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The History of Witchcraft in Europe


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of unbaptized babes. Was there ever a more curious mixture of the grotesque and the horrible? At a stamp from the devil’s foot they returned to the earth whence they came, and a banquet was served up, the nature of which the reader may be left to imagine! Dancing was afterwards resumed, while those who had no partiality for the pastime found amusement in burlesquing the sacrament of baptism, the toads being again summoned and sprinkled with holy water, while the devil made the sign of the cross, and the witches cried out in chorus: ‘In nomine Patricâ, Aragueaco Patrica, agora, agora! Valentia, jurando gome guito goustia!’ that is, ‘In the name of Patrick, Patrick of Aragon now, now, all our ills are over!’

      Sometimes the devil would cause the witches to strip themselves, and dance before him in their nakedness, each with a cat tied round her neck, and another suspended from her body like a tail. At cockcrow the whole phantasmagoria vanished.

      One cannot help wondering who first conceived the idea of these horrid saturnalia. Did it spring from the diseased imagination of some half-mad monk, brooding in the solitude of his silent cell, who gathered up all these unclean and grim images and worked them into so ghastly a picture? They are partly heathen, partly Christian; partly classical, partly Teutonic—a strange and unwholesome compound, as ‘thick and slab’ as the hell-broth mixed by the hags on ‘the blasted heath’!

      In these pages I am concerned only with our own ‘tight little island,’ into which the superstition was most certainly introduced by the northern invaders. It would derive strength and consistency from the teaching of the Old Testament, which distinctly recognises the existence of witchcraft. ‘Let not a witch live!’ is the command given in Exodus (chapter xxii.); and similar threats against witches, wizards and the like frequently occur in the books of Leviticus and Deuteronomy. Says Sir William Blackstone: ‘To deny the possibility, nay, the actual existence of witchcraft and sorcery, is at once flatly to contradict the revealed Word of God in various passages of the Old and New Testaments, and the thing itself is a truth to which every nation in the world hath, in its turn, borne testimony, either by example seemingly well attested, or by prohibitory laws, which at least suppose the possibility of a commerce with evil spirits.’ The Church at a very early period admitted its existence, and fulminated against all who practised it. The fourth canon of the Council of Auxerre, in 525, stringently prohibited all resort to sorcerers, diviners, augurs, and the like. A canon of the Council held at Berkhampstead in 696 condemned to corporal punishment, or mulcted in a fine, every person who made sacrifices to the evil spirits. Under the name of sortilegium, the offence was treated eventually as a kind of heresy, for which, on the first occasion, the offender, if penitent, was punished by the Ecclesiastical Courts; but if there were no abjuration, or a relapse after abjuration, she was handed over to the secular power to be executed by authority of the writ de heretico comburendo. At a later date, statutes against witchcraft were enacted by Parliament, and the offence was both tried and punished by the civil power. Such statutes were passed in the reigns of Henry VIII., Elizabeth, and James I. Legislation derives its chief support from public opinion; and these statutes are a proof that the existence of witchcraft was generally believed in. ‘For centuries in this country,’ says Mr. Inderwick, ‘strange as it may now appear, a denial of the existence of such demoniacal agency was deemed equal to a confession of atheism, and to a disbelief in the Holy Scriptures themselves. Not only did Lord Chancellors, Lord Keepers, benches of Bishops, and Parliament after Parliament attest the truth and the existence of witchcraft, but Addison, writing as late as 1711, in the pages of the Spectator, after describing himself as hardly pressed by the arguments on both sides of this question, expresses his own belief that there is, and has been, witchcraft in the land.’ At the same time, it is pleasant to remember that there have almost always been a few minds, bolder and more enlightened than the rest, to protest against a credulity which led to acts of the greatest inhumanity, and fostered a grotesque and dangerous superstition.

