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The History of Witchcraft in Europe


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allies to guard the wood which supplied the infidels with materials for carrying on the siege of the city (xiii.). And the masterpieces of art of Guido or Raffaelle, which excite at once admiration and despair in their modern disciples, consecrated and immortalised the vulgar superstition.

      'Belial, the dissolutest spirit that fell,

       The sensualist; and after Asmodai

       The fleshliest Incubus.'—Par. Reg.

      Chapter II.

       Table of Contents

      Three Sorts of Witches—Various Modes of Witchcraft—Manner of Witch-Travelling—The Sabbaths—Anathemas of the Popes against the Crime—Bull of Adrian VI.—Cotemporary Testimony to the Severity of the Persecutions—Necessary Triumph of the Orthodox Party—Germany most subject to the Superstition—Acts of Parliament of Henry against Witchcraft—Elizabeth Barton—The Act of 1562—Executions under Queen Elizabeth's Government—Case of Witchcraft narrated by Reginald Scot.

      Equally various and contradictory are the motives and acts assigned to witches. Nothing is too great or too mean for their practice: they engage with equal pleasure in the overthrow of a kingdom or a religion, and in inflicting the most ordinary evils and mischiefs in life. Their mode of bewitching is various: by fascination or casting an evil eye ('Nescio,' says the Virgilian shepherd, 'quis teneros oculus mihi fascinat agnos'); by making representations of the person to be acted upon in wax or clay, roasting them before a fire; by mixing magical ointments or other compositions and ingredients revealed to us in the witch-songs of Shakspeare, Jonson, Middleton, Shadwell, and others; sometimes merely by muttering an imprecation.

      A mock sermon often concludes the night's proceedings, the ordinary salutation of the osculum