Edith Wharton

The Custom of the Country


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to turn to books, pictures and politics. "Politics," to Undine, had always been like a kind of back-kitchen to business—the place where the refuse was thrown and the doubtful messes were brewed. As a drawing-room topic, and one to provoke disinterested sentiments, it had the hollowness of Fourth of July orations, and her mind wandered in spite of the desire to appear informed and competent.

      Old Mr. Dagonet, with his reedy staccato voice, that gave polish and relief to every syllable, tried to come to her aid by questioning her affably about her family and the friends she had made in New York. But the caryatid-parent, who exists simply as a filial prop, is not a fruitful theme, and Undine, called on for the first time to view her own progenitors as a subject of conversation, was struck by their lack of points. She had never paused to consider what her father and mother were "interested" in, and, challenged to specify, could have named—with sincerity—only herself. On the subject of her New York friends it was not much easier to enlarge; for so far her circle had grown less rapidly than she expected. She had fancied Ralph's wooing would at once admit her to all his social privileges; but he had shown a puzzling reluctance to introduce her to the Van Degen set, where he came and went with such familiarity; and the persons he seemed anxious to have her know—a few frumpy "clever women" of his sister's age, and one or two brisk old ladies in shabby houses with mahogany furniture and Stuart portraits—did not offer the opportunities she sought.

      "Oh, I don't know many people yet—I tell Ralph he's got to hurry up and take me round," she said to Mr. Dagonet, with a side-sparkle for Ralph, whose gaze, between the flowers and lights, she was aware of perpetually drawing.

      "My daughter will take you—you must know his mother's friends," the old gentleman rejoined while Mrs. Marvell smiled noncommittally.

      "But you have a great friend of your own—the lady who takes you into society," Mr. Dagonet pursued; and Undine had the sense that the irrepressible Mabel was again "pushing in."

      "Oh, yes—Mabel Lipscomb. We were school-mates," she said indifferently.

      "Lipscomb? Lipscomb? What is Mr. Lipscomb's occupation?"

      "He's a broker," said Undine, glad to be able to place her friend's husband in so handsome a light. The subtleties of a professional classification unknown to Apex had already taught her that in New York it is more distinguished to be a broker than a dentist; and she was surprised at Mr. Dagonet's lack of enthusiasm.

      "Ah? A broker?" He said it almost as Popple might have said "A DENTIST?" and Undine found herself astray in a new labyrinth of social distinctions. She felt a sudden contempt for Harry Lipscomb, who had already struck her as too loud, and irrelevantly comic. "I guess Mabel'll get a divorce pretty soon," she added, desiring, for personal reasons, to present Mrs. Lipscomb as favourably as possible.

      Mr. Dagonet's handsome eye-brows drew together. "A divorce? H'm—that's bad. Has he been misbehaving himself?"

      Undine looked innocently surprised. "Oh, I guess not. They like each other well enough. But he's been a disappointment to her. He isn't in the right set, and I think Mabel realizes she'll never really get anywhere till she gets rid of him."

      These words, uttered in the high fluting tone that she rose to when sure of her subject, fell on a pause which prolonged and deepened itself to receive them, while every face at the table, Ralph Marvell's excepted, reflected in varying degree Mr. Dagonet's pained astonishment.

      "But, my dear young lady—what would your friend's situation be if, as you put it, she 'got rid' of her husband on so trivial a pretext?"

      Undine, surprised at his dullness, tried to explain. "Oh that wouldn't be the reason GIVEN, of course. Any lawyer could fix it up for them. Don't they generally call it desertion?"

      There was another, more palpitating, silence, broken by a laugh from

       Ralph.

      "RALPH!" his mother breathed; then, turning to Undine, she said with a constrained smile: "I believe in certain parts of the country such—unfortunate arrangements—are beginning to be tolerated. But in New York, in spite of our growing indifference, a divorced woman is still—thank heaven!—at a decided disadvantage."

      Undine's eyes opened wide. Here at last was a topic that really interested her, and one that gave another amazing glimpse into the camera obscura of New York society. "Do you mean to say Mabel would be worse off, then? Couldn't she even go round as much as she does now?"

      Mrs. Marvell met this gravely. "It would depend, I should say, on the kind of people she wished to see."

      "Oh, the very best, of course! That would be her only object."

      Ralph interposed with another laugh. "You see, Undine, you'd better think twice before you divorce me!"

      "RALPH!" his mother again breathed; but the girl, flushed and sparkling, flung back: "Oh, it all depends on YOU! Out in Apex, if a girl marries a man who don't come up to what she expected, people consider it's to her credit to want to change. YOU'D better think twice of that!"

      "If I were only sure of knowing what you expect!" he caught up her joke, tossing it back at her across the fascinated silence of their listeners.

      "Why, EVERYTHING!" she announced—and Mr. Dagonet, turning, laid an intricately-veined old hand on, hers, and said, with a change of tone that relaxed the tension of the listeners: "My child, if you look like that you'll get it."

       Table of Contents

      It was doubtless owing to Mrs. Fairford's foresight that such possibilities of tension were curtailed, after dinner, by her carrying off Ralph and his betrothed to the theatre.

      Mr. Dagonet, it was understood, always went to bed after an hour's whist with his daughter; and the silent Mr. Fairford gave his evenings to bridge at his club. The party, therefore, consisted only of Undine and Ralph, with Mrs. Fairford and her attendant friend. Undine vaguely wondered why the grave and grey-haired Mr. Bowen formed so invariable a part of that lady's train; but she concluded that it was the York custom for married ladies to have gentlemen "'round" (as girls had in Apex), and that Mr. Bowen was the sole survivor of Laura Fairford's earlier triumphs.

      She had, however, little time to give to such conjectures, for the performance they were attending—the debut of a fashionable London actress—had attracted a large audience in which Undine immediately recognized a number of familiar faces. Her engagement had been announced only the day before, and she had the delicious sense of being "in all the papers," and of focussing countless glances of interest and curiosity as she swept through the theatre in Mrs. Fairford's wake. Their stalls were near the stage, and progress thither was slow enough to permit of prolonged enjoyment of this sensation. Before passing to her place she paused for Ralph to remove her cloak, and as he lifted it from her shoulders she heard a lady say behind her: "There she is—the one in white, with the lovely back—" and a man answer: "Gad! Where did he find anything as good as that?"

      Anonymous approval was sweet enough; but she was to taste a moment more exquisite when, in the proscenium box across the house, she saw Clare Van Degen seated beside the prim figure of Miss Harriet Ray. "They're here to see me with him—they hate it, but they couldn't keep away!" She turned and lifted a smile of possessorship to Ralph. Mrs. Fairford seemed also struck by the presence Of the two ladies, and Undine heard her whisper to Mr. Bowen: "Do you see Clare over there—and Harriet with her? Harriet WOULD COME—I call it Spartan! And so like Clare to ask her!"

      Her companion laughed. "It's one of the deepest instincts in human nature. The murdered are as much given as the murderer to haunting the scene of the crime."

      Doubtless guessing Ralph's desire to have Undine to himself, Mrs. Fairford had sent the girl in first; and Undine, as she seated herself, was aware that the occupant of the next stall half turned to her, as with a vague gesture of recognition. But just then the curtain rose, and she became absorbed in the development of the drama, especially as it tended to display