      It is in the twelfth century that we first obtain, in England, any distinct indications of the nature of this superstition, and it is then we first meet with the written compact between the devil and his victim. The story of the old woman of Berkeley, with which Southey’s ballad has made everybody familiar, is related by William of Malmesbury, on the authority of a friend who professed to have been an eye-witness of the facts. When the devil, we read, announced to the witch that the term of her compact had nearly expired, she summoned to her presence the monks of the neighbouring monastery and her children, confessed her sins, acknowledged her criminal compact, and displayed a curious anxiety lest Satan should secure her body as well as her soul. ‘Sew me in a stag’s hide,’ she said, ‘and, placing me in a stone coffin, shut me in with lead and iron. Load this with a heavy stone, and fasten down the whole with three iron chains. Let fifty psalms be sung by night, and fifty masses be said by day, to baffle the power of the demons, and if you can thus protect my body for three nights, on the fourth day you may safely bury it in the ground.’ These precautions, though religiously observed, proved ineffectual. On the first night the monks bravely resisted the efforts of the fiends, who, however, on the second night, renewed the attack with increased vehemence, burst open the gates of the monastery, and rent asunder two of the chains which held down the coffin. On the third night, so terrible was the hurly-burly, that the monastery shook to its foundations, and the terror-stricken priests paused, aghast, in the midst of their ministrations. Then the doors flew apart, and into the sacred place stalked a demon, who rose head and shoulders above his fellows. Stopping at the coffin, he, in a terrible voice, commanded the dead to rise. The woman answered that she was bound by the third chain: whereupon the demon put his foot on the coffin, the chain snapped like a thread, the coffin-lid fell off, the witch arose, and was hurried to the church-door, where the demon, mounting a huge black horse, swung his victim on to the crupper, and galloped away into the darkness with the swiftness of an arrow, while her shrieks resounded through the air.

      There are many allusions in the old monastic chronicles which illustrate the development of public opinion in reference to witches and their craft. Thus, John of Salisbury describes the nocturnal assemblies of the witches, the presence of Satan, the banquet, and the punishment or reward of the guests according to the failure or abundance of their zeal. William of Malmesbury tells us that on the highroad to Rome dwelt a couple of beldams, of ill repute, who enticed the weary traveller into their wretched hovel, and by their incantations transformed him into a horse, a dog, or some other animal—similar to the transformations we read of in Oriental tales—and that this animal they sold to the first comer, in this way picking up a tolerable livelihood. One day, a jongleur, or mountebank, asked for a night’s lodging, and when he disclosed his vocation to the two hags, they informed him that they had an ass of remarkable capacity, which, indeed, could do everything but speak, and that they were willing to sell it. The sum asked was large, but the ass displayed such wonderful intelligence that the jongleur gladly paid it, and departed, taking with him the ass and a piece of advice from the old women—not to let the ass go near running water. For some time all went well, the ass became an immense attraction, and the jongleur was growing passing rich, when, in one of his drunken fits, he allowed the animal to escape. Running directly to the nearest stream, it plunged in, and immediately resumed its original shape as a handsome young man, who explained that he had been transformed by the spells of the two crones.

      The first trial for witchcraft in England occurred in the tenth year of King John, when, as recorded in the ‘Abbreviatio Placitorum,’ Agnes, wife of Ado the merchant, accused one Gideon of the crime; but he proved his innocence by the ordeal of red-hot iron. The first trial which has been reported with any degree of particularity belongs to the year 1324. Some citizens of Coventry, it would appear, had suffered severely at the hands of the prior, who had been supported in his exactions by the two Despensers, Edward II.’s unworthy favourites. In revenge, they plotted the death of the prior, the favourites, and the King. For this purpose they sought the assistance of a famous magician of Coventry, named Master John of Nottingham, and his man, Robert Marshall of Leicester. The conspiracy was revealed by the said Robert Marshall, probably because his pecuniary reward was unsatisfactory, and he averred that John of Nottingham and himself, having agreed to carry out the desire of the citizens, the latter, on Sunday, March 13, brought an instalment of the stipulated fee, together with seven pounds of wax and two yards of canvas; that with this wax he and his master made seven images, representing respectively the King (with his crown), the two Despensers,