a very obtrusive demonstration in his greasily meek smile of coming a long way downstairs for the purpose, "if the master of this house was to go forth into the city and there see an eel, and was to come back, and was to call unto him the mistress of this house, and was to say, 'Sarah, rejoice with me, for I have seen an elephant!' would THAT be Terewth?"
Mrs. Snagsby in tears.
"Or put it, my juvenile friends, that he saw an elephant, and returning said 'Lo, the city is barren, I have seen but an eel,' would THAT be Terewth?"
Mrs. Snagsby sobbing loudly.
"Or put it, my juvenile friends," said Chadband, stimulated by the sound, "that the unnatural parents of this slumbering heathen—for parents he had, my juvenile friends, beyond a doubt—after casting him forth to the wolves and the vultures, and the wild dogs and the young gazelles, and the serpents, went back to their dwellings and had their pipes, and their pots, and their flutings and their dancings, and their malt liquors, and their butcher's meat and poultry, would THAT be Terewth?"
Mrs. Snagsby replies by delivering herself a prey to spasms, not an unresisting prey, but a crying and a tearing one, so that Cook's Court re-echoes with her shrieks. Finally, becoming cataleptic, she has to be carried up the narrow staircase like a grand piano. After unspeakable suffering, productive of the utmost consternation, she is pronounced, by expresses from the bedroom, free from pain, though much exhausted, in which state of affairs Mr. Snagsby, trampled and crushed in the piano-forte removal, and extremely timid and feeble, ventures to come out from behind the door in the drawing-room.
All this time Jo has been standing on the spot where he woke up, ever picking his cap and putting bits of fur in his mouth. He spits them out with a remorseful air, for he feels that it is in his nature to be an unimprovable reprobate and that it's no good HIS trying to keep awake, for HE won't never know nothink. Though it may be, Jo, that there is a history so interesting and affecting even to minds as near the brutes as thine, recording deeds done on this earth for common men, that if the Chadbands, removing their own persons from the light, would but show it thee in simple reverence, would but leave it unimproved, would but regard it as being eloquent enough without their modest aid—it might hold thee awake, and thou might learn from it yet!
Jo never heard of any such book. Its compilers and the Reverend Chadband are all one to him, except that he knows the Reverend Chadband and would rather run away from him for an hour than hear him talk for five minutes. "It an't no good my waiting here no longer," thinks Jo. "Mr. Snagsby an't a-going to say nothink to me to-night." And downstairs he shuffles.
But downstairs is the charitable Guster, holding by the handrail of the kitchen stairs and warding off a fit, as yet doubtfully, the same having been induced by Mrs. Snagsby's screaming. She has her own supper of bread and cheese to hand to Jo, with whom she ventures to interchange a word or so for the first time.
"Here's something to eat, poor boy," says Guster.
"Thank'ee, mum," says Jo.
"Are you hungry?"
"Jist!" says Jo.
"What's gone of your father and your mother, eh?"
Jo stops in the middle of a bite and looks petrified. For this orphan charge of the Christian saint whose shrine was at Tooting has patted him on the shoulder, and it is the first time in his life that any decent hand has been so laid upon him.
"I never know'd nothink about 'em," says Jo.
"No more didn't I of mine," cries Guster. She is repressing symptoms favourable to the fit when she seems to take alarm at something and vanishes down the stairs.
"Jo," whispers the law-stationer softly as the boy lingers on the step.
"Here I am, Mr. Snagsby!"
"I didn't know you were gone—there's another half-crown, Jo. It was quite right of you to say nothing about the lady the other night when we were out together. It would breed trouble. You can't be too quiet, Jo."
"I am fly, master!"
And so, good night.
A ghostly shade, frilled and night-capped, follows the law-stationer to the room he came from and glides higher up. And henceforth he begins, go where he will, to be attended by another shadow than his own, hardly less constant than his own, hardly less quiet than his own. And into whatsoever atmosphere of secrecy his own shadow may pass, let all concerned in the secrecy beware! For the watchful Mrs. Snagsby is there too—bone of his bone, flesh of his flesh, shadow of his shadow.
Chapter XXVI.
Sharpshooters
Wintry morning, looking with dull eyes and sallow face upon the neighbourhood of Leicester Square, finds its inhabitants unwilling to get out of bed. Many of them are not early risers at the brightest of times, being birds of night who roost when the sun is high and are wide awake and keen for prey when the stars shine out. Behind dingy blind and curtain, in upper story and garret, skulking more or less under false names, false hair, false titles, false jewellery, and false histories, a colony of brigands lie in their first sleep. Gentlemen of the green-baize road who could discourse from personal experience of foreign galleys and home treadmills; spies of strong governments that eternally quake with weakness and miserable fear, broken traitors, cowards, bullies, gamesters, shufflers, swindlers, and false witnesses; some not unmarked by the branding-iron beneath their dirty braid; all with more cruelty in them than was in Nero, and more crime than is in Newgate. For howsoever bad the devil can be in fustian or smock-frock (and he can be very bad in both), he is a more designing, callous, and intolerable devil when he sticks a pin in his shirt-front, calls himself a gentleman, backs a card or colour, plays a game or so of billiards, and knows a little about bills and promissory notes than in any other form he wears. And in such form Mr. Bucket shall find him, when he will, still pervading the tributary channels of Leicester Square.
But the wintry morning wants him not and wakes him not. It wakes Mr. George of the shooting gallery and his familiar. They arise, roll up and stow away their mattresses. Mr. George, having shaved himself before a looking-glass of minute proportions, then marches out, bare-headed and bare-chested, to the pump in the little yard and anon comes back shining with yellow soap, friction, drifting rain, and exceedingly cold water. As he rubs himself upon a large jack-towel, blowing like a military sort of diver just come up, his hair curling tighter and tighter on his sunburnt temples the more he rubs it so that it looks as if it never could be loosened by any less coercive instrument than an iron rake or a curry-comb—as he rubs, and puffs, and polishes, and blows, turning his head from side to side the more conveniently to excoriate his throat, and standing with his body well bent forward to keep the wet from his martial legs, Phil, on his knees lighting a fire, looks round as if it were enough washing for him to see all that done, and sufficient renovation for one day to take in the superfluous health his master throws off.
When Mr. George is dry, he goes to work to brush his head with two hard brushes at once, to that unmerciful degree that Phil, shouldering his way round the gallery in the act of sweeping it, winks with sympathy. This chafing over, the ornamental part of Mr. George's toilet is soon performed. He fills his pipe, lights it, and marches up and down smoking, as his custom is, while Phil, raising a powerful odour of hot rolls and coffee, prepares breakfast. He smokes gravely and marches in slow time. Perhaps this morning's pipe is devoted to the memory of Gridley in his grave.
"And so, Phil," says George of the shooting gallery after several turns in silence, "you were dreaming of the country last night?"
Phil, by the by, said as much in a tone of surprise as he scrambled out of bed.
"Yes, guv'ner."
"What was it like?"
"I hardly know what it was like, guv'ner," said Phil, considering.
"How