that I had not earned that; but that the money had been “talked out of” the worthy publisher by the earnestness of my brother, who made the bargain for me. I have known very much of publishers and have been surprised by much in their mode of business,—by the apparent lavishness and by the apparent hardness to authors in the same men,—but by nothing so much as by the ease with which they can occasionally be persuaded to throw away small sums of money. If you will only make the payment future instead of present, you may generally twist a few pounds in your own or your client’s favour. “You might as well promise her 20. This day six months will do very well.” The publisher, though he knows that the money will never come back to him, thinks it worth his while to rid himself of your importunity at so cheap a price.
But while I was writing La Vendee I made a literary attempt in another direction. In 1847 and 1848 there had come upon Ireland the desolation and destruction, first of the famine, and then of the pestilence which succeeded the famine. It was my duty at that time to be travelling constantly in those parts of Ireland in which the misery and troubles thence arising were, perhaps, at their worst. The western parts of Cork, Kerry, and Clare were preeminently unfortunate. The efforts,—I may say, the successful efforts,—made by the Government to stay the hands of death will still be in the remembrance of many:—how Sir Robert Peel was instigated to repeal the Corn Laws; and how, subsequently, Lord John Russell took measures for employing the people, and supplying the country with Indian corn. The expediency of these latter measures was questioned by many. The people themselves wished, of course, to be fed without working; and the gentry, who were mainly responsible for the rates, were disposed to think that the management of affairs was taken too much out of their own hands. My mind at the time was busy with the matter, and, thinking that the Government was right, I was inclined to defend them as far as my small powers went. S. G. O. (Lord Sydney Godolphin Osborne) was at that time denouncing the Irish scheme of the Administration in the Times, using very strong language,—as those who remember his style will know. I fancied then,—as I still think,—that I understood the country much better than he did; and I was anxious to show that the steps taken for mitigating the terrible evil of the times were the best which the Minister of the day could have adopted. In 1848 I was in London, and, full of my purpose, I presented myself to Mr. John Forster,—who has since been an intimate and valued friend,—but who was at that time the editor of the Examiner. I think that that portion of the literary world which understands the fabrication of newspapers will admit that neither before his time, nor since, has there been a more capable editor of a weekly newspaper. As a literary man, he was not without his faults. That which the cabman is reported to have said of him before the magistrate is quite true. He was always “an arbitrary cove.” As a critic, he belonged to the school of Bentley and Gifford,—who would always bray in a literary mortar all critics who disagreed from them, as though such disagreement were a personal offence requiring personal castigation. But that very eagerness made him a good editor. Into whatever he did he put his very heart and soul. During his time the Examiner was almost all that a Liberal weekly paper should be. So to John Forster I went, and was shown into that room in Lincoln’s Inn Fields in which, some three or four years earlier, Dickens had given that reading of which there is an illustration with portraits in the second volume of his life.
At this time I knew no literary men. A few I had met when living with my mother, but that had been now so long ago that all such acquaintance had died out. I knew who they were as far as a man could get such knowledge from the papers of the day, and felt myself as in part belonging to the guild, through my mother, and in some degree by my own unsuccessful efforts. But it was not probable that any one would admit my claim;—nor on this occasion did I make any claim. I stated my name and official position, and the fact that opportunities had been given me of seeing the poorhouses in Ireland, and of making myself acquainted with the circumstances of the time. Would a series of letters on the subject be accepted by the Examiner? The great man, who loomed very large to me, was pleased to say that if the letters should recommend themselves by their style and matter, if they were not too long, and if,—every reader will know how on such occasions an editor will guard himself,—if this and if that, they should be favourably entertained. They were favourably entertained,—if printing and publication be favourable entertainment. But I heard no more of them. The world in Ireland did not declare that the Government had at last been adequately defended, nor did the treasurer of the Examiner send me a cheque in return.
Whether there ought to have been a cheque I do not even yet know. A man who writes a single letter to a newspaper, of course, is not paid for it,—nor for any number of letters on some point personal to himself. I have since written sets of letters to newspapers, and have been paid for them; but then I have bargained for a price. On this occasion I had hopes; but they never ran high, and I was not much disappointed. I have no copy now of those letters, and could not refer to them without much trouble; nor do I remember what I said. But I know that I did my best in writing them.
When my historical novel failed, as completely as had its predecessors, the two Irish novels, I began to ask myself whether, after all, that was my proper line. I had never thought of questioning the justice of the verdict expressed against me. The idea that I was the unfortunate owner of unappreciated genius never troubled me. I did not look at the books after they were published, feeling sure that they had been, as it were, damned with good reason. But still I was clear in my mind that I would not lay down my pen. Then and therefore I determined to change my hand, and to attempt a play. I did attempt the play, and in 1850 I wrote a comedy, partly in blank verse, and partly in prose, called The Noble Jilt. The plot I afterwards used in a novel called Can You Forgive Her? I believe that I did give the best of my intellect to the play, and I must own that when it was completed it pleased me much. I copied it, and recopied it, touching it here and touching it there, and then sent it to my very old friend, George Bartley, the actor, who had when I was in London been stage-manager of one of the great theatres, and who would, I thought, for my own sake and for my mother’s, give me the full benefit of his professional experience.
I have now before me the letter which he wrote to me,—a letter which I have read a score of times. It was altogether condemnatory. “When I commenced,” he said, “I had great hopes of your production. I did not think it opened dramatically, but that might have been remedied.” I knew then that it was all over. But, as my old friend warmed to the subject, the criticism became stronger and stronger, till my ears tingled. At last came the fatal blow. “As to the character of your heroine, I felt at a loss how to describe it, but you have done it for me in the last speech of Madame Brudo.” Madame Brudo was the heroine’s aunt. “‘Margaret, my child, never play the jilt again; ‘tis a most unbecoming character. Play it with what skill you will, it meets but little sympathy.’ And this, be assured, would be its effect upon an audience. So that I must reluctantly add that, had I been still a manager, The Noble Jilt is not a play I could have recommended for production.” This was a blow that I did feel. The neglect of a book is a disagreeable fact which grows upon an author by degrees. There is no special moment of agony,—no stunning violence of condemnation. But a piece of criticism such as this, from a friend, and from a man undoubtedly capable of forming an opinion, was a blow in the face! But I accepted the judgment loyally, and said not a word on the subject to any one. I merely showed the letter to my wife, declaring my conviction, that it must be taken as gospel. And as critical gospel it has since been accepted. In later days I have more than once read the play, and I know that he was right. The dialogue, however, I think to be good, and I doubt whether some of the scenes be not the brightest and best work I ever did.
Just at this time another literary project loomed before my eyes, and for six or eight months had considerable size. I was introduced to Mr. John Murray, and proposed to him to write a handbook for Ireland. I explained to him that I knew the country better than most other people, perhaps better than any other person, and could do it well. He asked me to make a trial of my skill, and to send him a certain number of pages, undertaking to give me an answer within a fortnight after he should have received my work. I came back to Ireland, and for some weeks I laboured very hard. I “did” the city of Dublin, and the county of Kerry, in which lies the lake scenery of Killarney, and I “did” the route from Dublin to Killarney, altogether completing nearly a quarter of the proposed volume. The roll of MS. was sent to Albemarle Street,—but was never opened. At the expiration of nine months from the date on which