for the time, as I say, I'm "off" the age of Elizabeth, partly poor Daisy's fault, no doubt. But there were other ages, Georgie, the age of Pericles, for instance. Fancy sitting at Socrates's feet or Plato's, and hearing them talk while the sun set over Salamis or Pentelicus. I must rub up my Greek, Georgie. I used to know a little Greek at one time, and if I ever manage any tableaux again, we must have the death of Agamemnon. And then there's the age of Anne. What a wonderful time, Pope and Addison! So civilized, so cultivated. Their routs and their tea-parties and rapes of the lock. With all the greatness and splendour of the Elizabethan age, there must have been a certain coarseness and crudity about them. No one reveres it more than I, but it is a mistake to remain in the same waters too long. There comes a tide in the affairs of men, which, if you don't nip it in the bud, leads on to boredom.'
'My dear, is that yours?' said Georgie. 'And absolutely impromptu like that! You're too brilliant.'
It was not quite impromptu, for Lucia had thought of it in her bath. But it would be meticulous to explain that.
'Wicked of me, I'm afraid,' she said. 'But it expresses my feelings just now. I do want a change, and my happening to see this notice of Miss Mapp's in The Times seems a very remarkable coincidence. Almost as if it was sent: what they call a leading. Anyhow, you and I will drive over to Tilling tomorrow and see it. Let us make a jaunt of it, Georgie, for it's a long way, and stay the night at an inn there. Then we shall have plenty of time to see the place.'
This was rather a daring project, and Georgie was not quite sure if it was proper. But he knew himself well enough to be certain that no passionate impulse of his would cause Lucia to regret that she had made so intimate a proposal.
'That'll be the greatest fun,' he said. 'I shall take my painting things. I haven't sketched for weeks.'
'Cattivo ragazzo!' said Lucia. 'What have you been doing with yourself?'
'Nothing. There's been no one to play the piano with, and no one, who knows, to show my sketches to. Hours of croquet, just killing the time. Being Drake. How that fête bores me!'
' 'Oo poor thing!' said Lucia, using again the baby-talk in which she and Georgie used so often to indulge. 'But me's back again now, and me will scold 'oo vewy vewy much if 'oo does not do your lessons.'
'And me vewy glad to be scolded again,' said Georgie. 'Me idle boy! Dear me, how nice it all is!' he exclaimed enthusiastically.
The clock on the old oak dresser struck ten, and Lucia jumped up.
'Georgie, ten o'clock already,' she cried. 'How time has flown. Now I'll write out a telegram to be sent to Miss Mapp first thing tomorrow to say we'll get to Tilling in the afternoon, to see her house, and then ickle musica. There was a Mozart duet we used to play. We might wrestle with it again.'
She opened the book that stood on the piano. Luckily that was the very one Georgie had been practising this morning. (So too had Lucia.)
'That will be lovely,' he said. 'But you mustn't scold me if I play vewy badly. Months since I looked at it.'
'Me too,' said Lucia. 'Here we are! Shall I take the treble? It's a little easier for my poor fingers. Now: Uno, due, tre! Off we go!'
Chapter Two
They arrived at Tilling in the middle of the afternoon, entering it from the long level road that ran across the reclaimed marshland to the west. Blue was the sky overhead, complete with larks and small white clouds; the town lay basking in the hot June sunshine, and its narrow streets abounded in red-brick houses with tiled roofs, that shouted Queen Anne and George I in Lucia's enraptured ears, and made Georgie's fingers itch for his sketching-tools.
'Dear Georgie, perfectly enchanting!' exclaimed Lucia. 'I declare I feel at home already. Look, there's another lovely house. We must just drive to the end of this street, and then we'll inquire where Mallards is. The people, too, I like their looks. Faces full of interest. It's as if they expected us.'
The car had stopped to allow a dray to turn into the High Street from a steep cobbled way leading to the top of the hill. On the pavement at the corner was standing quite a group of Tillingites: there was a clergyman, there was a little round bustling woman dressed in a purple frock covered with pink roses which looked as if they were made of chintz, there was a large military-looking man with a couple of golf-clubs in his hand, and there was a hatless girl with hair closely cropped, dressed in a fisherman's jersey and knickerbockers, who spat very neatly in the roadway.
'We must ask where the house is,' said Lucia, leaning out of the window of her Rolls-Royce. 'I wonder if you would be so good as to tell me — '
The clergyman sprang forward.
'It'll be Miss Mapp's house you're seeking,' he said in a broad Scotch accent. 'Straight up the street, to yon corner, and it's right there is Mistress Mapp's house.'
The odd-looking girl gave a short hoot of laughter, and they all stared at Lucia. The car turned with difficulty and danced slowly up the steep narrow street.
'Georgie, he told me where it was before I asked,' said Lucia. 'It must be known in Tilling that I was coming. What a strange accent that clergyman had! A little tipsy, do you think, or only Scotch? The others too! All most interesting and unusual. Gracious, here's an enormous car coming down. Can we pass, do you think?'
By means of both cars driving on to the pavement on each side of the cobbled roadway, the passage was effected, and Lucia caught sight of a large woman inside the other, who in spite of the heat of the day wore a magnificent sable cloak. A small man with a monocle sat eclipsed by her side. Then, with glimpses of more red-brick houses to right and left, the car stopped at the top of the street opposite a very dignified door. Straight in front where the street turned at a right angle, a room with a large bow-window faced them; this, though slightly separate from the house, seemed to belong to it. Georgie thought he saw a woman's face peering out between half-drawn curtains, but it whisked itself away.
'Georgie, a dream,' whispered Lucia, as they stood on the doorstep waiting for their ring to be answered. 'That wonderful chimney, do you see, all crooked. The church, the cobbles, the grass and dandelions growing in between them . . . Oh, is Miss Mapp in? Mrs Lucas. She expects me.'
They had hardly stepped inside, when Miss Mapp came hurrying in from a door in the direction of the bow-window where Georgie had thought he had seen a face peeping out.
'Dear Mrs Lucas,' she said. 'No need for introductions, which makes it all so happy, for how well I remember you at Riseholme, your lovely Riseholme. And Mr Pillson! Your wonderful garden-party! All so vivid still. Red-letter days! Fancy your having driven all this way to see my little cottage! Tea at once, Withers, please. In the garden-room. Such a long drive but what a heavenly day for it. I got your telegram at breakfast-time this morning. I could have clapped my hands for joy at the thought of possibly having such a tenant as Mrs Lucas of Riseholme. But let us have a cup of tea first. Your chauffeur? Of course he will have his tea here, too. Withers: Mrs Lucas's chauffeur. Mind you take care of him.'
Miss Mapp took Lucia's cloak from her, and still keeping up an effortless flow of hospitable monologue, led them through a small panelled parlour which opened on to the garden. A flight of eight steps with a canopy of wistaria overhead led to the garden-room.
'My little plot,' said Miss Mapp. 'Very modest, as you see, three-quarters of an acre at the most, but well screened. My flower-beds: sweet roses, tortoiseshell butterflies. Rather a nice clematis. My Little Eden I call it, so small, but so well beloved.'
'Enchanting!' said Lucia, looking round the garden before mounting the steps up to the garden-room door. There was a very green and well-kept lawn, set in bright flower-beds. A trellis at one end separated it from a kitchen garden beyond, and round the rest ran high brick walls, over which peered the roofs of other houses. In one of these walls was cut a curved archway with a della Robbia head above it.
'Shall we just pop across the