E. F. Benson

The Greatest Works of E. F. Benson (Illustrated Edition)


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a remarkably fine instrument. It was very proper of George Shuttleworth to say that he would be in the neighbourhood, and I dare say she is a very decent sort of woman."

      They had come to the motor by this time — the rich, the noble motor, as Mr Pepys would have described it — and there was poor Miss Lyall hung with parcels, and wearing a faint sycophantic smile. This miserable spinster, of age so obvious as to be called not the least uncertain, was Lady Ambermere's companion, and shared with her the glories of The Hall, which had been left to Lady Ambermere for life. She was provided with food and lodging and the use of the cart like a hip-bath when Lady Ambermere had errands for her to do in Riseholme, so what could a woman want more? In return for these bounties, her only duty was to devote herself body and mind to her patroness, to read the paper aloud, to set Lady Ambermere's patterns for needlework, to carry the little Chinese dog under her arm, and wash him once a week, to accompany Lady Ambermere to church, and never to have a fire in her bedroom. She had a melancholy wistful little face: her head was inclined with a backward slope on her neck, and her mouth was invariably a little open showing long front teeth, so that she looked rather like a roast hare sent up to table with its head on. Georgie always had a joke ready for Miss Lyall, of the sort that made her say, "Oh, Mr Pillson!" and caused her to blush. She thought him remarkably pleasant.

      Georgie had his joke ready on this occasion.

      "Why, here's Miss Lyall!" he said. "And what has Miss Lyall been doing while her ladyship and I have been talking? Better not ask, perhaps."

      "Oh, Mr Pillson!" said Miss Lyall, as punctually as a cuckoo clock when the hands point to the hour.

      Lady Ambermere put half her weight onto the step of the motor, causing it to creak and sway.

      "Call on the Shuttleworths, Georgie," she said. "Say I told you to. Home!"

      Miss Lyall effaced herself on the front seat of the motor, like a mouse hiding in a corner, after Lady Ambermere had got in, and the footman mounted onto the box. At that moment Peppino with his bag of bulbs, a little out of breath, squeezed his way between two cabs by the side of the motor. He was just too late, and the motor moved off. It was very improbable that Lady Ambermere saw him at all.

      Georgie felt very much like a dog with a bone in his mouth, who only wants to get away from all the other dogs and discuss it quietly. It is safe to say that never in twenty-four hours had so many exciting things happened to him. He had ordered a toupée, he had been looked on with favour by a guru, all Riseholme knew that he had had quite a long conversation with Lady Ambermere and nobody in Riseholme, except himself, knew that Olga Bracely was going to spend two nights here. Well he remembered her marvellous appearance last year at Covent Garden in the part of Brünnhilde. He had gone to town for a rejuvenating visit to his dentist, and the tarsomeness of being betwixt and between had been quite forgotten by him when he saw her awake to Siegfried's line on the mountain-top. "Das ist keine mann," Siegfried had said, and, to be sure, that was very clever of him, for she looked like some slim beardless boy, and not in the least like those great fat Fraus at Baireuth, whom nobody could have mistaken for a man as they bulged and heaved even before the strings of the breastplate were uncut by his sword. And then she sat up and hailed the sun, and Georgie felt for a moment that he had quite taken the wrong turn in life, when he settled to spend his years in this boyish, maidenly manner with his embroidery and his china-dusting at Riseholme. He ought to have been Siegfried . . . He had brought a photograph of her in her cuirass and helmet, and often looked at it when he was not too busy with something else. He had even championed his goddess against Lucia, when she pronounced that Wagner was totally lacking in knowledge of dramatic effects. To be sure she had never seen any Wagner opera, but she had heard the overture to Tristran performed at the Queen's Hall, and if that was Wagner, well —

