we may have access to the mystery, into one of those vast, glass-roofed sheds, like that of Saint-Lazare into which I must go to find the train for Balbec, and which extended over the rent bowels of the city one of those bleak and boundless skies, heavy with an accumulation of dramatic menaces, like certain skies painted with an almost Parisian modernity by Mantegna or Veronese, beneath which could be accomplished only some solemn and tremendous act, such as a departure by train or the Elevation of the Cross.
So long as I had been content to look out from the warmth of my own bed in Paris at the Persian church of Balbec, shrouded in driving sleet, no sort of objection to this journey had been offered by my body. Its objections began only when it had gathered that it would have itself to take part in the journey, and that on the evening of my arrival I should be shewn to 'my' room which to my body would be unknown. Its revolt was all the more deep-rooted in that on the very eve of my departure I learned that my mother would not be coming with us, my father, who would be kept busy at the Ministry until it was time for him to start for Spain with M. de Norpois, having preferred to take a house in the neighbourhood of Paris. On the other hand, the spectacle of Balbec seemed to me none the less desirable because I must purchase it at the price of a discomfort which, on the contrary, I felt to indicate and to guarantee the reality of the impression which I was going there to seek, an impression the place of which no spectacle of professedly equal value, no 'panorama' which I might have gone to see without being thereby precluded from returning home to sleep in my own bed, could possibly have filled. It was not for the first time that I felt that those who love and those who find pleasure are not always the same. I believed myself to be longing fully as much for Balbec as the doctor who was treating me, when he said to me, surprised, on the morning of our departure, to see me look so unhappy, "I don't mind telling you that if I could only manage a week to go down and get a blow by the sea, I shouldn't wait to be asked twice. You'll be having races, regattas; you don't know what all!" But I had already learned the lesson—long before I was taken to hear Berma—that, whatever it might be that I loved, it would never be attained save at the end of a long and heart-rending pursuit, in the course of which I should have first to sacrifice my own pleasure to that paramount good instead of seeking it there.
My grandmother, naturally enough, looked upon our exodus from a somewhat different point of view, and (for she was still as anxious as ever that the presents which were made me should take some artistic form) had planned, so that she might be offering me, of this journey, a 'print' that was, at least, in parts 'old,' that we should repeat, partly by rail and partly by road, the itinerary that Mme. de Sévigné followed when she went from Paris to 'L'Orient' by way of Chaulnes and 'the Pont-Audemer.' But my grandmother had been obliged to abandon this project, at the instance of my father who knew, whenever she organised any expedition with a view to extracting from it the utmost intellectual benefit that it was capable of yielding, what a tale there would be to tell of missed trains, lost luggage, sore throats and broken rules. She was free at least to rejoice in the thought that never, when the time came for us to sally forth to the beach, should we be exposed to the risk of being kept indoors by the sudden appearance of what her beloved Sévigné calls a 'beast of a coachload,' since we should know not a soul at Balbec, Legrandin having refrained from offering us a letter of introduction to his sister. (This abstention had not been so well appreciated by my aunts Céline and Flora, who, having known as a child that lady, of whom they had always spoken until then, to commemorate this early intimacy, as 'Renée de Cambremer,' and having had from her and still possessing a number of those little presents which continue to ornament a room or a conversation but to which the feeling between the parties no longer corresponds, imagined that they were avenging the insult offered to us by never uttering again, when they called upon Mme. Legrandin, the name of her daughter, confining themselves to a mutual congratulation, once they were safely out of the house: "I made no reference to you know whom!" "I think that went home!")
And so we were simply to leave Paris by that one twenty-two train which I had too often beguiled myself by looking out in the railway timetable, where its itinerary never failed to give me the emotion, almost the illusion of starting by it, not to feel that I already knew it. As the delineation in our mind of the features of any form of happiness depends more on the nature of the longings that it inspires in us than on the accuracy of the information which we have about it, I felt that I knew this train in all its details, nor did I doubt that I should feel, sitting in one of its compartments, a special delight as the day began to cool, should be contemplating this or that view as the train approached one or another station; so much so that this train, which always brought to my mind's eye the images of the same towns, which I bathed in the sunlight of those post-meridian hours through which it sped, seemed to me to be different from every other train; and I had ended—as we are apt to do with a person whom we have never seen but of whom we like to believe that we have won his friendship—by giving a distinct and unalterable cast of countenance to the traveller, artistic, golden-haired, who would thus have taken me with him upon his journey, and to whom I should bid farewell beneath the Cathedral of Saint-Lo, before he hastened to overtake the setting sun.
As my grandmother could not bring herself to do anything so 'stupid' as to go straight to Balbec, she was to break the journey half-way, staying the night with one of her friends, from whose house I was to proceed the same evening, so as not to be in the way there and also in order that I might arrive by daylight and see Balbec Church, which, we had learned, was at some distance from Balbec-Plage, so that I might not have a chance to visit it later on, when I had begun my course of baths. And perhaps it was less painful for me to feel that the desirable goal of my journey stood between me and that cruel first night on which I should have to enter a new habitation, and consent to dwell there. But I had had first to leave the old; my mother had arranged to 'move in,' that afternoon, at Saint-Cloud, and had made, or pretended to make, all the arrangements for going there directly after she had seen us off at the station, without needing to call again at our own house to which she was afraid that I might otherwise feel impelled at the last moment, instead of going to Balbec, to return with her. In fact, on the pretext of having so much to see to in the house which she had just taken and of being pressed for time, but in reality so as to spare me the cruel ordeal of a long-drawn parting, she had decided not to wait with us until that moment of the signal to start at which, concealed hitherto among ineffective comings and goings and