that I may have a place in it too?”
“You go straight ahead and select any location you like,” said Marian. “I give you the freedom of the valley. There's not one chance in ten thousand that you would find or see anything attractive about the one secluded spot I have always hoped I might some day own.”
“This is not fooling, then?” asked Peter Morrison. “You truly have a place selected where you would like to live?”
“She truly has the spot selected and she truly has the house on paper and it truly is a house of dreams,” said Linda. “I dream about it myself. When she builds it and lives in it awhile and finds out all the things that are wrong with it, then I am going to build one like it, only I shall eliminate all the mistakes she has made.”
“I have often wondered,” said Henry Anderson, “if such a thing ever happened as that people built a house and lived in it, say ten years, and did not find one single thing about it that they would change if they had it to build over again. I never have heard of such a case. Have any of you?”
“I am sure no one has,” said John Gilman meditatively, “and it's a queer thing. I can't see why people don't plan a house the way they want it before they build.”
Marian turned to him—the same Marian he had fallen in love with when they were children.
“Mightn't it be,” she asked, “that it is due to changing conditions caused by the rapid development of science and invention? If one had built the most perfect house possible five years ago and learned today that infinitely superior lighting and heating and living facilities could be installed at much less expense and far greater convenience, don't you think that one would want to change? Isn't life a series of changes? Mustn't one be changing constantly to keep abreast of one's day and age?”
“Why, surely,” answered Gilman, “and no doubt therein lies at least part of the answer to Anderson's question.”
“And then,” added Marian, “things happen in families. Sometimes more babies than they expect come to newly married people and they require more room.”
“My goodness, yes!” broke in Linda. “Just look at Sylvia Townsend—twins to begin with.”
“Linda!” breathed Eileen, aghast.
“So glad you like my name, dear,” murmured Linda sweetly.
“And then,” continued Marian, “changes come to other people as they have to me. I can't say that I had any fault to find with either the comforts or the conveniences of Hawthorne House until Daddy and Mother were swept from it at one cruel sweep; and after that it was nothing to me but a haunted house, and I don't feel that I can be blamed for wanting to leave it. I will be glad to know that there are people living in it who won't see a big strong figure meditatively smoking before the fireplace and a gray dove of a woman sitting on the arm of his chair. I will be glad, if Fate is kind to me and people like my houses, to come back to the valley when I can afford to and build myself a home that has no past—a place, in fact, where I can furnish my own ghost, and if I meet myself on the stairs then I won't be shocked by me.
“I don't think there is a soul in the valley who blames you for selling your home and going, Marian,” said Linda soberly. “I think it would be foolish if you did not.”
The return to the living room brought no change. Eileen pouted while Linda and Marian thoroughly enjoyed themselves and gave the guests a most entertaining evening. So disgruntled was Eileen, when the young men had gone, that she immediately went to her room, leaving Linda and Marian to close the house and make their own arrangements for the night. Whereupon Linda deliberately led Marian to the carefully dusted and flower-garnished guest room and installed her with every comfort and convenience that the house afforded. Then bringing her brushes from her own room, she and Marian made themselves comfortable, visiting far into the night.
“I wonder,” said Linda, “if Peter Morrison will go to a real estate man in the morning and look over the locations remaining in Lilac Valley.”
“Yes, I think he will,” said Marian conclusively.
“It seems to me,” said Linda, “that we did a whole lot of talking about homes tonight; which reminds me, Marian, in packing have you put in your plans? Have you got your last draft with you?”
“No,” answered Marian, “it's in one of the cases. I haven't anything but two or three pencil sketches from which I drew the final plans as I now think I'll submit them for the contest. Wouldn't it be a tall feather in my cap, Linda, if by any chance l I should win that prize?”
“It would be more than a feather,” said Linda. “It would be a whole cap, and a coat to wear with it, and a dress to match the coat, and slippers to match the dress, and so forth just like 'The House That Jack Built.' Have you those sketches, Marian?”
Opening her case, Marian slid from underneath the garments folded in it, several sheets on which were roughly penciled sketches of the exterior of a house—on the reverse, the upstairs and downstairs floor plans; and sitting down, she explained these to Linda. Then she left them lying on a table, waiting to be returned to her case before she replaced her clothes in the morning. Both girls were fast asleep when a mischievous wind slipped down the valley, and lightly lifting the top sheet, carried it through the window, across the garden, and dropped it at the foot of a honey-dripping loquat.
Because they had talked until late in the night of Marian's plans and prospects in the city, of Peter Morrison's proposed residence in the valley, of how lonely Linda would be without Marian, of everything concerning their lives except the change in Eileen and John Gilman, the two girls slept until late in the morning, so that there were but a few minutes remaining in which Marian might dress, have a hasty breakfast and make her train. In helping her, it fell to Linda to pack Marian's case. She put the drawings she found on the table in the bottom, the clothing and brushes on top of them, and closing the case, carried it herself until she delivered it into the porter's hands as Marian boarded her train.
CHAPTER IV. Linda Starts a Revolution
The last glimpse Marian Thorne had of Linda was as she stood alone, waving her hand, her cheeks flushed, her eyes shining, her final word cheery and encouraging. Marian smiled and waved in return until the train bore her away. Then she sat down wearily and stared unseeingly from a window. Life did such very dreadful things to people. Her girlhood had been so happy. Then came the day of the Black Shadow, but in her blackest hour she had not felt alone. She had supposed she was leaning on John Gilman as securely as she had leaned on her father. She had learned, with the loss of her father, that one cannot be sure of anything in this world least of all of human life. Yet in her darkest days she had depended on John Gilman. She had every reason to believe that it was for her that he struggled daily to gain a footing in his chosen profession. When success came, when there was no reason that Marian could see why they might not have begun life together, there had come a subtle change in John, and that change had developed so rapidly that in a few weeks' time, she was forced to admit that the companionship and loving attentions that once had been all hers were now all Eileen's.
She sat in the train, steadily carrying her mile after mile farther from her home, and tried to think what had happened and how and why it had happened. She could not feel that she had been wrong in her estimate of John Gilman. Her valuation of him had been taught her by her father and mother and by Doctor and Mrs. Strong and by John Gilman himself. Dating from the time that Doctor Strong had purchased the property and built a home in Lilac Valley beside Hawthorne House, Marian had admired Eileen and had loved her. She was several years older than the beautiful girl she had grown up beside. Age had not mattered; Eileen's beauty had not mattered. Marian was good looking herself.
She always had known that Eileen had imposed upon her and was selfish with her, but Eileen's impositions were so skillfully