      * * *

      Already, though Lady Ambermere's motor had not yet completely vanished up the street, Riseholme was gently closing in round him, in order to discover by discreet questions (as in the game of Clumps) what he and she had been talking about. There was Colonel Boucher with his two snorting bulldogs closing in from one side, and Mrs Weston in her bath-chair being wheeled relentlessly towards him from another, and the two Miss Antrobuses sitting playfully in the stocks, on the third, and Peppino at close range on the fourth. Everyone knew, too, that he did not lunch till half-past one, and there was really no reason why he should not stop and chat as usual. But with the eye of the true general, he saw that he could most easily break the surrounding cordon by going off in the direction of Colonel Boucher, because Colonel Boucher always said "Haw, hum, by Jove," before he descended into coherent speech, and thus Georgie could forestall him with "Good-morning, Colonel," and pass on before he got to business. He did not like passing close to those slobbering bulldogs, but something had to be done ... Next moment he was clear and saw that the other spies by their original impetus were still converging on each other and walked briskly down towards Lucia's house, to listen for any familiar noises out of the Mozart trio. The noises were there, and the soft pedal was down just as he expected, so, that business being off his mind, he continued his walk for a few hundred yards more, meaning to make a short circuit through fields, cross the bridge, over the happy stream that flowed into the Avon, and regain his house by the door at the bottom of the garden. Then he would sit and think . . . the guru, Olga Bracely . . . What if he asked Olga Bracely and her husband to dine, and persuaded Mrs Quantock to let the guru come? That would be three men and one woman, and Hermy and Ursy would make all square. Six for dinner was the utmost that Foljambe permitted.

      He had come to the stile that led into the fields, and sat there for a moment. Lucia's tentative melodies were still faintly audible, but soon they stopped, and he guessed that she was looking out of the window. She was too great to take part in the morning spying that went on round about the green, but she often saw a good deal from her window. He wondered what Mrs Quantock was meaning to do. Apparently she had not promised the guru for the garden-party, or else Lady Ambermere would not have said that Lucia did not know whether he was coming or not. Perhaps Mrs Quantock was going to run him herself, and grant him neither to Lucia nor Georgie. In that case he would certainly ask Olga Bracely and her husband to dine, and should he or should he not ask Lucia?

      The red star had risen in Riseholme: Bolshevism was treading in its peaceful air, and if Mrs Quantock was going to secrete her guru, and set up her own standard on the strength of him, Georgie felt much inclined to ask Olga Bracely to dinner, without saying anything whatever to Lucia about it, and just see what would happen next. Georgie was a Bartlett on his mother's side, and he played the piano better than Lucia, and he had twenty-four hours' leisure every day, which he could devote to being king of Riseholme . . . His nature flared up, burning with a red revolutionary flame, that was fed by his secret knowledge about Olga Bracely. Why should Lucia rule everyone with her rod of iron? Why, and again why?

      Suddenly he heard his name called in the familiar alto, and there was Lucia in her Shakespeare's garden.

      "Georgino! Georgino mio!" she cried. "Gino!"

      Out of mere habit Georgie got down from his stile, and tripped up the road towards her. The manly seething of his soul's insurrection rebuked him, but unfortunately his legs and his voice surrendered. Habit was strong . . .

      "Amica!" he answered. "Buon giorno." ("And why do I say it in Italian?" he vainly asked himself.)

      "Geordie, come and have ickle talk," she said. "Me want 'oo wise man to advise ickle Lucia."

      "What 'oo want?" asked Georgie, now quite quelled for the moment.

      "Lots-things. Here's pwetty flower for button-holie. Now tell me about black man. Him no snakes have? Why Mrs Quantock say she thinks he no come to poo' Lucia's party-garden?"

      "Oh, did she?" asked Georgie, relapsing into the vernacular.

      "Yes, oh, and by the way there's a parcel come which I think must be the Mozart trio. Will you come over tomorrow morning and read it with me? Yes? About half-past eleven, then. But never mind that."

      She fixed him with her ready, birdy eye.

      "Daisy asked me to ask him," she said, "and so to oblige poor Daisy I did. And now she says she doesn't know if he'll come. What does that mean? Is it possible that she wants to