corrections coming of necessity so often—at the end of every fourteen or twenty lines, or whatever the poem might chance to be—wore him out; difference of opinion with his best friends irritated him, and he wrote, at times, too much with a sectarian spirit, in a sort of bravado. But now he is at the helm of a noble bark; now he sails right onward; it is all open ocean and a steady breeze, and he drives before it, unfretted by short tacks, reefing and unreefing the sails, hauling and disentangling the ropes. His only disease is the having been out of his element; his return to it is food to famine; it is both the specific remedy and the condition of health.
THE INCOMMUNICABLE
Without drawing, I feel myself but half invested with language. Music, too, is wanting to me. But yet, though one should unite poetry, draftsman's skill, and music, the greater and, perhaps, nobler, certainly all the subtler, parts of one's nature must be solitary. Man exists herein to himself and to God alone—yea! in how much only to God! how much lies below his own consciousness!
The tree or sea-weed like appearance of the side of the mountain, all white with snow, made by little bits of snow loosened. Introduce this and the stones leaping rabbit-like down on my sopha of sods. [Vide p. 60.]
The sunny mist, the luminous gloom of Plato.
TIME AN ELEMENT OF GRIEF
Nothing affects me much at the moment it happens. It either stupefies me, and I, perhaps, look at a merry-make and dance-the-hay of flies, or listen entirely to the loud click of the great clock, or I am simply indifferent, not without some sense of philosophical self-complacency. For a thing at the moment is but a thing of the moment; it must be taken up into the mind, diffuse itself through the whole multitude of shapes and thoughts, not one of which it leaves untinged, between [not one of] which and it some new thought is not engendered. Now this is a work of time, but the body feels it quicker with me.
THE POET AND THE SPIDER
On St. Herbert's Island, I saw a large spider with most beautiful legs, floating in the air on his back by a single thread which he was spinning out, and still, as he spun, heaving on the air, as if the air beneath was a pavement elastic to his strokes. From the top of a very high tree he had spun his line; at length reached the bottom, tied his thread round a piece of grass, and reascended to spin another—a net to hang, as a fisherman's sea-net hangs, in the sun and wind to dry.
THE COMMUNICABLE
One excellent use of communication of sorrow to a friend is this, that in relating what ails us, we ourselves first know exactly what the real grief is, and see it for itself in its own form and limits. Unspoken grief is a misty medley of which the real affliction only plays the first fiddle, blows the horn to a scattered mob of obscure feelings. Perhaps, at certain moments, a single, almost insignificant sorrow may, by association, bring together all the little relicts of pain and discomfort, bodily and mental, that we have endured even from infancy.
NOSCITUR A SOCIIS
One may best judge of men by their pleasures. Who has not known men who have passed the day in honourable toil with honour and ability, and at night sought the vilest pleasure in the vilest society? This is the man's self. The other is a trick learnt by heart (for we may even learn the power of extemporaneous elocution and instant action as an automatic trick); but a man's pleasures—children, books, friends, nature, the Muse—O these deceive not.
TEMPERAMENT AND MORALS October, 1803
Even among good and sensible men, how common it is that one attaches himself scrupulously to the rigid performance of some minor virtue or makes a point of carrying some virtue into all its minutiæ, and is just as lax in a similar point, professedly lax. What this is depends, seemingly, on temperament. A makes no conscience of a little flattery in cases where he is certain that he is not acting from base or interested motives—in short, whenever his only motives are the amusement, the momentary pleasure given, &c., a medley of good nature, diseased proneness to sympathy, and a habit of being wiser behind the curtain than his own actions before it. B would die rather than deviate from truth and sincerity in this instance, but permits himself to utter, nay, publish the harshest censure of men as moralists and as literati, and that, too, on his simple ipse dixit, without assigning any reason, and often without having any, save that he himself believes it—believes it because he dislikes the man, and dislikes him probably for his looks, or, at best, for some one fault without any collation of the sum total of the man's qualities. Yet A and B are both good men, as the world goes. They do not act from conscious self-love, and are amenable to principles in their own minds.
BRIGHT OCTOBER October 21, 1803, Friday morning
A drizzling rain. Heavy masses of shapeless vapour upon the mountains (O the perpetual forms of Borrowdale!) yet it is no unbroken tale of dull sadness. Slanting pillars travel across the lake at long intervals, the vaporous mass whitens in large stains of light—on the lakeward ridge of that huge arm-chair of Lodore fell a gleam of softest light, that brought out the rich hues of the late autumn. The woody Castle Crag between me and Lodore is a rich flower-garden of colours—the brightest yellows with the deepest crimsons and the infinite shades of brown and green, the infinite diversity of which blends the whole, so that the brighter colours seem to be colours upon a ground, not coloured things. Little woolpacks of white bright vapour rest on different summits and declivities. The vale is narrowed by the mist and cloud, yet through the wall of mist you can see into a bower of sunny light, in Borrowdale; the birds are singing in the tender rain, as if it were the rain of April, and the decaying foliage were flowers and blossoms. The pillar of smoke from the chimney rises up in the mist, and is just distinguishable from it, and the mountain forms in the gorge of Borrowdale consubstantiate with the mist and cloud, even as the pillar'd smoke—a shade deeper and a determinate form.
TELEOLOGY AND NATURE WORSHIP A PROTEST October 26, 1803
A most unpleasant dispute with Wordsworth and Hazlitt. I spoke, I fear, too contemptuously; but they spoke so irreverently, so malignantly of the Divine Wisdom that it overset me. Hazlitt, how easily raised to rage and hatred self-projected! but who shall find the force that can drag him up out of the depth into one expression of kindness, into the showing of one gleam of the light of love on his countenance. Peace be with him! But thou, dearest Wordsworth—and what if Ray, Durham, Paley have carried the observation of the aptitude of things too far, too habitually into pedantry? O how many worse pedantries! how few so harmless, with so much efficient good! Dear William, pardon pedantry in others, and avoid it in yourself, instead of scoffing and reviling at pedantry in good men and a good cause and becoming a pedant yourself in a bad cause—even by that very act becoming one. But, surely, always to look at the superficies of objects for the purpose of taking delight in their beauty, and sympathy with their real or imagined life, is as deleterious to the health and manhood of intellect as, always to be peering and unravelling contrivance may be to the simplicity of the affection and the grandeur and unity of the imagination. O dearest William! would Ray or Durham have spoken of God as you spoke of Nature?
W. H.
Hazlitt to the feelings of anger and hatred, phosphorus—it is but to open the cork and it flames—but to love and serviceable friendship, let them, like Nebuchadnezzar, heat the furnace with a sevenfold heat, this triune, Shadrach, Meshach, Abed-nego, will shiver in the midst of it.
THE ORIGIN OF EVIL Thursday October 27, 1803
I sate for my picture [to Hazlitt]—heard from Southey the "Institution of the Jesuits," during which some interesting idea occurred to me, and has escaped. I made out, however, the whole business of the origin of evil satisfactorily to my own mind, and forced H. to confess that the metaphysical argument reduced itself to this, Why did not infinite Power always exclusively produce such beings as in each moment of their duration were infinite? why, in short, did not the Almighty create an absolutely infinite number of Almighties? The hollowness and impiety of the argument will be felt by considering that, suppose a universal happiness, a perfection of the moral as well as natural world, still the whole objection applies just as forcibly as at this moment. The malignity of the Deity (I shudder even at the assumption of this