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George MacDonald
Phantastes (With All Original Illustrations)
A Faerie Romance for Men and Women
Published by
Books
- Advanced Digital Solutions & High-Quality eBook Formatting -
2017 OK Publishing
ISBN 978-80-7583-789-9
Table of Contents
The meeting of Sir Galahad and Sir Percivale
“In good sooth, my masters, this is no door.
Yet is it a little window, that looketh upon a great world.”
Preface
For offering this new edition of my father’s Phantastes, my reasons are three. The first is to rescue the work from an edition illustrated without the author’s sanction, and so unsuitably that all lovers of the book must have experienced some real grief in turning its pages. With the copyright I secured also the whole of that edition and turned it into pulp.
My second reason is to pay a small tribute to my father by way of personal gratitude for this, his first prose work, which was published nearly fifty years ago. Though unknown to many lovers of his greater writings, none of these has exceeded it in imaginative insight and power of expression. To me it rings with the dominant chord of his life’s purpose and work.
My third reason is that wider knowledge and love of the book should be made possible. To this end I have been most happy in the help of my father’s old friend, who has illustrated the book. I know of no other living artist who is capable of portraying the spirit of Phantastes; and every reader of this edition will, I believe, feel that the illustrations are a part of the romance, and will gain through them some perception of the brotherhood between George MacDonald and Arthur Hughes.
GREVILLE MACDONALD.
September 1905.
“Phantastes from ‘their fount all shapes deriving,
In new habiliments can quickly dight.”
FLETCHER’S Purple Island
“Es lassen sich Erzahlungen ohne Zusammenhang, jedoch mit Association, wie Traume dengkeennohgneedizhusamdimenhang; jedoeh mit und voll schoner Worte sind, aber auch ohne allen Sinn und Zusammenhang, hochstens einzelne Strophen verstandlich, wie Bruchstucke aus den verjschledenartigsten Dingen, Diese svahre Poesie kann Wlrkung, wie Musik haben. Darum ist die Natur so rein poetisch wle die Stube eines Zauberers, eines Physikers, eine Kinderstube elne Polterund Vorrathskammer
“Ein Mahrchen ist wie ein Traumbild ohne Zusammenhang. Ein Ensemble wunderbarer Dinge und Begebenheiten, z. B. eine dMusNkalische Pbantasie, die harmonischen Folgen einer Aeolsharfe, die Natur slebst. . . .
“In einem echten Mahrchen muss ailes wunderbar, geheimnissvoll undzusammenhangendsein; alles belebt, jeder auf eineandereArt Die ganze Natur muss wunderlich mit der ganzen Geisterwelt gemiseht sein; hier tritt die Zeit der Anarehie, der Gesetzlosigkeit Frelheit, der Naturstand der Natur, die Zeit von der Welt ein entgegengesetztes und eben daruel’ndiehr Weld der Wahrheit durehaus Chaos der vollendeten Sehopfung ahnlich ist.”— NOVALIS.
Chapter 1
“A spirit . . .
. . . . . .
The undulating and silent well,
And rippling rivulet, and evening gloom,
Now deepening the dark shades, for speech assuming,
Held commune with him; as if he and it
Were all that was.”
SHELLEY’S Alastor.
I