THREE LIVES (American Classics Series). Gertrude Stein

time.”

      Suspicion closed in around Sallie more and more, that she spent Anna’s evenings out with this boy sitting in the kitchen. One early morning Anna’s voice was sharply raised.

      “Sallie this ain’t the same banana that I brought home yesterday, for Miss Mathilda, for her breakfast, and you was out early in the street this morning, what was you doing there?”

      “Nothing, Miss Annie, I just went out to see, that’s all and that’s the same banana, ‘deed it is Miss Annie.”

      “Sallie, how can you say so and after all I do for you, and Miss Mathilda is so good to you. I never brought home no bananas yesterday with specks on it like that. I know better, it was that boy was here last night and ate it while I was away, and you was out to get another this morning. I don’t want no lying Sallie.”

      Sallie was stout in her defence but then she gave it up and she said it was the boy who snatched it as he ran away at the sound of Anna’s key opening the outside door. “But I will never let him in again, Miss Annie, ‘deed I won’t,” said Sallie.

      And now it was all peaceful for some weeks and then Sallie with fatuous simplicity began on certain evenings to resume her bright red waist, her bits of jewels and her crinkly hair.

      One pleasant evening in the early spring, Miss Mathilda was standing on the steps beside the open door, feeling cheerful in the pleasant, gentle night. Anna came down the street, returning from her evening out. “Don’t shut the door, please, Miss Mathilda,” Anna said in a low voice, “I don’t want Sallie to know I’m home.”

      Anna went softly through the house and reached the kitchen door. At the sound of her hand upon the knob there was a wild scramble and a bang, and then Sallie sitting there alone when Anna came into the room, but, alas, the butcher boy forgot his overcoat in his escape.

      You see that Anna led an arduous and troubled life.

      Anna had her troubles, too, with Miss Mathilda. “And I slave and slave to save the money and you go out and spend it all on foolishness,” the good Anna would complain when her mistress, a large and careless woman, would come home with a bit of porcelain, a new etching and sometimes even an oil painting on her arm.

      “But Anna,” argued Miss Mathilda, “if you didn’t save this money, don’t you see I could not buy these things,” and then Anna would soften and look pleased until she learned the price, and then wringing her hands, “Oh, Miss Mathilda, Miss Mathilda,” she would cry, “and you gave all that money out for that, when you need a dress to go out in so bad.” “Well, perhaps I will get one for myself next year, Anna,” Miss Mathilda would cheerfully concede. “If we live till then Miss Mathilda, I see that you do,” Anna would then answer darkly.

      Anna had great pride in the knowledge and possessions of her cherished Miss Mathilda, but she did not like her careless way of wearing always her old clothes. “You can’t go out to dinner in that dress, Miss Mathilda,” she would say, standing firmly before the outside door, “You got to go and put on your new dress you always look so nice in.” “But Anna, there isn’t time.” “Yes there is, I go up and help you fix it, please Miss Mathilda you can’t go out to dinner in that dress and next year if we live till then, I make you get a new hat, too. It’s a shame Miss Mathilda to go out like that.”

      The poor mistress sighed and had to yield. It suited her cheerful, lazy temper to be always without care but sometimes it was a burden to endure, for so often she had it all to do again unless she made a rapid dash out of the door before Anna had a chance to see.

      Life was very easy always for this large and lazy Miss Mathilda, with the good Anna to watch and care for her and all her clothes and goods. But, alas, this world of ours is after all much what it should be and cheerful Miss Mathilda had her troubles too with Anna.

      It was pleasant that everything for one was done, but annoying often that what one wanted most just then, one could not have when one had foolishly demanded and not suggested one’s desire. And then Miss Mathilda loved to go out on joyous, country tramps when, stretching free and far with cheerful comrades, over rolling hills and cornfields, glorious in the setting sun, and dogwood white and shining underneath the moon and clear stars over head, and brilliant air and tingling blood, it was hard to have to think of Anna’s anger at the late return, though Miss Mathilda had begged that there might be no hot supper cooked that night. And then when all the happy crew of Miss Mathilda and her friends, tired with fullness of good health and burning winds and glowing sunshine in the eyes, stiffened and justly worn and wholly ripe for pleasant food and gentle content, were all come together to the little house — it was hard for all that tired crew who loved the good things Anna made to eat, to come to the closed door and wonder there if it was Anna’s evening in or out, and then the others must wait shivering on their tired feet, while Miss Mathilda softened Anna’s heart, or if Anna was well out, boldly ordered youthful Sallie to feed all the hungry lot.

      Such things were sometimes hard to bear and often grievously did Miss Mathilda feel herself a rebel with the cheerful Lizzies, the melancholy Mollies, the rough old Katies and the stupid Sallies.

      Miss Mathilda had other troubles too, with the good Anna. Miss Mathilda had to save her Anna from the many friends, who in the kindly fashion of the poor, used up her savings and then gave her promises in place of payments.

      The good Anna had many curious friends that she had found in the twenty years that she had lived in Bridgepoint, and Miss Mathilda would often have to save her from them all.