a quiet court.
"Are you the boy I've read of in the papers?" she asked behind her veil.
"I don't know," says Jo, staring moodily at the veil, "nothink about no papers. I don't know nothink about nothink at all."
"Were you examined at an inquest?"
"I don't know nothink about no—where I was took by the beadle, do you mean?" says Jo. "Was the boy's name at the inkwhich Jo?"
"Yes."
"That's me!" says Jo.
"Come farther up."
"You mean about the man?" says Jo, following. "Him as wos dead?"
"Hush! Speak in a whisper! Yes. Did he look, when he was living, so very ill and poor?"
"Oh, jist!" says Jo.
"Did he look like—not like YOU?" says the woman with abhorrence.
"Oh, not so bad as me," says Jo. "I'm a reg'lar one I am! You didn't know him, did you?"
"How dare you ask me if I knew him?"
"No offence, my lady," says Jo with much humility, for even he has got at the suspicion of her being a lady.
"I am not a lady. I am a servant."
"You are a jolly servant!" says Jo without the least idea of saying anything offensive, merely as a tribute of admiration.
"Listen and be silent. Don't talk to me, and stand farther from me! Can you show me all those places that were spoken of in the account I read? The place he wrote for, the place he died at, the place where you were taken to, and the place where he was buried? Do you know the place where he was buried?"
Jo answers with a nod, having also nodded as each other place was mentioned.
"Go before me and show me all those dreadful places. Stop opposite to each, and don't speak to me unless I speak to you. Don't look back. Do what I want, and I will pay you well."
Jo attends closely while the words are being spoken; tells them off on his broom-handle, finding them rather hard; pauses to consider their meaning; considers it satisfactory; and nods his ragged head.
"I'm fly," says Jo. "But fen larks, you know. Stow hooking it!"
"What does the horrible creature mean?" exclaims the servant, recoiling from him.
"Stow cutting away, you know!" says Jo.
"I don't understand you. Go on before! I will give you more money than you ever had in your life."
Jo screws up his mouth into a whistle, gives his ragged head a rub, takes his broom under his arm, and leads the way, passing deftly with his bare feet over the hard stones and through the mud and mire.
Cook's Court. Jo stops. A pause.
"Who lives here?"
"Him wot give him his writing and give me half a bull," says Jo in a whisper without looking over his shoulder.
"Go on to the next."
Krook's house. Jo stops again. A longer pause.
"Who lives here?"
"HE lived here," Jo answers as before.
After a silence he is asked, "In which room?"
"In the back room up there. You can see the winder from this corner. Up there! That's where I see him stritched out. This is the public-ouse where I was took to."
"Go on to the next!"
It is a longer walk to the next, but Jo, relieved of his first suspicions, sticks to the forms imposed upon him and does not look round. By many devious ways, reeking with offence of many kinds, they come to the little tunnel of a court, and to the gas-lamp (lighted now), and to the iron gate.
"He was put there," says Jo, holding to the bars and looking in.
"Where? Oh, what a scene of horror!"
"There!" says Jo, pointing. "Over yinder. Among them piles of bones, and close to that there kitchin winder! They put him wery nigh the top. They was obliged to stamp upon it to git it in. I could unkiver it for you with my broom if the gate was open. That's why they locks it, I s'pose," giving it a shake. "It's always locked. Look at the rat!" cries Jo, excited. "Hi! Look! There he goes! Ho! Into the ground!"
The servant shrinks into a corner, into a corner of that hideous archway, with its deadly stains contaminating her dress; and putting out her two hands and passionately telling him to keep away from her, for he is loathsome to her, so remains for some moments. Jo stands staring and is still staring when she recovers herself.
"Is this place of abomination consecrated ground?"
"I don't know nothink of consequential ground," says Jo, still staring.
"Is it blessed?"
"Which?" says Jo, in the last degree amazed.
"Is it blessed?"
"I'm blest if I know," says Jo, staring more than ever; "but I shouldn't think it warn't. Blest?" repeats Jo, something troubled in his mind. "It an't done it much good if it is. Blest? I should think it was t'othered myself. But I don't know nothink!"
The servant takes as little heed of what he says as she seems to take of what she has said herself. She draws off her glove to get some money from her purse. Jo silently notices how white and small her hand is and what a jolly servant she must be to wear such sparkling rings.
She drops a piece of money in his hand without touching it, and shuddering as their hands approach. "Now," she adds, "show me the spot again!"
Jo thrusts the handle of his broom between the bars of the gate, and with his utmost power of elaboration, points it out. At length, looking aside to see if he has made himself intelligible, he finds that he is alone.
His first proceeding is to hold the piece of money to the gas-light and to be overpowered at finding that it is yellow—gold. His next is to give it a one-sided bite at the edge as a test of its quality. His next, to put it in his mouth for safety and to sweep the step and passage with great care. His job done, he sets off for Tom-all-Alone's, stopping in the light of innumerable gas-lamps to produce the piece of gold and give it another one-sided bite as a reassurance of its being genuine.
The Mercury in powder is in no want of society to-night, for my Lady goes to a grand dinner and three or four balls. Sir Leicester is fidgety down at Chesney Wold, with no better company than the gout; he complains to Mrs. Rouncewell that the rain makes such a monotonous pattering on the terrace that he can't read the paper even by the fireside in his own snug dressing-room.
"Sir Leicester would have done better to try the other side of the house, my dear," says Mrs. Rouncewell to Rosa. "His dressing-room is on my Lady's side. And in all these years I never heard the step upon the Ghost's Walk more distinct than it is to-night!"
Chapter XVII.
Esther's Narrative
Richard very often came to see us while we remained in London (though he soon failed in his letter-writing), and with his quick abilities, his good spirits, his good temper, his gaiety and freshness, was always delightful. But though I liked him more and more the better I knew him, I still felt more and more how much it was to be regretted that he had been educated in no habits of application and concentration. The system which had addressed him in exactly the same manner as it had addressed hundreds of other boys, all varying in character and capacity, had enabled him to dash through his tasks, always with fair credit and often with distinction, but in a fitful, dazzling way that had confirmed his reliance on those very qualities in himself which it had been most desirable